Archive for the ‘Interview’ Category

  • Playboy Interview with Quentin Tarantino

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    used with tidings from Playboy.com

    His house is filled with movie memorabilia. Posters for unexpected films—Children Shouldn’t Play With Dead Things, for example—hang on one wall, and I think I spotted oversize green Hulk hands. You can tell Tarantino is still single and able to indulge his voracious appetite for all things movies, because no wife would put up with it.”

    For the full prologue, please visit Playboy.com
    (obviously some images/language NSFW)

    On quitting making movies while he’s ahead: “I’m on a journey that needs to have an end and not be about me trying to get another job. I want this artistic journey to have a climax. I want to work toward something. You stop when you stop, but in a fanciful world, 10 movies in my filmography would be nice. I’ve made seven. If I have a change of heart, if I come up with a new story, I could come back. But if I stop at 10, that would be okay as an artistic statement.”
    On including controversial language in his films, such as the N word: “I’m just telling my story the way I’m telling it. I’m putting it in a spaghetti Western framework and highlighting the surreal qualities inherent in the material. I’m highlighting them mythically and operatically, and in terms of violence and gruesomeness, with pitch-black humor.”
    On getting high while in production: “I wouldn’t do anything impaired while making a movie. I don’t so much write high, but say you’re thinking about a musical sequence. You smoke a joint, you put on some music, you listen to it and you come up with some good ideas. …I don’t need pot to write, but it’s kind of cool.”
    On rewriting history in Inglorious Basterds and Django Unchained: “You turn on a movie and know how things are going to go in most films. Every once in a while films don’t play by the rules. It’s liberating when you don’t know what’s happening next. …I thought, What about telling these kinds of stories my way – rough and tough but gratifying at the end?”
    On originally seeking Will Smith to play the lead in Django Unchained: “We spent quite a few hours together over a weekend when he was in New York doing Men in Black 3. …I think half the process was an excuse for us to hang out and spend time with one another. …It just wasn’t 100 percent right, and we didn’t have time to try to make it that way.”
    On why he ultimately cast Jamie Foxx in the role: “He was the cowboy…Forget the fact that he has his own horse—and that is actually his horse in the movie. He’s from Texas; he understands. …He understood what it’s like to be thought of as an ‘other.’”
    On Leonardo DiCaprio’s role as the villain, Calvin Candie: “I hated Candie, and I normally like my villains no matter how bad they are. …what I’m always trying to do…is get you to kind of like these guys, despite on-screen evidence that you shouldn’t. Despite the things they do and say and despite their agenda. I also like making people laugh at f*cked-up sh*t.”
    On the Aurora, Colorado, tragedy during Dark Knight Rises and the issue of films glorifying violence: “I think that guy was a nut. He went in there to kill a bunch of people because he knew there would be a lot of people there… That’s no different from a guy going into a McDonald’s and shooting up people at lunchtime because he knows a lot of people will be there.”
    On his celebrity status: “I’m not a Hollywood outsider anymore. I know a lot of people. I like them. They like me. I think I’m a pretty good member of this community… I still do things my own way, but I didn’t go away either. I still kind of feel like I’m always trying to prove I belong here.”
    On rising to the level of his earlier work: “I want there to be anticipation. I was actually quite proud when I read that Django is one of the most anticipated movies coming out this year. It’s a black Western. Where’s the anticipation coming from? I guess a lot of it is me. That’s pretty f*cking awesome.”
    On settling down as he approaches 50: “If I had a wife, I would probably be more polite. She would make me write thank-you notes, which I won’t do on my own. I wouldn’t be such a caveman.”
    On his ideal wife: “If I want to live in Paris for a year, what the f*ck? I can. I don’t have to arrange anything; I can just do it. If there is an actor or director I want to get obsessed with and study their films for the next 12 days, I can do that. The perfect person would be a Playmate who would enjoy that.”

    The full interview is under the seats… » Read the rest of the entry..

  • Flyway Pubcast #7 – Matt and Kim Garland [Vivienne Again]

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    The final film in the brilliant block of shorts at Flyway Film Festival last weekend was Vivienne Again. It was the perfect end to the block, being close to Halloween, as this one deals with the resurrection of the dead. As creepy as that sounds (and for an instant it is), Vivienne Again is actually an exercise in relationships and communication. And to prove the short is as interesting and intriguing as it sounds, the film won the Kickstarter Jury Award here at Flyway. You can check out the beginnings of their next project, Deal Travis In, on Facebook. And don’t tell anyone, but you’ll hear it here first; the possibility of a future collaboration with Gary King and co. Ssshh.
     

    To listen, hit the play button on the player above or grab the raw .mp3:
    http://rowthree.com/audio/Flyway2012/matt-kim.mp3

     

     

    VIVIENNE AGAIN: Official site | Facebook
    KIM: Twitter | Facebook
    MATT: Facebook
    Another interview with James Gillham from WhereTheLongTailEnds
    Script Chat | (Twitter)
    Flyway Film Festival

  • Flyway Pubcast #5 – Troy Bernier

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    Every indie film maker’s work is tough going and on some level a passion project. They’re doing it because they want to. And every single one of them will tell you how hard they worked on their project and how much love they put into it. But maybe more heart and sweat went into this film maker’s movie than any of the others, with their production of Planet X Part II: The Frozen Moon.

    Troy Bernier is co-writer/producer/director on this project and it has come to the attention of Flyway through a documentary (Journey to Planet X) that showcases the hard work these guys have put into their films. Troy was a blast to sit and talk with – almost as much of a blast as his film.

    To listen, hit the play button on the player above or grab the raw .mp3:
    http://rowthree.com/audio/Flyway2012/Troy-Bernier.mp3

     

     

    Relevant Links:
    ginfilms.com
    Spotify soundtrack
    IMDb
    Flyway Film Festival

  • Flyway Pubcast #4 – Philippe Lupien and Vincent Ethier

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    Once again we get some returning film makers to Flyway and each year their stuff gets better and better. So good was their short this year, that it won best short film. And with the fantastic line-up of short films at this year’s festival, that is indeed a true honor. These guys are the most easy-going guys we’ve ever had the pleasure of talking with and it’s so great to have this level of craft at the festival. While it was fun discussing working with The Devil vs working with children, I think the highlight was working on English vocabulary and Matt and Andrew learning hard-core cursing in French. Good times.

    To listen, hit the play button on the player above or grab the raw .mp3:
    http://rowthree.com/audio/Flyway2012/felipe-vincent.mp3

     

    Relevant Links:
    Vincent on Twitter | Facebook
    Philippe on Twitter | Facebook
    Flyway Film Festival

  • Flyway Pubcast #3 – Xan Aranda

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    Five years we’ve been at Flyway Film Festival and this is the fourth year we’ve downed wine at the interview table with Xan Aranda. In previous years, Xan has been here with her production of a feature film, she’s curated the short film showcase and now she’s in Pepin as part of the advisory board at Flyway. So we get to talk about crowd sourcing, festival whirl-winds, Neko Case, her upcoming controversial religion movie and making a film with an ex-boyfriend. So yeah, it’s fun.

    To listen, hit the play button on the player above or grab the raw .mp3:
    http://rowthree.com/audio/Flyway2012/xan-aranda.mp3

     

     
    Relevant Links:
    Xan on Twitter | Facebook
    Fever Year
    Mormon Movie
    Sound Unseen Film Festival
    Flyway Film Festival

  • Flyway Pubcast #2 – Mark DiConzo and Joe Schermann!

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    Super excited to be sitting down with Mark DiConzo and Joe Schermann from writer/director Gary King’s newest picture, a musical dramedy, How to Write a Joe Schermann Song. Gary was not able to make the fest this year, but being a huge fan of Mark DiConzo since 2009′s New York Lately I was really jazzed about getting to hang out with these guys over the weekend. You can hear the clink of beer bottles before the interview begins – welcome to Flyway!

    To listen, hit the play button on the player above or grab the raw .mp3:
    http://rowthree.com/audio/Flyway2012/joe-schermann.mp3

    Relevant Links:
    Mark Twitter | Facebook
    Joe Twitter | Facebook
    Roulette the Musical: Official | Twitter | Facebook
    Vote for the film to win a Gotham Award!
    Flyway Film Festival

  • Flyway Pubcast #1 – Rick Vacius

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    Matt Gamble from and I were able to pull away the ever important Flyway Director, Rick Vacius, away from his many fans for a few minutes to talk a little bit about the tough times he’s had to endure both with festival logistics and personal difficulties. Nevertheless, the best Flyway yet is under his control and he talks about how it all came together.

    To listen, hit the play button on the player above or grab the raw .mp3:
    http://rowthree.com/audio/Flyway2012/Rick-Vacius.mp3

     

    Relevant Links:
    Flyway Film Festival
    Twitter

  • Kubrick’s Perspective

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    Here’s a fantastic little montage of video clips from almost all of Stanley Kubrick’s films (the latter ones anyway) that vividly display the director’s love for symmetry. The juxtaposition that can be seen within the editing is, in a word: stunning. Ah, those hallways!

    Clint Mansell’s, Requiem for a Dream score is kind of overused these days but works pretty well in bringing Kubrick’s vision to life; bursting with color, energy and mastery.

    There are multiple moments within the montage that quickly venture back and forth between two films very quickly (see :52 & 1:16) that are particularly exciting and well imagined. Thank you to kogonada for putting this together. But most of all, thank you Mr. Kubrick for existing and still the reigning champ as my favorite director and creator of my favorite film.

    If you’re now hungry for a little more insight into Kubrick, contributor RowThree Kurt Halfyard sent along to me this wonderful interview with Stan, performed on 27th November 1966 by Jeremy Bernstein. You can check it out under the seats…

    » Read the rest of the entry..

  • Screen Test: Penélope Cruz

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    Thanks to Marina for pointing me in the direction of this great little series of webisodes from writer/columnist, Lynn Hirschberg, in which she cuts together these great looking interview responses from various celebrities discussing their first experiences with film, various film makers and being on-set. There are a whole bunch of these celebrity interviews from Tom Cruise to Nicole Kidman to Christopher Plummer to Mark Ruffalo and many more. Of course, this one talking about Woody Allen and sex scenes is the best:

    “I’ve had to die in a few movies and I don’t like eet.”

  • Live Q&A with Angelina Jolie

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    In recent years, Angelina Jolie has seemingly spanned the gamut of acting roles. Besides the ass-kicking globe trotter that she’s probably best known for, she also shown real acting chops in films such as A Mighty Heart, The Good Shepherd and The Changeling with the occasional sexual thriller thrown in for good measure. But now it seems she’s taken to writing and directing as well – even earning herself a Golden Globe for the picture in the best foreign language category (up against heavy hitters, A Separation, The Skin I Live In and Zhang Yimou’s The Flowers of War).

    So if it pleases the court, we’d like to present a live webcast of a Q&A with Ms. Jolie in support of her film. And we’ve got a spot right in the third row for you. Stop back on THURSDAY, JANUARY 12th at 8pm eastern time to watch…

    …and participate! Leave a question in the comments section for Angelina Jolie. We’ll pick one at semi-random and offer it up for the Q&A. That writer of that question will also receive a complimentary poster from the film (like the one pictured above). So think about what you might want to ask Lara Croft and send it her way via the comment section below.

     

     

  • Flyway Pubcast #5 – Xan Aranda Talks About Andrew Bird Documentary

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    Today’s Pubcast is brought to you by Andrew, Matt, Flyway regular Xan Aranda (of the Chicago Short Film Brigade) and Summit Beer Brewing Company. Though Xan has typically been involved with programming the shorts for Flyway Film Fetival in the past, this year she’s here pretty much just for the fun of it. Of course this isn’t to say she doesn’t have stuff to talk about.

    Her documentary, Fever Year, featuring musican/songwriter Andrew Bird is on the way. Andrew James meanwhile is busy with his 12 year-old scotch (thanks Peri!) so I defer to my girlfriend Emma to ask the tough questions before Gamble goes back to his gushing. Welcome to the drunken shenanigans that is Flyway 2011!

     

    Meanwhile, check out the trailer for FEVER YEAR under the seats…
     

    » Read the rest of the entry..

  • Flyway Pubacast #3 – Gary King!

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    Our good buddy GARY KING is back at Flyway once again! While he doesn’t have a film this year (he had two last year so he’s trying to maintain modesty), he’s always down for a cine-conversation. James Gillham from Where the Long Tail Ends wanted to talk to the director a little bit about horror films in general, given the time of year. I couldn’t help but interrupt and give my own thoughts as well.

    From there we talk a little bit about Gary’s upcoming film How Do You Write a Joe Schermann Song and when we can expect a screening. Mostly it’s all laughs and fun here as we takl about The Exorcist, [rec] and other paranormal and religious horrifications (welcome to Flyway Film Festival!).

     

    You can follow Gary and his films here:
    Film Page
    Twitter
    Facebook
    IMDb

    AND check out the trailer for How do You Write a Joe Schermann Song under the seats…

     

    » Read the rest of the entry..

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