There is certainly nothing wrong with simplicity. This minimal poster for upcoming Emma Stone and Ryan Gosling musical, La La Land, still offers plenty of information. The posh clothing indicates a swanky night out, the stage door sign indicated that this is likely the two performing. Not sure what the cool blue tint is indicative of, but the text helpfully offers that the film is from, Damien Chazelle, the director of Whiplash.
The musical premieres in Venice and Toronto in the coming weeks before getting a limited theatrical release in December.
It’s a slow and uninteresting week in movie posters this week. And did you know that the Row Three Cinecast has been doing discussions on Brian De Palma films all summer? This coming week will focus on 1973’s Siamese Twin Split-Screen Psychological Horror Picture, Sisters. So I give you some of the marvelous international posters for the film. Above is the lurid pulp novel styled one from Italy. Below the fold are some of the even more provocative and naughtier ones from Thailand, Germany and other countries.
An esoteric, but interesting poster for the new Rachel Weisz and Michael Shannon starring picture. When one considers this is the story of a woman who re-invents herself often (note the tagline: “You Are Who You Say You Are”), then the butterfly imagery, along with the play of shadows which compose noew shapes, makes a lot of sense. Whether or not one can figure this out without knowing anything about the movie is less important than that it is eye-catchingly different than most movie posters out there, and in a crowded multiplex lobby, this matters. It is also worth noting that Complete Unknown is the latest feature film from Joshua Marston, who made Maria Full of Grace to much acclaim, back in 2004.
One of the best films I caught at this years Fantasia Film Festival was Marcin Wrona’s Polish wedding gone horribly awry tale, Demon. In the midst of his wedding celebration, the groom, one of the only celebrants not from Poland, becomes possessed by the ghosts that live on the property. The film is mounted with some impressive photography, and a delicate balance between genre and historical allegory, as the mother and father of the bride attempt to ‘keep the party going’ no matter how terrifying things become as the night goes on. The poster here reflects that as the Bride beckons while her family parties hard in the background, and the groom is blind to his fate.
The trailer also just dropped this week, and you can check it out below:
Illustrator and cartoonist Jack Davis was probably most famous for Mad Magazine, but the man did a heck of a lot of movie posters, some of the great ones too! His signature was distorted images of full-length people in a crowd, and I really do love his one-sheet for the difficult to market The Long GoodBye. Who puts dialogue bubbles on a movie poster? Jack Did. He also illustrated posters for Spaghetti Westerns, star-studded comedy blockbusters, kids movies, musicals and the like, almost all of his work was for films with quirky (or farcical) comic inflection, and yes, that certainly includes Robert Altman’s revisionist noir starring Elliot Gould.
A big hat-tip to ImpAwards for bringing this to my attention. You can find more of Jack’s superlative work over at their site.
Abrasive; maybe even slightly annoying. But it’s definitely eye-catching and as online marketing goes, it makes tricks you into wanting to click on it.
If Lion doesn’t do it for you, maybe the calm, good times feel of the new Power Rangers movie poster will warm you up. I had zero interest in this movie. Now I have a 15% interest in it, just from this poster alone.
This handsome, exceptionally well designed, one sheet for Ewan McGregor’s directorial debut, American Pastoral is eye catching in part due to the sepia-on-fire colour palette, but mainly due to the 90 degree tilt. Lovely use of both the large tree, and the negative space for which to put an unconventional title placement (notably in the smoke of the fire). Based on the Philip Roth novel of the same name, one can hope that the film itself is as good and thoughtful as the energy that went into the poster design!
I can’t stop posting marketing materials from Nicolas Winding Refn’s forthcoming feature, The Neon Demon. This one is from the prolific Mondo imprint, who always take a less marketing driven approach and go for something a bit more artistic. The inverted triangles are well featured in the film, so that design element makes sense, and otherwise, the geometric, sterile weirdness is entirely the tone of the film (which, btw I’ve seen and is one of the most brilliant uses of tone and structure since Mulholland Dr.). A strange choice to go black and white when the film is all about the use of colour, but in our photoshopped and instagrammed filtered world, a black and white poster, with no shades of grey, certainly stands out in a crowd. As does The Neon Demon.
I like the simplicity of this poster for Tim Godsall’s Len And Company: part street bill, part vintage broadsheet, and all vintage three colour offset. The poster has really only one major element, the films star, Rhys Ifans, who, by the way, is absolutely superb here as aging rocker turned producer, turned hermit. My review of the film can be found here.