Blu-Ray/DVD Review: Endless Summer & On Any Sunday

I’ve never been a surfer (I never lived near the sea, which didn’t help), but I’ve always had a thing for surfing films and surfing culture. I love the excitement of seeing people riding the waves, always on the brink of being wiped out. I also love the laid-back attitude usually demonstrated out of the water and the music synonymous with the sport/pastime. The most famous surfing movie is probably The Endless Summer, which has somehow passed me by all these years, despite my interest in the subject matter. So you can imagine my excitement when Second Sight announced they’d be re-releasing the classic documentary on Blu-Ray with all the spit and polish and special features you expect from their releases. Added to this, they have released director Bruce Brown’s later documentary, On Any Sunday, this time focussing on motor biking. I must admit I hadn’t heard of this before reading the press release, but it sounded good, so I thought I’d make my Endless Summer review a double bill. My thoughts on the two films are below.

The Endless Summer

Director: Bruce Brown
Screenplay: Bruce Brown
Starring: Robert August, Michael Hynson, Lord James Blears, Bruce Brown (narrator)
Country: USA
Running Time: 91 min
Year: 1966
BBFC Certificate: E


Bruce Brown had been making surfing documentaries since the late 50s, but it wasn’t until The Endless Summer in 1966 that his films, or any surfing films for that matter, hit the mainstream (the film was actually finished in 1964, but it didn’t get a worldwide release until 2 years later). After showing the skills of some Californian and Hawaiian surfers in the first 10 minutes or so, The Endless Summer shifts focus to follow Mike Hynson and Robert August as they embark on a year long tour of beaches around the world, in a bid to experience the titular ‘endless summer’ (i.e. being on a beach during summer time all year round by travelling across several continents). Along the way they bring surfing to people who have never experienced it before and try to find the ‘perfect wave’.

The film managed to live up to my expectations thankfully, although I was a little put off at first by the film’s presentation. By that, I don’t mean the surfing footage, which is as great as I’d hoped and I’ll talk about later, but I mean in how the film is constructed. I expected interviews with surfers and more of a modern style of documentary, but it actually follows a more classic format where footage is supported by only voice-over narration and music. This simple approach took a short while to get used to, but luckily Brown (who provides the narration himself) is a great speaker. He’s very good at explaining the skill involved in what we’re watching on screen as well as filling us in on the surfers’ backgrounds, particular styles and the current locations. He also injects a great deal of humour into the film, which I wasn’t expecting. This, when added to some pre-planned goofing around by the surfers or sped-up footage, can be a bit silly at times, but it keeps the tone light and prevents the film from getting dry.

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Blu-Ray Review: The Deadly Affair

Director: Sidney Lumet
Screenplay: Paul Dehn
Based on a Novel by: John le Carré
Starring: James Mason, Maximilian Schell, Simone Signoret, Harriet Andersson, Harry Andrews
Country: UK
Running Time: 107 min
Year: 1966
BBFC Certificate: 12


Indicator are a fairly new label who are doing a wonderful job of giving some little known or largely forgotten films a new lease of life, particularly ones that have things going for them that seem to betray their obscurity. With The Deadly Affair, which I hadn’t heard of previously, you get numerous selling points in the talents behind the film. Directed by Sidney Lumet, based on a novel by John le Carré and starring luminaries like James Mason, Maximilian Schell, Simone Signoret and Harriet Andersson, watching the film was a mouth-watering prospect and I was more than a little surprised that it isn’t better known. It was rather well received on its release, but unfortunately the reviews didn’t translate into ticket sales, possibly due to the glut of spy thrillers around at the time, riding in the wake of the Bond franchise’s success.

The Deadly Affair is based on famed spy-novelist (and actual MI6 employee) John le Carré’s first novel, ‘Call for the Dead’. The novel’s protagonist is none other than George Smiley, a character featuring in many of le Carré’s most famous books (including The Spy Who Came in from the Cold, Tinker, Tailor, Soldier, Spy, Smiley’s People and his latest novel, A Legacy of Spies). Funnily enough though, back in the mid-60s Smiley wasn’t the near household name he is now, so in this film adaptation his name was changed to Charles Dobbs (played by James Mason).

The film opens with Government security officer Dobbs meeting Foreign Office civil servant Samuel Fennan (Robert Flemyng) about an anonymous tip that had been received, claiming that Fennan had been, and may still be, a practising Communist. This doesn’t seem to bother Fennan, as it was a long time in the past and Dobbs put his mind at ease about the situation. However, Dobbs receives a call early the next morning to say that Fennan committed suicide and a note he made out prior to this claimed he couldn’t live with the situation. Most seem to accept this as a clear cut case, but Dobbs refuses to believe that Fennan took his own life after the fairly relaxed conversation they’d had the day before. So he decides to investigate, even though he is forced to step down from his position due to the situation. Running alongside this, Dobbs also struggles with his relationship with his wife (Harriet Andersson) as he can no longer stand by and let her openly cheat on him as he had for the last year or two.

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Blu-Ray Review: A Day in the Death of Joe Egg

Director: Peter Medak
Screenplay: Peter Nichols
Based on a Play by: Peter Nichols
Starring: Alan Bates, Janet Suzman, Peter Bowles, Sheila Gish, Joan Hickson
Country: UK
Running Time: 106 min
Year: 1972
BBFC Certificate: 15


The latest under-seen curiosity to be given a new lease of life by Indicator is A Day in the Life of Joe Egg. Based on a play by Peter Nichols, which in turn is based on his own life experiences, it charts a day in the life of a married couple, Bri (Alan Bates) and Sheila (Janet Suzman), who care for their daughter Jo, who is almost completely brain-dead (for want of a more scientific or PC description). Being unable to speak or voluntarily move for herself, the couple have to do everything for her, with no return of love. As such, it’s a tough life they lead, and the only way they get through it is to use humour. They create a personality for Jo and speak for her, as well as make blackly comic jokes about their situation throughout the day.

However, Bri has had enough. He’s reached the conclusion that all this work they put in to look after Jo is for nothing and she should be put away somewhere for professional care, or possibly just be allowed to die. Sheila however, hasn’t given up hope that Jo’s abilities may improve by some miracle and refuses to cast her away just to make their lives more comfortable.

It was and, to be honest, still is bold subject matter for a film. There aren’t many films that deal with care for someone with that level of physical/mental illness and particularly not in such an honest and blackly comic fashion. Most Hollywood films that deal with illness or disability use it to offer messages of hope or merely to wring tears out of an audience, but this is no feel good film or weepie. Instead it’s brutally frank about the subject matter. You can tell that the writer, Nichols, had lived in that situation himself (his daughter was brain-dead and they looked after her until she died aged 11) as someone who hadn’t would never be able to tackle the topic in the same way.

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Blu-Ray Review: Le Trou

Director: Jacques Becker
Screenplay: Jacques Becker, José Giovanni, Jean Aurel
Based on a Novel by: José Giovanni
Starring: André Bervil, Jean Keraudy, Michel Constantin, Raymond Meunier, Marc Michel
Country: France, Italy
Running Time: 132 min
Year: 1960
BBFC Certificate: 12


Jacques Becker is a director whose name seems to have passed me by, until I received a press release about the forthcoming re-release of a handful of his films. I almost forwarded the press release straight on to the rest of the site’s writers, but I had a quick look on IMDb and realised how well received his work has been, particularly the four Studiocanal are putting out on Blu-Ray and DVD – Edward and Caroline, Casque D’Or, Touchez Pas Au Grisbi and Le Trou. So I picked one to review that sounded most my cup of tea, (Le Trou – a.k.a. The Night Watch) and let some of my associates handle the rest.

Le Trou is based on the true account of a prison break from La Santé Prison in France in 1947 and adapted from a novel (called ‘The Break’) about the incident written by an inmate of the prison, José Giovanni. Claude Gaspard (Marc Michel) is transferred to a new cell in the prison, joining four other men, Jo Cassine (Michel Constantin), Roland Darban (Jean Keraudy), Manu Borelli (Philippe Leroy), Vossellin/Monseigneur (Raymond Meunier). They seem a little hesitant about Gaspard’s appearance at first, but once they warm to him, they decide to tell him about their intended jail break and get him involved in it. From then on, we observe the work done by the inmates to dig their way out of the prison, whilst trying to keep it a secret from the guards. There are also some worries about how trustworthy Gaspard is, as some unexpected twists arrive later on.

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Blu-Ray Review: The Saga of Anatahan

Director: Josef von Sternberg
Screenplay: Josef von Sternberg
Based on a Novel by: Younghill Kang, Michiro Maruyama
Starring: Akemi Negishi, Tadashi Suganuma, Kisaburo Sawamura, Shôji Nakayama
Country: Japan
Running Time: 92 min
Year: 1953
BBFC Certificate: 15


The Saga of Anatahan is a bit of a curiosity. It was written and directed by Josef von Sternberg, who was a force to be reckoned with in Hollywood in the 20s and 30s, particularly after the success of his German feature, The Blue Angel. The Saga of Anatahan was his penultimate film and saw the well-travelled director head to Japan to produce a film based on a true story that happened in the country after WWII.

It tells of a group of Japanese seamen who are shipwrecked on the remote island of Anatahan, during the war. There they come across what they assume are man and wife, Kusakabe (Tadashi Suganuma) and Keiko (Akemi Negishi). Being the only woman on the island, the men soon lust after her and over the course of the seven years the group live on the island, they fight and eventually kill for her affections. During this time, they also receive messages stating that the war is over, the Japanese have lost and an American ship will come to pick them up. The proud seamen refuse to believe this though, dismissing it as enemy propaganda, and decide to stay put.

The story isn’t so unusual then as other accounts have been made of people trapped on desert islands and the like. What makes this a curiosity is partly why Sternberg decided to make this film in Japan in the first place (it’s shot on a studio, so he could have done it in his home of California), but more so in the fact that he decided to have all the cast speak their native Japanese, without subtitles. To keep the film from getting confusing, Sternberg narrates the film himself, making for a very strange and unique experience.

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Blu-Ray Review: The Handmaiden

Director: Chan-wook Park
Screenplay by: Seo-kyeong Jeong, Chan-wook Park
Based on a Novel by: Sarah Waters
Starring: Tae-ri Kim, Min-hee Kim, Jung-woo Ha, Jin-woong Jo, Jin-woong Jo
Country: South Korea
Running Time: 146 min (also available in an extended version)
Year: 2016
BBFC Certificate: 18


Chan-wook Park is a director who can do no wrong in my eyes. I’ve loved all of his films, even his divisive English language debut Stoker (although I haven’t seen his earlier pre-Vengeance Trilogy films or I’m a Cyborg). So, like many world cinema fans, I was excited to see what The Handmaiden, his return to South Korea, had in store, and I wasn’t disappointed.

The Handmaiden is based on the novel ‘Fingersmith’, by Welsh writer Sarah Waters, but with a change of setting from Victorian era Britain to Korea under Japanese colonial rule. Sookee (Tae-ri Kim) is hired as the new handmaiden to a Japanese heiress, Lady Hideko (Min-hee Kim), who lives with her ageing uncle Kouzuki (Jin-woong Jo), a cruel man who wants his hands on his niece’s fortune. Sookee however, has actually been hired by a swindler, posing as Count Fujiwara (Jung-woo Ha), who plans to have the handmaiden help him woo Hideko so he can marry her, then declare her insane and keep her money for himself. Sookee’s part in the plan becomes complicated however, when she falls in love and forms a sexual relationship with Hideko. The plot thickens further as the film goes on, but I wouldn’t want to spoil anything.

Like Stoker, The Handmaiden is a sexually charged, big, brash erotic thriller that may not necessarily be subtle or original, but enthrals nonetheless. As is to be expected from Chan-wook Park, the film is meticulously well made, and this is why it works so successfully, despite potentially trashy source material (no offence to the original novel, but I’ve seen plenty of these twist-laden, sex-filled thrillers before). The film looks ravishing, shot artfully and filled with lavish, yet imposing production design that creates the darkly beautiful prison Hideko is trapped in (her uncle’s house, that she is rarely allowed to leave).

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Blu-Ray Review: Der müde Tod (a.k.a. Destiny)

Director: Fritz Lang
Screenplay: Fritz Lang, Thea von Harbou
Starring: Lil Dagover, Walter Janssen, Bernhard Goetzke, Max Adalbert
Country: Germany
Running Time: 98 min
Year: 1921
BBFC Certificate: PG


I‘ve been slowly working my way through Fritz Lang’s filmography and I’ve yet to be disappointed by his work. He crafted some of cinema’s most thrilling, inventive and forward thinking films during his 41 years behind the camera in both Germany and the US (where he moved in the mid-30s due to his anti-Nazi beliefs). So when Eureka announced they were releasing one of the director’s early successes, Der müde Tod (translated as The Weary Death, but otherwise known as Destiny), as part of their Masters of Cinema collection, I was keen to see how it stood up against his later, more famous films.

Der müde Tod sees Death (Bernhard Goetzke) come to make his home in a small German town. As well as building a great wall with no windows or doors around his property by the graveyard, he seems to follow a young couple (Lil Dagover and Walter Janssen) who are engaged to be married. As you might suspect, he’s there to collect a soul and the young man soon disappears. The woman, distraught, seeks out Death and pleads with him to spare her fiancée. Weary of his tough job, the shadowy figure offers the woman a deal. If she can prevent the deaths of just one of three nearly spent lives he presents to her (all part of tragic romances), she can have her wish.

In dealing with three separate stories, on top of the main framing narrative, Der müde Tod works like D.W. Griffith’s Intolerance, made a few years prior, telling a few similarly themed tales to make a universal message (this time about fate). Here they’re not intercut though, the ‘extra’ stories merely play out back to back in the middle of the film.

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Film Review: Elite Force: Operation Mekong

Director: Dante Lam
Screenplay: Kang Kei Chu, Dante Lam, Siu Kwan Lau, Eric Lin, Wai Ching Tam
Starring: Eddie Peng, Hanyu Zhang, Carl Ng, Ken Lo, Jonathan Wu, Pawarith Monkolpisit
Country: China, Hong Kong
Running Time: 123 min
Year: 2016
BBFC Certificate: 15


Only yesterday, in my review of Westfront 1918 and Kameradschaft, I wrote about my love it or hate it relationship with war or true life stories on film, and what do you know, another one that touches on both comes along a day later.

Elite Force: Operation Mekong (a.k.a. Operation Mekong or to use its original Chinese title, Mei Gong he xing dong), is not a war story as such, but it sees an elite task force battle against a drug baron with so much force it feels like one. It’s based on the actual ‘Mekong River massacre’, which happened in 2011, and the ensuing anti-drug operation that followed. In the tragic event, two merchant ships were attacked on the Mekong River on the borders of Myanmar (Burma) and Thailand, in the Golden Triangle area (a place synonymous with the drugs trade), and the 13 Chinese crew members were murdered. In the film, the crew members are initially suspected of being involved in drug smuggling after 900,000 meth pills are found on the scene. However, an informer tells them otherwise and when the merchants’ bodies are found and they look to have been executed, a special Chinese task force is deployed to investigate and arrest the drug baron suspected of ordering the massacre, Naw Khar (Pawarith Monkolpisit).

This is one of those cases I discussed yesterday when it very much feels like the grim reality of the actual events have been amped up and glossed over to make an exciting piece of entertainment, rather than a sensitive or intelligent examination of them. However, I was fully prepared for this after reading a few reviews and knowing the film was being marketed as a balls to the wall action film. As such, I tried to ignore any issues of authenticity or sensitivity and sat down to enjoy some explosive violence, the likes of which Hollywood rarely delivers anymore but Asia has been dishing out for decades.

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Blu-Ray Review: The 5,000 Fingers of Dr. T.

Director: Roy Rowland
Screenplay: Dr. Seuss, Allan Scott
Starring: Tommy Rettig, Peter Lind Hayes, Hans Conried, Mary Healy
Country: USA
Running Time: 89 min
Year: 1953
BBFC Certificate: U


I read a couple of bedtime stories to my kids every night and there’s nothing worse than a dull or insipid children’s book (particularly when you’re begged to read the same ones repeatedly), so I do my best to try and find books we can all enjoy. My go to author is Dr. Seuss (or, to use his real name, Theodor Seuss Geisel). His rhyming prose, complete with wacky made up words is a joy to read out loud and his illustrations are wonderfully unusual and imaginative. His work has had a troubled history on the big screen though. There are some classic animated adaptations (largely shorts), but very few live action ones. In fact only one was made before his death in 1991, The 5,000 Fingers of Dr. T., released back in 1953 when he wasn’t yet a household name. There might only be one because the special effects weren’t advanced enough before the turn of the millennium to capture Seuss’ wild imagination, but it might be largely down to the fact that Dr. T. was a huge commercial failure. It didn’t get much critical love at the time either and Seuss called the film a “debaculous fiasco”, omitting any mention of it in his official biography. So you get the feeling he didn’t let anyone make any live action features after it was released.

Over the years though, Dr. T. has been embraced as a bit of a cult classic and has since been seen in higher regard. As such, our friends at Powerhouse Films have seen fit to re-release the film on dual format Blu-Ray and DVD through their Indicator label. Being a big Dr. Seuss fan, I couldn’t resist requesting a copy to see whether or not it deserved this second life after being so cruelly rejected on its initial release.

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Blu-Ray Review: Westfront 1918 & Kameradschaft

War films are a genre I’m always a little wary of. On one hand, some of the best examples rank among my favourite films of all time (I’d put Apocalypse Now in my top 5 for instance). On the other hand, they’re a type of film that can really bother me if they’re flawed. I tend to think I’m a generally positive critic. I rarely give very low scores or write venomous reviews, but when I do, it’s often for a war film that’s rubbed me up the wrong way. I think this is because they’re usually based on actual events, so when a hackneyed genre cliché, insensitive patriotism, or some hammy acting crops up, it stands out as feeling ‘fake’, glossing over some complex, important and/or often horrific events. I feel the same about biopics and any other ‘based on a true story’ films too. When I’m reminded I’m watching a film merely ‘based’ on reality, it takes me out of the experience and can feel disrespectful to those involved in what’s being portrayed. In films I know are pure fiction I can turn a blind eye to cinematic cliches more easily.

So I’ve always got my guard up when watching war films or anything based on reality, but I decided to take a chance with this double set of GW Pabst films, the war movie Westfront 1918 and the film he made a year later, based around a mining disaster, Kameradschaft. Pabst is a director whose work I hadn’t delved into yet and Eureka’s Master of Cinema label never releases anything not worth watching, so I left my reservations at the door and took two journeys into the past.

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Blu-Ray Review: Lola

Director: Rainer Werner Fassbinder
Screenplay: Pea Fröhlich, Peter Märthesheimer, Rainer Werner Fassbinder
Starring: Barbara Sukowa, Armin Mueller-Stahl, Mario Adorf, Matthias Fuchs
Country: West Germany
Running Time: 113 min
Year: 1981
BBFC Certificate: 15


I watched (and reviewed) my first Rainer Werner Fassbinder film, Fear Eats the Soul just over a year ago and was impressed, so I’ve been keen to check out more titles from his extensive filmography (particularly large considering he died at the early age of 37). I’d passed some of Arrow’s re-releases over to other writers to cover, but luckily Studiocanal are now honouring the director by releasing Lola this month, followed by a box set in October (details still to be confirmed), so I threw my hat into the ring for the former.

Lola is an unofficial remake of the German classic The Blue Angel (a.k.a. Der Blaue Engelreviewed here), modernised to reflect the values of post-WWII Germany. Set in the 50s, ten years after the war, rather than fully updated to reflect 80s Germany, Lola is set in a country whose market economy is booming. In an unnamed city, Herr von Bohm (Armin Mueller-Stahl) is the newly appointed building inspector. He’s hard-working and committed to developing the area, but upright, uptight and traditional in his personal values. Shuckert (Mario Adorf) is a local builder who’s profiting greatly from the boom, aided by a lot of corruption. He’s excited by von Bohm’s desire to pump up the local economy and get building work done efficiently, but also worried that he won’t approve of the backhanded dealings that have so far been running the town and lining his pockets.

Meanwhile, Lola (Barbara Sukowa), a singer at a bordello and the mistress of Schuckert, is intrigued by von Bohm and becomes driven to get such an honourable man to fall for her charms. She does manage to win him over, but only by hiding her occupation and ties with Schuckert. Von Bohm is bound to find out at some point though, so the question is, what will he do when he does and how will it affect Shuckert’s plans for the building inspector?

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