Archive for the ‘Canadian Film’ Category

  • Review: Pink Ribbons, Inc.

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    Pink Ribbons, Inc. Poster

    Director: Léa Pool
    Screenplay: Léa Pool, Patricia Kearns, Nancy Guerin
    Producer: Ravida Din
    MPAA Rating: G
    Running time: 97 min.

    (4.5/5)

    As the closing credits rolled on Léa Pool’s excellent documentary Pink Ribbons, Inc., I was boiling with anger. I wasn’t angry with the corporations which use an ugly, deadly illness to grow their bottom line. I wasn’t even angry at the organizations that make it their directive to dispense millions of dollars for cancer research that has yet to yield any major breakthroughs. I was angry at myself that this “pinkwashing” (using cancer to sell goods and services) has been happening right in front of me, that I’ve seen it and even contributed to it and never considered the bigger questions. I blindly bought into the capitalist marketing machine that stands behind cancer research and never thought to make a stink about it because I, in some capacity, thought it great that companies were stepping up to the plate and helping the community at large by investing money and effort to try and save lives.

    Pink Ribbons, Inc. StillWhat a joke.

    Based on Samantha King’s book which various sources note as being very academic in its approach to breast cancer philanthropy, Pool’s film takes a much more human and easily accessible approach to the subject. Questions on everything from where the money comes from to where it goes are addressed and Pool doesn’t shy away from the difficult questions. In some cases, we just don’t know the answers and it’s infuriating. How a disease that has been in the public eye since the 1940s with the Women’s Field Army for Cancer Control and for which various organizations have raised billions of dollars, still doesn’t have a cure… it’s staggering. There’s a good reason for this of course: money. It all comes down to money.

    » Read the rest of the entry..

  • Canada’s Top 10: A Dangerous Method Review

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    A Dangerous Method

    [With Canada's Top 10 screening in a few major cities in Canada in the coming weeks, the time is ripe to re-visit some of the titles we've seen throughout the last year.]

    Cronenberg and psychoanalysis seem like a match made in heaven – few directors have probed the depths of the bizarre and cerebral as frequently or successfully as Cronenberg. While films like Videodrome and A History of Violence are generally known for their visceral brutality, such a view should not hold up beyond a perfunctory glance. Cronenberg’s films are quite dependent upon the neuroses and motivations of their characters, as well as the mindset of the viewer. Sure, there is quite a bit of shock value to be had … but the human mind and its hopes, wants, needs, and desires are consistently at the forefront of Cronenberg’s works.

    At face value, A Dangerous Method is the perfect storm of subject matter and director; and this, without even considering the wonderful casting.

    » Read the rest of the entry..

  • The business of cancer: Pink Ribbons, Inc. trailer

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    Pink Ribbons

    Though the trailer for Lea Pool’s Pink Ribbons, Inc. has been kicking around for a while, as has the documentary which has screened at a number of festivals, it’s a rather important message that really needs to get out. Much like The Business of Being Born (review), it sheds light on a topic which we’re all familiar with but have rarely questioned: fundraising.

    When, a few years ago, companies started selling “limited edition” products in bright pink as a way to raise money for cancer research, I couldn’t help but wonder how much of the money from each of those products actually went to research. It was a fleeting thought but it was the first that came into my mind when I read the synopsis for Pool’s documentary which looks at corporate fundraising and what it means for cancer research.

    I’m curious to see how far Pool explores the subject and whether this is a hard hitting documentary or one that only goes halfway, leaving the big questions unanswered.

    » Read the rest of the entry..

  • Canada’s Top 10: Starbuck Review

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    Starbuck

    [With Canada's Top 10 screening in a few major cities in Canada in the coming weeks, the time is ripe to re-visit some of the titles we've seen throughout the last year. Though Starbuck plays exceptionally well on DVD, it's most certainly worth a viewing with a crowd. The group laughs are much more satisfying.]

    It’s always a welcome surprise when a movie you’ve never heard of impresses. That was the case when I saw Ken Scott’s Starbuck at VIFF.

    Co-written by Scott and Martin Petit, this plot is one that will have you shaking your head. Bon Cop, Bad Cop’s Patrick Huard stars as David Wozniak, a 42 year old man who still lives like an irresponsible teen: he’s seriously in debt, has a grow-op in his living room to help pay the bills and works at the family butcher shop delivering meat. He’s well loved by everyone but he’s also not trusted with anything of importance because he tends to muck things up. But he has a good heart and when it comes right down to it, he’ll do what he can to help those he loves.

    One such instance of caring in the late 80s led to a spree of sperm donations when he was in his 20s. Using the alias of Starbuck, David spent numerous hours in a little room doing his business into a little cup. Yes, it’s a bit strange but it got the job done and after collecting the funds he needed David went on with his carefree life until 20 years later, he gets a visit from a lawyer. The doctor who led the clinic David had frequented made the mistake of giving his sperm to all of the couples that came in for the period of one year and as a result, David is the father of 533 children, 142 of whom have filed a class action suit to open the record books and make public the name of the man who is a “father” to them all.
    » Read the rest of the entry..

  • Canada’s Top 10: Edwin Boyd Review

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    Edwin Boyd

    [With Canada's Top 10 screening in a few major cities in Canada in the coming weeks, the time is ripe to re-visit some of the titles we've seen throughout the last year. This review originally appeared at Quiet Earth.]

    I‘m a total sucker for historical tales of real people I’m not familiar with so the appeal of Edwin Boyd, a WWII veteran and family man (and Canadian no less!) who is so disillusioned with his life that he turns to bank robbery, was immediate.

    Scott Speedman stars as Boyd, a WWII veteran who has returned from the war and is eking out a living for his young family. Times are tough, money’s tight and Boyd is at the end of his rope. On a particularly bad day he walks off his bus driver job and tries to crack the entertainment industry. That doesn’t work out as expected and when his father steps in to help out the family, something in Boyd breaks and he takes matters into his own hands. The solution: bank robbery.

    Things go well for Boyd whose good humour and showmanship come through in his robberies and when he gets caught, it’s almost disappointing. While in jail, he meets up with another bank robber, the one footed Lenny Jackson (played by the severely underrated Kevin Durand) and along with Jackson’s cronies, the group sets up another gang, this one hitting up bigger banks with bigger paydays. As Boyd’s irregular day job brings in higher payouts and larger headlines, his relationship with his wife disintegrates and when Boyd is finally caught, after yet another escape, it’s clear that his relationship with his family, the reason for the robberies to begin with, is finished.
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  • Canada’s Top 10: Hobo With a Shotgun Review

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    [With Canada's Top 10 screening in a few major cities in Canada in the coming weeks, the time is ripe to re-visit some of the titles we've seen throughout the last year and Jason Eisener's expansion of the much loved fake trailer is a heck of a great selection. In addition to this review, we also have Matt Brown's review and Colleen's 3 x 5.]

    Welcome to Scumtown. The graffiti runs riotous along the buildings and storefronts, and the crime even moreso. Living up to its title, it features Rutger Hauer riding the rails into town as the eponymous Hobo looking for stray cigarettes and some spare change to buy a lawnmower to make his way as a landscaping entrepreneur. The irony being that there is no grass to be seen in town. After witnessing a wanton act of violence, more a brutally bloody carnival side-show, by the local crimeboss his two identically dressed sons, he instead invests nickels and dimes on a pump-action Remington. The hobo goes to war against drug-dealers, pedophiles, dirty cops and a full assortment of colourful psychotics in the name of making Abby, a young hooker with the heart of gold, undergo a career change from prostitute to school teacher. Dartmouth, Nova Scotia was never particularly high on any tourists list of destinations, Jason Eisener’s nightmare vision of the city as an endless concrete gutter teeming with violent freaks and shuffling terrorized victims is unlikely to drum up future visitors. The brightest flowers the film can ever summon up (as a symbol of hope?) are a few rotting dandilions. Yellow weeds are as bright as it gets in this town.

    Hobo with a Shotgun feels like a lost and ultraviolent product of the Canadian Tax Shelter films , the cycle of delightfully demented horror films from the 1970s and 1980s that resulted from an excess of government cash put in to stimulate a flailing Canadian movie industry. In fact, the film is indeed set somewhere in the early 1980s judging by the look of the currency being occasionally tossed around as well as a boxy gull wing car and a few choice boom boxes. While the film may have started its life as faux trailer entry in Quentin Tarantino and Robert Rodriguez’s Grindhouse, its graduation to a full-length feature easily eclipses Rodriguez’s own trailer-turned-movie, Machete. It draws its DNA not from the naughty drive-in and inner-city trash-palace fair of the 60s and 70s, but the ultraviolence of George Miller’s Mad Max films as well as the splatstick of Peter Jackson’s Dead Alive and Sam Raimi’s Evil Dead cycle, although if your ears are peeled at the beginning of the film you might just hear echoes of the Cannibal Holocaust theme.

    » Read the rest of the entry..

  • Canada’s Top 10: Café De Flore Review

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    Cafe

    [With Canada's Top 10 screening in a few major cities in Canada this week, it is perhaps time to revisit a film we love to boost in these parts. You can find Bob Turnbull's (who considers the film the best one of 2011) TIFF review here; also, you can find Bob, Mike and My own lengthy 'conversational' post about the film here.]

    In an annual New Years tradition of merriment and bonding, the patriarch of a decidedly secular family asks for God’s blessing in the coming year. It is a contradictory detail such as this – a combination the pragmatic and the spiritual – in which Café De Flore asks (in a round about way) what is probably the most difficult question put to a person, at least someone in privileged first-world society: “Are you happy?”

    The latest film from Québécois wunderkind Jean Marc-Vallée (C.R.A.Z.Y.) is a film of moments – intense emotional moments – offered up in a loose, free-wheeling montage (requiring the aid of voice-over) before settling into something deeper. The film further mines two of the more interesting themes that have been slowly emerging in my world-cinema filmgoing this year: The first pertains to raising children, and how connected our choices and beliefs (and anxieties) are to how the kids eventually turn out. I have seen this tackled in a variety of 2011 films ranging from guilt (We Need to Talk About Kevin) to paranoia (Take Shelter, Kotoko) to self-reflection (Tree of Life.) The second is the relation of the universe (or spiritual) to the individuals’ state of mind (Melancholia, Another Earth, and yes, again, Tree of Life.) Taking a dual narrative approach, Café De Flore divides its attention between a pair of story-lines which are connected at first glance only by the titular coffee-house tune (which is used here in many different musical forms) but other connective images and ideas slowly emerge before climatically aligning both timelines in a way that is both daring and profoundly satisfying.

    » Read the rest of the entry..

  • DVD Review: Starbuck

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    Starbuck DVD Cover

    Director: Ken Scott (Life After Love, The Rocket)
    Screenplay: Ken Scott, Martin Petit
    Producer: André Rouleau
    Starring: Patrick Huard, Julie LeBreton, Antoine Bertrand, Dominic Philie, Marc Bélanger
    MPAA Rating: 14A
    Running time: 109 min.

    (4/5)

    It’s always a welcome surprise when a movie you’ve never heard of impresses. That was the case when I saw Ken Scott’s Starbuck at VIFF.

    Starbuck Movie StillCo-written by Scott and Martin Petit, this plot is one that will have you shaking your head. Bon Cop, Bad Cop’s Patrick Huard stars as David Wozniak, a 42 year old man who still lives like an irresponsible teen: he’s seriously in debt, has a grow-op in his living room to help pay the bills and works at the family butcher shop delivering meat. He’s well loved by everyone but he’s also not trusted with anything of importance because he tends to muck things up. But he has a good heart and when it comes right down to it, he’ll do what he can to help those he loves.

    One such instance of caring in the late 80s led to a spree of sperm donations when he was in his 20s. Using the alias of Starbuck, David spent numerous hours in a little room doing his business into a little cup. Yes, it’s a bit strange but it got the job done and after collecting the funds he needed David went on with his carefree life until 20 years later, he gets a visit from a lawyer. The doctor who led the clinic David had frequented made the mistake of giving his sperm to all of the couples that came in for the period of one year and as a result, David is the father of 533 children, 142 of whom have filed a class action suit to open the record books and make public the name of the man who is a “father” to them all.
    » Read the rest of the entry..

  • DVD Review: The Kate Logan Affair

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    The Kate Logan Affair DVD

    Director: Noël Mitrani (On the Trail of Igor Rizzi)
    Screenplay: Noël Mitrani
    Producer: Ian Whitehead
    Starring: Alexis Bledel, Laurent Lucas, Noémie Godin-Vigneau
    MPAA Rating: 14A
    Running time: 82 min.

    (2/5)

    Noël Mitrani’s The Kate Logan Affair starts off on a promising foot. A rookie cop wrongfully arrests a man who fits the description of a serial rapist on the lose in the area. She gets as far as handcuffing the man until she checks his identification and realizes his name is Benoit Gando, a French national in town for a conference. She apologises profusely and lets the man go on his way. Later that night, as Officer Kate Logan is headed home, she spots Benoit rummaging around in his car in the parking lot of the motel he’s staying at. She approaches, apologises again and offers to take the distinguished older man out for a drink, an official apology for her earlier mistake. He agrees and the two head off for a drink.

    The Kate Logan Affair StillWith few details on either Benoit or Logan, the opening few scenes of Mitrani’s film plays with viewer expectation and as we wait for Benoit, the potential rapist, to strike, it soon becomes apparent that he’s not the one with troubled tendencies. On their third evening together, Kate shows Benoit her gun. At first he refuses but pushed by Kate and curious, he follows her lead, points and squeezes the trigger. The firing takes the two by surprise but immediately Kate starts to freak out, explaining that she’s going to lose her job if it’s discovered that the bullet was fired from her gun, a gun she’s not supposed to be carrying while off-duty.

    After trying and failing to dig out the bullet, the two escape out the back window on foot before eventually hotwiring a car and heading down the road. Benoit is beside himself in terror. He’s realized that running off from such a minor issue is likely to get him into more trouble than just admitting the truth but Kate holds their affair over his head, threatening to end his marriage if he runs off. She wants time to figure out how to get out of the situation with her job intact and with each passing moment, the hole she’s dug gets deeper and more difficult to climb out of but when Benoit arrives with the local newspaper which states that Kate has been kidnapped, she sees her way out and it doesn’t include Benoit.
    » Read the rest of the entry..

  • Toronto After Dark Video Reviews: Manborg

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    Check out all The Substream coverage for the Toronto After Dark Film Festival 2011, including the quite excellent print reviews by Mamo!’s Matt Brown.

    p.s. Everyones favourite awkwardly-cute-lover-boy: THE BARON:

  • Help get Canadian film on-demand. When YOU want it

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    FWC

    One of the questions that often comes up when talking about movies, when you’re in Canada at least, is “are there areny good Canadian movies?” I argue that there are and judging by the reviews from other Row Three contributors I think it’s safe to say that the number of good Canadian entertainment is on the rise. Still, much of it isn’t seen outside the festival circuit. Last year, less than 5% of Canada’s total box office went towards Canadian film and this is likely not going to get any better any time soon. Add in the dying video store (not sure they were ever much of a help when it came specifically to Canadian film) and the rise of on line, on demand film viewing and I’m thinking this new initiative may be a great step in the right direction.

    The First Weekend Club, a national organization which, for eight years, has been supporting Canadian film by encouraging people, often by hosting events, to see Canadian films on their opening weekend, is trying to expand into the streaming market by providing a gateway where individuals can find and watch Canadian film from the comfort of their home. It’s like iTunes or YouTube movie rental but specifically for Canuck movies.

    The group has set up an IndieGoGo campaign to raise funds to get a beta site up and running and with the help of some very familiar faces in Canadian cinema, they’re definitely headed in the right direction. Their promotional video is tucked under the seats but I encourage you to head over and drop them a few bucks to get this project up and running.

    » Read the rest of the entry..

  • Toronto After Dark Video Reviews: Father’s Day

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    Check out all The Substream coverage for the Toronto After Dark Film Festival 2011, including the quite excellent print reviews by Mamo!’s Matt Brown.

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