Archive for the ‘Canadian Film’ Category

  • Review: I Declare War

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    One weekend day a number of the nerdier kids from the local middle school gather their sticks and twine and balloons filled with red dye, and head into the local woods to play capture-the-flag. Oh, those tweens today with their Bieber hair-cuts and their war games. While we are never given any visual context of this one-day war, it is implied that these games have been going on for some time and someone is keeping statistics. Jason Lapeyre’s odyssey of two groups of kids battling in the forest (no this ain’t The Hunger Games, more like a leafy, agora-version The Stanford Prison Experiment) is a peculiar, but totally engrossing combination of make-believe and reality. At that age friendships seem like everything, everything takes on air of importance and intensity. The film often shows real guns and grenades (and explosions) even if the kids are just using whatever sticks and whatever hobby kit items they happen to have crafted into weapons. Make no mistake however, they take their game very serious; there are rules (handily communicated in the animated opening credits, so as to not belabor the exposition) and things are played with strategy and a chain of command. I Declare War delights in juxtaposing war-film cliches with a real ear for 12 year old banter. Its war sequences are a combination of thrilling battles and humorous knowing nods; certainly for those who grew up in the 1970s, but probably anyone who grew up with a creek behind their house.

    Nobody takes the war more seriously than P.K. Sullivan (Gage Munroe with his afore-mentioned Beiber do) fancies himself General George S. Patton; albeit he is young enough that loyalty is not valued as much as a collection of soldiers to throw under the bus for whatever plan he has to win-at-all-costs. Nevertheless, as the alpha-male of his team, he remains in charge. The other team, headed up by equally blonde, Quinn, has some leadership issues, and the only girl in the game which adds some pre-teen sexual tension to the equation. Mackenzie Munroe, who looks like a very young Emma Stone is really quite magnificent and has real screen presence (some of the other supporting kid actors are a bit more dodgy in their acting) sporting a brain and a crossbow and A-cups (and is not afraid to use either or all of them.) Let us be clear, while this film wears the clothing of war and adventure in the woods, it is equally interested in being a crucible for all of the kids to work out their issues and anxieties while waiting for the next battle. War is 10% violence and 90% waiting, so there are plenty of opportunities to talk about religion, philosophy (albeit at a youth level) or perhaps what species of dog would you allow to give you a blow-job if you were rewarded with riches and fame. Yes, these 12 year-olds drop F-bombs often, and when provoked can be total assholes to each other.

    A subject such as bullying is far better handled, as I see it, in a fictional narrative form than as a doc (as in, say 2012′s Bully) and I Declare War certainly covers several (if not all) angles of bullying, making the entertaining movie perhaps one of the definitive voices on the subject. It postulates that bad leadership is the worst kind of bullying, and that is something which is as applicable to the adult world as it is to the playground set.

    [After a successful festival tour, including ActionFest, FantasticFest and TIFF, I Declare War opens in Toronto today, with an opening in Vancouver on May 17th.]

  • Hot Docs 2013: Blood Relative Trailer

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    Blood Relative

    Filmmaker Nimisha Mukerji erupted onto the documentary scene a few years ago with the release of the 65_RedRoses (review) which documented the heartbreaking story of Eva Markvoort, a young woman fighting Cystic Fibrosis whose story inspired many. Mukerji turned her lens on a disease that’s hardly spoken of and in the process, created more awareness than any campaign the Cystic Fibrosis Association has presented in the past. Now Mukerji is turning her eye to another misunderstood illness.

    Blood Relative follows Indian activist Vinay Shetty, a man who is trying to save children suffering from Thalassemia Major, a genetic blood disorder which causes children to suffer from severe anemia and stunted body development. Without treatment, a combination of blood transfusion and drugs, Thalassemia can lead to early death. Mukerji follows Shetty as he fights to secure free access to healthcare for Iman and Divya, two individuals suffering from Thalassemia, and in the process, Shetty and Mukerji gain unprecedented access into the inner workings of India’s healthcare system.

    Blood Relative has already played to accolades and taken home a few prizes but the documentary will make it’s Toronto premiere at Hot Docs in April.

  • DVD Review: Foreverland

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    Foreverland Still

    Director: Max McGuire (Crossing the Wake)
    Screenplay: Max McGuire, Shawn Riopelle
    Producer: Trish Dolman, Aaron L. Gilbert, Christine Haebler
    Starring: Max Thieriot, Laurence Leboeuf, Sarah Wayne Callies, Juliette Lewis, Thomas Dekker, Matt Frewer
    MPAA Rating: PG
    Running time: 93 min.


    Will Rankin is young, handsome and dying. He suffers from cystic fibrosis, a debilitating genetic disease that makes it difficult for him to breathe nevermind have any sort of active life. He spends his days taking the pills and doing the executrices necessary to keep his lungs working with the occasional stop in at the hospital to talk to interns. In his spare time Will visits the local mortuary to shop for the perfect casket. He’s been there so much he’s made friends with the salesman Mr. Steadman.

    Then Bobby dies.

    A friend from days spent at the hospital, Bobby leaves behind a final request for Will: drive his ashes to a little church in Mexico and there, with the help of a priest, spread them over the land. At first sceptical, Will eventually finds himself giving into the road trip and along with Bobby’s sister Fran, the two take on the long road from Vancouver to Mexico.

    Max McGuire’s Foreverland is the kind of story of hope and redemption that plays so well on Sunday afternoons. It’s a sweet story about a young man who has been living his life in preparation for death only to discover that there’s more to living that dying. There’s nothing particularly ground breaking or earth shattering about the story and McGuire’s direction isn’t exactly memorable but the movie succeeds solely on the performances of the two leads.

    » Read the rest of the entry..

  • Win Passes to “Hit ‘n Strum” [Vancouver]

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    Hit 'n Strum Still

    Kirk Caouette’s Hit ‘n Strum is almost a one man show. The former stunt actor left behind a life of setting himself on fire and jumping in front of cars for other people in order to do it for himself and the result is very positive.

    Couette wrote, directed, composed and stars in the movie as Mike, a busker living on Vancouver’s notorious Downtown Eastside. Stephanie (Michelle Harrison), a young career woman, hit Mike and takes off just as he’s getting up and when she sees Mike again the following day playing outside her officer, she stops and listens. This marks the beginning of an unlikely friendship between Mike and Stephanie.

    Hit ‘n Strum open on Friday, March 8th at the Fifth Avenue Cinema and we’ve got an opportunity for you to win double passes to see the movie during its run next week. To enter, simply tweet the following:

    @hitnstrum at Fifth Avenue Cinemas in #Vancouver! Inspiring local film with amazing soundtrack.

    The good folks with the movie’s promo team will contact winner directly via twitter.

    You can listen to some of the movie’s soundtrack, which is quite good, here while the movie’s trailer is tucked under the seats.

    » Read the rest of the entry..

  • Review: Astron-6′s Manborg

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    After an exceptional film festival run, Astron-6′s ode to Captain Power and 80′s DtV trash, Manborg, has begun it’s commercial run in Canada last week in Winnipeg before expanding to Toronto and other major Canadian cities. Here is Kurt’s video review from the Toronto After Dark film festival last year (courtesy of The Substream) as well as David’s text review from one of the films final festival stops, Celluloid Screams.

     

     

    This is gleefully silly low budget madness taking its cues from dated direct to video/DVD genre films as well as adding lashings of gore and daft humour. Sensibly short at only an hour, it’s a whole lot of fun. Effects and performances are kept knowingly and enjoyably low rate and that’s where much of the humour is mined. It rockets along at quite a pace so you don’t have time to get bored of the schtick either. It’s not for everyone, but I loved it.

  • TIFF 2012: I Declare War Review

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    One weekend day a number of the nerdier kids from the local middle school gather their sticks and twine and balloons filled with red dye, and head into the local woods to play capture-the-flag. Oh, those tweens today with their Bieber hair-cuts and their war games. While we are never given any visual context of this one-day war, it is implied that these games have been going on for some time and someone is keeping statistics. Jason Lapeyre’s odyssey of two groups of children battling in the forest (no this ain’t The Hunger Games, more like a leafy, agora-version The Stanford Prison Experiment) is a peculiar, but totally engrossing combination of make-believe and reality. At that age friendships seem like everything, everything takes on air of importance and intensity. The film often shows real guns and grenades (and explosions) even if the kids are just using whatever sticks and whatever hobby kit items they happen to have crafted into weapons. Make no mistake however, the kids take their game very serious; there are rules (handily communicated in the animated opening credits, so as to not belabour the exposition) and things are played with strategy and a chain of command. I Declare War delights in juxtaposing war-film cliches with a real ear for 12 year old banter. Its war sequences are a combination of thrilling battles and humorous knowing nods; certainly for those who grew up in the 1970s, but probably anyone who grew up with a creek behind their house.

    » Read the rest of the entry..

  • Friday One Sheet: Last Kiss (Antiviral)

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    A very simple, subtly shocking image is really all you need about a poster. Here an extreme close-up of rouged lips. Wait a minute. Is that blood or just a high-contrast photo? You’ve got my attention graphic designer, and had I not been previously aware of Brandon Cronenberg’s Antiviral, then I would certainly like to know more. The tagline (at the top and bottom) of the poster is also a wonderful tease. Take note people, this is how you do a one-sheet.

    Antiviral has already played Cannes, but will make its North American debut at the Toronto International Film Festival in September. The trailer was posted earlier this week.

  • Trailer: Antiviral

    5

    “Have you started bleeding yet? From your mouth…” Brandon Cronenberg’s film Antiviral certainly carries the families DNA. It feels very much in the vein (pun intended) of either his father’s Shivers or Rabid. Only here, the plot involves buying and injecting the blood (and potential diseases) of celebrities for a certain kind of media-high. The film played Cannes alongside Cosmopolis, making it the first father-son duo with films at that festival, but truth be told, I’m more interested in this one which looks to have 10x time energy, perhaps sacrificing a little brains to go for the visceral impact. Also, Hobo With A Shotgun cinematographer Karim Hussain shot the film, and this is always good in my books.


    The film follows Syd March, a man who works for a company that harvests diseases from celebrities and then injects them into paying clients. After becoming infected with the virus that killed superstar Hannah Geist, Syd must unravel the mystery surrounding her death to save his own life.

    TIFF will be offering Antiviral North American debut, and there is a quite excellently cut trailer below that gives you a feel for Cronenberg’s slightly off-kilter world.

  • DVD Review: I’m Yours

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    I'm Yours

    Director: Leonard Farlinger (The Perfect Son)
    Screenplay: Leonard Farlinger
    Producers: Mallary Davenport, Avi Federgreen, Jennifer Jonas
    Starring: Rossif Sutherland, Karine Vanasse, Don McKellar, Nicholas Campbell
    MPAA Rating: PG-13
    Running time: 90 min.

    (2.5/5)


    There’s a great tradition of road movies in Canada and when the trailer for Leonard Farlinger’s I’m Yours surfaced, it looked like we would be privy to yet another entry into the pantheon (not to mention a great cast that includes French Canadian talent Karine Vanasse, Don McKellar and Nicholas Campbell suggests a movie worth a look).

    Rossif Sutherland (part of the Sutherland clan which includes older brother Kiefer and father Donald), stars as the unhappy Robert, a successful Wall Street trader who is disillusioned with his life. He sells everything he has, takes the bag of money and goes out for one last night of celebration with his co-worker friend Phil (McKellar). The two drink and are merry until Robert spots a beautiful woman at the bar. He and Daphne share a few drinks and a night of passionate love-making but on his 30th birthday, Robert wakes up hungover in the passenger seat of his car with the one-night stand at the wheel. Daphne explains that she needs a favour and after a little blackmailing, Robert finds himself on the way to Canada pretending to be Daphne’s fiancé.

    The roadtrip is short and unmemorable. The car breaks down along the highway with no cell phone signal to be had. The pair end up walking and then hitchhiking, most of the time arguing, their way to Daphne’s homestead. Occasionally the two have a conversation, sharing personal tidbits of information that paints a better picture of who they are, after all they are supposed to be engaged, but the getting to know you game gets old fast. Daphne’s story is particularly vivid and brings the couple a little closer together as they discuss their parents but it’s not enough to forge an emotional bond between either the characters of the audience. There’s little chemistry between Sutherland and Vanasse beyond their physical encounter and though Vanasse does succeed in bringing some emotion to her performance, Sutherland seems lost in his. He’s flat and uninteresting and only comes alive when the pair are being intimate.

    » Read the rest of the entry..

  • DOXA 2012: Coast Modern Review

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    Coast Modern

    Modern architecture, like modern art, has always been a bit of a mystery to me. Though I can appreciate the clean lines and minimalist, uncluttered spaces, they’ve also never been spaces I’ve wanted to live in but on a tour through West Vancouver a few years ago, I had a realization that “modern” architecture, as applied to Vancouver, means something much different than what I had envisioned in my mind. In many aspects it is still about minimalism and open spaces but it’s also about communing with the nature around you and living in a space where the outdoors feels like an extension of your living quarters. Turns out this approach to modern architecture, though not exclusive to the west coast, has really taken a hold here and Coast Modern explores the architecture and ideas that have developed from LA to Vancouver.

    Peppered with interviews of prominent modern architects, writers and the individuals that call some of these spaces home, directors Mike Bernard and Gavin Froome have pieced together a fascinating and beautiful account of the movement, its importance and why it never quite took hold. With the sentiment that “Modernism is a beautiful failure,” Bernard and Froome introduce the pioneers of the movement, the Case Study Houses that caused such a stir of attention but never quite took off and explore the modern ideal with a focus on the human connection. It’s not just about the beautiful homes but what they instil in the people that live in them. There’s a feeling of wanting to be part of nature, of living a healthier life when you surround yourself with so much nature and tranquility.

    » Read the rest of the entry..

  • Hot Docs 2012: Indie Game – The Movie Review

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    BThere is a lot of passion, soul baring, and white-knuckle anxiety on display in Lisanne Pajot and James Swirsky’s documentary on the world of independent games and their micro-sized design teams. Instead of hundreds of people working on all aspects of a top tier title, in the two case-studies delved into in Indie Game: The Movie the entire team is two people. A mere duo, responsible for doing every aspect of the game, including programming, art design, level construction and managing the business side. Eating well (or shaving) does not factor high on the priority scale. Financially these guys are operating with little safety network other than generously patient parents or girlfriends. Even if the game is actually finished in a relatively bug-free state to allow for release (challenge enough!) it still has to hit traction in the X-Box Arcade (or WiiWare or Steam), direct digital distribution platforms managed by the big boys (Microsoft, Nintendo and Valve) Failure means that two to four years (or more) just went by with no monetary compensation. As one of the designers of Super Meat Boy succinctly puts it, “No Pressure!” Combine the ever present financial pit of spikes with the designers’ passion for making their games fresh, personal and ultimately a form of artistic expression and communication with the eventual gamer and the stakes for soul-crushing failure or triumphant success become even higher. The filmmakers impart a heightened awareness of this by crafting one of the emotionally draining dramas of the year. An eight dollar video game may be trivial in the grand scheme of things, but dig deep enough and there is a well-spring of dramatic tension and suspense. When, Phil Fish, the designer of the novel multi-dimensional platform jumper, Fez, stares into the camera and declares that if he cannot finish or release this game he will kill himself, it is easy to suspend disbelief to the hyperbole, because the dude is indeed on the edge. These guys are committed to their craft as much as the filmmakers are to documenting it.

    » Read the rest of the entry..

  • Trailer: I Declare War

    1

    I missed that the folks behind I Declare War put out a trailer pretty much on my drive back from ActionFest. This would have been right after the North Carolina ‘festival with a body count’ awarded the film with the Best Film prize. It was also a movie I very much loved.

    “Everyday after school, two groups of thirteen-year old friends play ‘war’ in a local forest. They make their own guns out of sticks, old toys, anything they can find. They play to have fun. One afternoon, the game gets a little out of hand.”

    While the trailer could perhaps use a bit of tightening and a snazzier bit of style, it is a pretty honest representation of what the film actually is. I Declare War is currently without distribution, and that is a damn shame, folks.

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