
Before the Devil Knows You’re Dead, playing Saturday on Sundance
Only a few new ones this week, but they include the first great (and equally controversial) American epic Birth of a Nation on Monday, the late Sidney Lumet’s last film Before the Devil Knows You’re Dead on Sunday, and Chantal Ackerman’s experimental feminist treatise Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles late Sunday/early Monday. Plenty of quality repeats as well.
Monday, April 11
7:00pm – TCM – The Birth of a Nation
Both revered for its groundbreaking synthesis of cinematic language on an epic scale and reviled for its heroic depiction of the Ku Klux Klan, watching The Birth of a Nation is an experience both exhilarating and horrifying. There’s no doubt of its importance in the history of cinema, but it remains one of the most problematic of classics.
1915 USA. Director: D.W. Griffith. Sta
Must See
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8:00pm – IFC – Wassup Rockers
Small film about a group of teenage Latino skateboarders from South Central LA. They go up to Beverly Hills to skateboard, get caught by cops, escape, meet up with some girls, get in fights with preppy 90210 guys, and try to get home. But the moments that’ll get you are when they’re just talking, to the camera, or to the girls, about their life and what it’s like to live in South Central. It doesn’t go anywhere, really, but it’s a wonderful slice of life.
2005 USA. Director: Larry Clark. Starring: Jonathan Velasquez, Francisco Pedrasa, Milton Velasquez, Usvaldo Panameno, Eddie Velasquez.
(repeats at 2:00am on the 12th)
11:30pm – IFC – The Proposition
Australia’s answer to the western; Guy Pearce must hunt down and capture his brothers for the law in order to save his own skin. Gritty and violent almost to a fault, and it definitely brought new life to the Western genre.
2005 Australia. Director: John Hillcoat. Starring: Guy Pearce, Ray Winstone.
12:00M – TCM – The General
One of the greatest silent comedies of all time; no, scratch that, one of the greatest any kind of comedies of all time. Buster Keaton is at the top of his game as a Civil War era engineer whose train (with his girl on it) gets captured by the Union army, and he’s got to get them both back, with many an amazing stunt along the way. No one did stunt-based comedy better than Keaton, and he’s never been better than this.
1926 USA. Director: Buster Keaton and Clyde Bruckman. Starring: Buster Keaton, Marion Mack.
Must See
5:00am (12th) – TCM – Stage Door
I cannot describe to you how much I love this film. I’m not sure it’s wholly rational. Katharine Hepburn plays an heiress who wants to make it on her own as an actress, so she moves (incognito) into a New York boarding house for aspiring actresses. Her roommate ends up being Ginger Rogers (who’s never been better or more acerbic), and the boarding house is rounded out with a young Lucille Ball, a young Eve Arden, a very young Ann Miller, and various others. The dialogue is crisp and everyone’s delivery matter-of-fact and perfectly timed, and the way the girls use humor to mask desperation makes most every moment simultaneously funny and tragic – so that when it does turn tragic, it doesn’t feel like a shift in mood, but a culmination of the inevitable.
1937 USA. Director: Gregory La Cava. Starring: Katharine Hepburn, Ginger Rogers, Adolphe Menjou, Andrea Leeds, Gail Patrick, Eve Arden, Lucille Ball, Ann Miller, Constance Collier.
Must See






















