Director: Jack Gold
Screenplay: John McGrath
Based on a Play by: Patrick Hall
Starring: Nicol Williamson, Ann Bell, Lilita De Barros, Tom Kempinski
Running Time: 111 min
BBFC Certificate: 12
Another of Indicator’s obscure British film re-releases this month (which also include The Deadly Affair, A Day in the Death of Joe Egg and The National Health), is Jack Gold’s The Reckoning. As with the other titles, I hadn’t heard of this before, but it caught my eye due to some positive reviews knocking around and the press citing it as being similar and of equal standard to Get Carter (the original, not the God-awful Sylvester Stallone remake of course).
Like Get Carter, The Reckoning sees its protagonist travel up north from London to find a loved one murdered. This time around it’s Liverpool that Michael Marler (Nicol Williamson) travels to, as his father is dead. The doctors declare it a straight forward heart attack, but a friend of his father tells Michael he was attacked by some anglo-saxon teddy boys the day before, which caused his death. Unlike Carter however, Michael is no gangster out for revenge. He’s a businessman who moved down south from his Liverpool home and never looked back. He’s brutal in his approach to his line of work though and his working class Irish heritage requires him to deal with those responsible for his father’s death, as the police aren’t interested. So Michael spends much of the film tormented as to what to do about the situation. Meanwhile he finds being back home rejuvenating after feeling suffocated and bored with his high flying but superficial existence in the capital. In particular, he’s fed up of his cold-hearted wife Rosemary (Ann Bell) and the battle for a promotion in the company he works for. The trip up north seems to provide him the impetus to do something about this though.