Director: Richard Fleischer
Screenplay: Sydney Boehm
Based on a Novel by: William L. Heath
Starring: Victor Mature, Richard Egan, Stephen McNally, Virginia Leith, Tommy Noonan, Lee Marvin
Producer: Buddy Adler
Running Time: 90 min
BBFC Certificate: PG
The booklet included with this new Masters of Cinema release of Richard Fleischer’s Violent Saturday comes up with an interesting set of modern counterparts for the director in Ron Howard and Ridley Scott. Like they have over the last couple of decades, Fleischer directed a wildly varied number of Hollywood films to equally varied success. He moved from film noirs like Narrow Margin to family adventure movies (Fantastic Voyage) to war epics (Tora! Tora! Tora!) and sci-fi thrillers (Soylent Green). He even made a couple of Schwarzenegger’s 80′s sword and sandal flicks, Conan the Destroyer and Red Sonja. Some might call him a director for hire with such a collection under his belt, but like Scott and Howard he hit a couple out of the park far enough to prove he had talent and help his name remain relevant.
Violent Saturday is one of his less famous films (even Fleischer barely mentioned it in his autobiography according to the booklet), but over time it has become known as a hidden gem in his oeuvre. It certainly must have caught someone’s attention as it has received the royal Masters of Cinema treatment and director William Friedkin is a big enough fan to have provided a 20 minute interview on it, included in this set.
The film is set in the quiet mining town of Bradenville in Arizona, where three criminals (including a relatively young Lee Marvin) arrive to carefully plot and carry out a quick and supposedly easy bank robbery. Whilst the plan is being refined, we watch the lives of some of the residents of the town and learn that these soon to be victims aren’t all that squeaky clean either. From the peeping Tom bank manager (Tommy Noonan) to the wealthy Mr. and Mrs. Fairchild’s (Richard Egan and Margaret Hayes) philandering, the locals have plenty of dark secrets. The film’s only ‘hero’ is Shelley Martin (Victor Mature) and he’s considered a coward by the local children due to staying at home to work rather than fighting at Iwo Jima. The bank job sets things straight for all of them though, one way or another.