Archive for the ‘Christmas’ Category

  • On the Second Day of Christmas… “Scrooge”

    1

    [...Day 2 of the 12 Days of Christmas review project...]

    Director: Henry Edwards
    Writer: H. Fowler Mear
    Novel: Charles Dickens
    Producer: Julius Hagen
    Starring: Seymour Hicks, Donald Calthrop
    MPAA Rating: NR
    Running time: 78 min.
    Year of Release: 1935

    Charles Dickens “A Christmas Carol” is a story I know well and a film adaptation that we’ve all seen done many many times over. But I thought I’d go back to the beginning. Now this isn’t the first film adaption of Dickens’ novel; in fact according to the IMDb, it is the seventh! But if my research is correct, this is the first time it appears on screen as a “talkie.”

    Obviously we all already know the premsise: crotchity old miser, Scrooge, hates Christmas and pretty much everyone around him until he is visited one night by three spirits: past, present and things yet to come. They show Scrooge the folly of his ways and he becomes a changed man for the better.

    I have to admit I have very little to say about this version and turned off the TV not feeling particularly inspired or even satisfied. Admittedly it could be that I’ve seen or heard the story a million times and there just anything left for me to get excited about. But I think there’s more to my “ba-humbug” attitude about this movie than just a stale story.

    Ghost of Christmas past

    For one, and probably the biggest thing, is quite simply that the ghosts suck. Ghost of the past is only shown quickly as a glowing patch in the middle of the room and doesn’t really show much of Scrooge’s past. Quite frankly, it’s boring and not much to look at. The spirit of Christmas future (which is historically my favorite of the three spirits) is merely the shadow of a hand on the wall which does nothing but point at things. At one point, you see Scrooge’s hand try to grab the “spirit hand” and this is a bit on the interesting side, but ultimately falls flat. Christmas present is the only one of the spirits to show any charisma what so ever and it is actually a real person/actor. Next time Henry Edwards attempts to remake “A Christmas Carol,” he would do well to take notes from the Bill Murray version in regards to the ghosts.

    And speaking of director Edwards, his film making seems quite amateurish and clumsy. I realize it was 1935 and in the midst of the depression, but really, is that an excuse? The camera never does anything but shoot. The whole thing might as well have been done on stage in front of a live audience. Needless to say, unless I’m convinced otherwise by someone, you’ll be hard pressed to see me searching out any of his other films any time soon.

    Seymour Hicks as Scrooge

    Of course they just might’ve walked out with frustration for the staleness of the performances. Side characters come and go and no one ever remembers them in this story. Each version of “A Christmas Carol” is always reviewed upon one actor: the guy playing Ebeneezer Scrooge. Whether it is George C. Scott, Capt. Jean-Luc Picard, Jack Palance, Tim Curry, Jim Carrey, Jack Elam or even Susan Lucci, critics and fans alike will judge the film based on this character and this character alone. If Scrooge falls flat, so goes the film. In this case, Seymour Hicks starts off the role well enough. He’s cranky and ornery and plays Scrooge just as I’d like (and expect) to see him played. As more and more of his lines are delivered however, the more and more he seems unbelievable and corny. This is odd as the IMDb has him listed as having played Scrooge for years on the stage to rave reviews.

    I give props to the film simply for Dickens’ story and the fact that it is the first attempt at a “talkie” version of the movie. But in the long run, it just seemed like a waste of a good chunk of my day. Not because it was particularly awful, it’s just that I’ve seen it so many times and in so many better ways previously. No, if you want a dose of Dickens this holiday season, do yourself a favor and check out Bill Murray or The Muppet version. You’ll be MUCH more jolly.

    BUT, if you feel you must subject yourself, the film is in the PUBLIC DOMAIN and free for viewing.

    <-- Day 1 | | | | | Day 3 –>
  • On the First Day of Christmas… “Black Christmas”

    4

    [...Day 1 of the 12 Days of Christmas review project...]

    Over the next 12 days, I’ve devoted myself to watching some old and new Christmas films that for one reason or another I’ve managed to never have seen before. I’ll see a new one each day and do a quick (or long – whatever it takes) write-up on each one here at Row Three. I anticipate burning myself out on this little project, but at least I’ll be able to tell people that I’ve finally seen It’s a Wonderful Life.


    Director: Bob Clark
    Writer: Roy Moore
    Producer: Bob Clark
    Starring: Olivia Hussey, Keir Dullea, Margot Kidder, John Saxon, Marian Waldman, Andrea Martin
    MPAA Rating: R
    Running time: 98 min.
    Year of release: 1974

    Likely to be one of the best films I’ll see over this little holiday festival, Black Christmas is not so much of a Christmas movie as it is a horror film and a title that shows up on just about everybody’s “subversive Christmas movie” lists this time of year – and for very good reason. For a film that is over 30 years old, it felt like a breath of fresh air with new tactics, new ways of scaring me and what seems like a whole new way of putting together a horror film. It plays with a lot of the conventions of the horror genre in a time were there really weren’t any conventions to play with.

    The opening shot surprised me a little bit. Angled slightly from the street, the camera shows a nice looking house; lit up with some Christmas lights, snow flakes falling gently to the ground all around us and “Black Christmas” written in a white, “classy” font that fills the screen. Immediately I was reminded of Bob Clark’s A Christmas Story and thought maybe Bob Clark had ripped off the idea from this film. Then the director credit popped up: Bob Clark. A-ha!

    The story follows several girls living in a sorority house and having a party before they all head home for Christmas vacation. We’re then brought outside to POV shot of someone stalking the house and gaining entry through an open window in the attic. So right away I thought this would be just another Slumber Party Massacre or Sorority House Massacre flick. I was surprised out of that notion very quickly when the girls receive their first obscene phone call.

    The phone call has most of the girls on edge except for star, Margot Kidder’s character. She smarts off and thinks the whole thing is a joke. Me? I was freaked out. The voice on the other end of the line is not the usual moaner or heavy breather. This is obviously not some college punk thinking he is funny. This is a disturbed, possibly possessed, person on the line. He uses different voice, unstructured sentences, mumbling, non-coherent rants about random people and possibly other languages. Not to mention terrifying screams, shouts and grunts. To me, it sounded like Linda Blair from The Exorcist just figured out how to dial a telephone. These calls happen several times throughout the picture and they become no less skin crawling each time.

    Add the ominous but terrific score to the terror and there are truly frightful things going on here. Heavy piano pounding that still has some tone and arrangement to it, coupled with some ominous chorus sounds of children makes for some unique atmospheric sounds emanating from the speakers.

    As people begin to disappear, more characters join the cast and more characters become potential suspects as to who the killer might be. In this way it sort of becomes a standard, who-dunnit. But that’s the beauty of this film: there’s nothing standard about it.

    **SPOILERS BELOW**

    » Read the rest of the entry..

Page 2 of 2«12