Following my roundtable interview with Don Thacker during Toronto After Dark, and after seeing Motivational Growth, I had a few follow up questions for the delightfully verbose director. Sitting on a Starbucks patio at Queen St West and John, Thacker was kind enough to answer my questions. The result was an in depth discussion on what makes his film tick, the problems with contemporary auteurship, the obsession over cult films, and the cynicism with which films are being made today.
A: Were you aiming for a nihilistic tone with the film?
D: No. Absolutely not. Nope.
A: So what were you aiming for?
D: It’s a love story! He gets the girl! At the end of Inception, […] you don’t know if the top falls. That’s the thing. You shouldn’t care. If you’re arguing over whether or not the top fell, you missed the point. The movie is about whether or not he’s going to get home to his kids. Whether or not it was a dream doesn’t matter. The whole point of the film is that this guy has lost so much connection to reality – in Inception – […] that it doesn’t matter anymore whether or not it’s real. He needs to get home to his kids. […]
A: So if you’re arguing whether or not he died, you missed the point?
D: Yeah! […] Something of him left that apartment, you know? And that’s a beautiful thing. […] Imagine this statement. As opposed to a nihilistic “oh my god, everything sucks, he just died,” imagine a scenario in which I’d said “yeah, he died, but he got a chance to make everything right and fix it!” That’s a beautiful ending. » Read the rest of the entry..