I like the word “Youthquake” that critic Owen Gleiberman applied to the film when he caught it at Cannes this year. American Honey gives the vibe of what you would get if Spring Breakers was directed by a Brit instead of an American. That’s my two cents, but don’t let me oversimplify, there is some incredible energy, cinematography, intimacy and overall film-making going on at work here. I can’t wait to see the latest film from the director of Fish Tank and Red Road. In fact, I’m due for a full Andrea Arnold marathon pretty soon.
It seems now that Japan’s Studio Ghibli is awaiting auteurs to step up on native soil, they have turned to some international co-productions to keep the lights on. If Dutch director Michaël Dudok de Wit is any indication of this new collaboration arrangement, I am happy to see the direction things go. The Red Turtle looks gorgeous, has a hand animated aesthetic, with a flair for visual and emotional storytelling. The film premiers at Cannes this week. The trailer is below.
I‘m all in for Nicolas Winding Refn’s dark, glittery horror-fantasia of the global modelling scene, The Neon Demon. The film was just announced to play Cannes, and here is the trailer. It appears to straddle the line between accessible but arty Drive and flat out esoterica of Only God Forgives
When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will take any means necessary to get what she has.
The film also stars Keanu Reeves, Christina Hendricks and Jena Malone and will be getting a regular release in June.
It appears to be a great year for international cinema, if the line-up for Cannes is any indication. New films from Nicolas Winding Refn, Woody Allen, Jeff Nichols, Park Chan-Wook, Steven Spielberg, Andrea Arnold, Ken Loach, Pedro Almodovar, Olivier Assayas, Hirokazu Kore-Eda, Shane Black, Jim Jarmusch, Paul Verhoeven, The Dardennes Brothers, and young canuck, Xavier Dolan. And that is just getting started.
Woody Allen’s star-dense Cafe Society will kick off the festival on May 11th with the following films playing in competition.
“Toni Erdmann” (Maren Ade)
“Julieta” (Pedro Almodovar)
“American Honey” (Andrea Arnold)
“Personal Shopper” (Olivier Assayas)
“The Unknown Girl” (Jean-Pierre & Luc Dardennes)
“It’s Only The End Of The World” (Xavier Dolan)
“Slack Bay” (Bruno Dumont)
“Paterson” (Jim Jarmusch)
“Staying Vertical” (Alain Guiraudie)
“Aquarius” (Kleber Mendonça Filho)
“Mal De Pierres” (Nicole Garcia)
“I, Daniel Blake” (Ken Loach)
“Ma’ Rosa” (Brillante Mendoza)
“Bacalaureat” (Cristian Mungiu)
“Loving” (Jeff Nichols)
“The Handmaiden” (Park Chan-Wook)
“The Last Face” (Sean Penn)
“Sierra Nevada” (Cristi Puiu)
“Elle” (Paul Verhoeven)
“The Neon Demon” (Nicholas Winding Refn)
The rest of the line-up (those out-of-competition for the Golden Palm) are tucked under the seat.