Archive for the ‘Adaptations’ Category

  • Ron Howard in talks to adapt Gaiman’s The Graveyard Book.

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    Back in April, it was reported that Disney acquired the rights to Neil Gaiman’s fantastic children’s novel The Graveyard Book. When it was announced, Henry Selick – the stop-motion director behind The Nightmare Before Christmas, James and the Giant Peach, and Coraline – was set to direct what would be another stop-motion film. Somewhere along the way, the project fell apart or Disney lost confidence.

    But the project is seeing new life, according to the Hollywood Reporter, this time with Ron Howard in negotiations to direct what will be a live-action adaptation.

    This is great news, of course. The Graveyard Book is the best children’s novel I’ve read since Harry Potter – and in many ways, it was a much more enjoyable read for me. The book follows a young boy named Nobody Owens who is taken in and raised by the inhabitants of an old graveyard after his family is brutally murdered by a man named Jack. Ghosts from all centuries, vampires, werewolves, and a variety of ghouls make up the rich cast of characters where it is the supernatural who fear the humans – not the other way around. It’s thrilling and scary and genuinely touching, hitting on some very mature themes and beautifully exploring the trials and tribulations that come with growing up.

    The book also won both the Carnegie and Newbery medals for best children’s book.

    Have you read the book? If so, what do you think of Howard behind the camera? And are you relieved or bummed that the film will be live-action rather than stop-motion?

  • Looney Tunes to be rebooted as ‘a hybrid live-action/CG film’

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    According to Hollywood Reporter, Looney Tunes is set to be “rebooted” by Warner Bros. with former SNL scribe Jenny Slate and some Harry Potter producer on board to make it happen.

    For many of us who are 25+, Looney Tunes is sacred. Still, we can already admit that they were shit on in 2003′s Back in Action and whatever Cartoon Network tried to do with its recent Looney Tunes Show, which was like a Friends version of Bugs, Daffy, and pals, but hell, if Warner Bros. further shits on these characters and makes the next Alvin and the Chipmunks: Chipwrecked, well… well… I’ll probably Tweet something very angrily about it. So, take that Warner Bros.

  • Five (Additional) Novels Hollywood Needs to Adapt

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    Back in 2007, when the third row was just in it’s infancy, I wrote an article titled Five Novels I Want to See Adapted. So far, the only one actually filmed and coming to theaters is The Great Gatsby and I can only assume Baz Luhrman decided to pursue such an ambitious project because he read it (he even took on my suggestion of casting Leonardo DiCaprio, although I had him more in mind for Nick Carraway at the time). Adaptations of Stephen King’s The Dark Tower and Cormac McCarthy’s Blood Meridian have been discussed in the years since, but nothing has actually come to life. A couple of years later, I decided on six more books that I wanted to see adapted. Again, due to my influence, Hollywood took note and has moved forward in the production of The Graveyard Book, based on Neil Gaiman’s bestselling young adult novel.

    Now, dear readers (and Hollywood producers), I have come to you with five more novels that must make their way onto the big screen in the coming years. Like before, I don’t ask for much, only a “Special Thanks” in the credits.

    Gun, With Occasional Music
    by Jonathan Lethem

    I think it’s best described as Blade Runner meets Who Framed Roger Rabbit? written by Raymond Chandler. In a near dystopian future, evolution therapy has made it possible to skip childhood – but it’s also provided animals with advanced intelligence. Populations are controlled with mind-altering drugs and it’s illegal to ask questions to anyone without a proper (and nearly impossible to get) inquisition license. In this world, Private Inquisitor Conrad Metcalf finds himself being trailed by a trigger-happy kangaroo after a solemn rabbit makes a case to Metcalf that he has been framed for murder. The book is a pulpy, goofy noir that was made to be adapted for the big screen. It’d be ambitious. It’d be weird. But in the right hands (someone like Duncan Jones), it could be pulled off.

    While reading, I couldn’t help but picture Bogart in the role of Metcalf, but I could easily picture someone like Daniel Craig or Michael Fassbender in the role. Get Doug Jones to don some suits created by the minds behind Pan’s Labyrinth and we’d have ourselves an instant classic. With witticisms like “Tell him next time he wants to talk to me, don’t send a marsupial,” I don’t know how any filmmaker could resist.

    » Read the rest of the entry..

  • Gorgeous first trailer for Joe Wright’s “Anna Karenina”

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    It’s no secret that I love Joe Wright’s work and as much as I loved Hanna, it’s going to take more than on really great action thriller to convince me that period dramas, and more specifically period dramas based on acclaimed novels, aren’t Wright’s calling. He can take all the time he needs and test any waters he might as long as he comes back to the period drama because few directors today seem to handle the material quite as well as Wright does.

    It remains to be seen if Anna Karenina, an adaptation of of Leo Tolstoy’s classic novel no less, will be just as wonderful as most of Wright’s previous projects but the first trailer certainly suggests as much. The project is adapted by Oscar winner Tom Stoppard and re-unites Wright’s muse Keira Knightley with Matthew Macfadyen and adds the likes of Kelly Macdonald, Jude Law, Emily Watson and Aaron Johnson (the Kick-Ass star seems the odd-man out until you consider his filmography and realise that actually Kick-Ass seemed less in line with his other work though it is what most people know him for).

    It’s lush, it’s gorgeous, the music soars, the costumes shine, Knightley looks beaten, Law looks angry and Johnson seems to be filling the role of heartbreaker to a tee. Even more so than Wright’s previous projects, watching this trailer I was reminded of the old romantic epics I love so much. Yes, I thought of Gone with the Wind but what it mostly reminds me of is David Lean’s Doctor Zhivago (interesting bit of useless trivia: in 2002, Knightley starred in a TV adaptation of “Doctor Zhivago.”). Basically, this looks glorious.

    Anna Karenina will break our hearts on November 9th.

  • Neil Gaiman’s The Graveyard Book to be adapted by Disney.

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    A while back, I wrote a post about six novels that I wanted to see adapted. One of my choices was Neil Gaiman’s 2008 fantasy children’s novel The Graveyard Book, in which I said it was “only a matter of time before somebody gets this thing made for the big screen” and when it did it would be “huge.” Now, as Disney has finally acquired the rights to adapt what is an absolute classic in children’s fiction, I am convinced that it will be even bigger than I initially imagined.

    Inspired by Rudyard Kipling’s The Jungle Book, Gaiman’s story follows a young boy named Nobody who is taken in and raised by the inhabitants of an old graveyard after the brutal murder of his family. Ghosts from all centuries, vampires, werewolves, and a variety of ghouls make up the rich cast of characters where it is the supernatural who fear the humans – not the other way around. It’s thrilling and scary and genuinely touching, hitting on some very mature themes and beautifully exploring the trials and tribulations that come with growing up.

    The adaptation will be directed by Henry Selick, who is primarily a stop motion director having directed The Nightmare Before Christmas, James and the Giant Peach, and a prior adaptation of Gaiman’s work with Coraline – so it’s pretty safe to assume that this will also follow that trend. All I can say is that I am really looking forward to this one.

    Have you read The Graveyard Book? What are your thoughts on an adaptation? Would it translate better as live-action rather than stop motion? Chime in below!

  • Six (More) Novels I’d Like to See Adapted

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    Back in 2007, I wrote up a little something discussing five novels that I would love to see adapted for the big screen. Despite the influence of my opinion in Hollywood, not one of those has made it to the big screen yet – although two of them (Blood Meridian, The Dark Tower) are in the works and one was, but fizzled out (East of Eden). Here is my latest batch of recommendations. Studios, all I ask for is a “Special Thanks” and a producer credit. Maybe a lead role.

    As always, leave your own thoughts and recommendations in the comments.

    » Read the rest of the entry..

  • Trailer: John Dies at the End

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    We are big fans in these parts of Don Coscarelli’s occasionally pathos-laden cult goof off Bubba Ho-Tep and it is delightful to see the director, whom some might say peaked in the 1980s with the Phantasm movies and The Beastmaster, stay in this interesting low-budget cult niche. The wittily titled John Dies at The End is a drug/hallucination in the vein of Naked Lunch as a lark, which features a lot of interesting supporting characters (Paul Giamatti, Clancy Brown, and Guillermo Del Toro regular Doug Jones) and lots of imaginative prosthetics-work and situational weirdness. While I have my criticisms of using the ‘tell your story in a bar’ framing device in these films (It practically kills the almost-gems I Sell the Dead and John Carpenter’s Ghosts of Mars to name a couple examples.)

    The trailer seems to put the wacky-genre-hopping tone in the same ballpark as Joe R. Lansdale (who wrote the horror-comedy graphic novel on which Bubba was based) although John Dies At The End is adapted from a 2001 novel by Jason Pargin.

    Check out the trailer (tucked under the seat) and let us know if you are keen on another micro-budget romp for a very specialized audience.

    » Read the rest of the entry..

  • James Franco adapting Cormac McCarthy’s Child of God

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    If there is one Cormac McCarthy novel that I thought would never be adapted it would be Child of God. Written in 1973, the book follows a violent and sexually deviant man named Lester Ballard who wanders aimlessly around the mountains of Tennessee, living a mostly isolated life while he is killing, committing various other crimes, and having sex with dead bodies. Yes, you read that right. Despite the strangeness of the premise, it still stands as a masterfully written novel (I read it in a single sitting) and I can see how someone involved in the movie business could be inspired to want to tackle such a difficult novel – although I can’t imagine a studio ever financing such a movie, unless it is extremely altered or toned down.

    Apparently though – and it comes to no surprise due to his previous interest in adapting McCarthy’s Blood Meridian – James Franco wants to take on adapting the book, according to Indie Wire.

    “We shot a 20 minute test of it [Blood Meridian] that turned out pretty well … we were gearing up to do the feature but that for various reasons is on hold, but we are going to make a movie based on his [Cormac McCarthy’s] third book Child Of God,” Franco said.

    And for now, that’s all we have – whether he wants to play Lester or not, we are still unsure (although I would probably guess no), but we do know he plans on on directing.

    Has anyone Row Three readers out there read the book? Do you think something like this could ever be adapted for the big screen or is Franco chasing an unreachable dream?

  • Inside Llewyn Davis: The Next Film from The Brothers Coen

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    I know I am not the only one excited to know what the next film from Joel and Ethan Coen will be. They have scripted the Michael Hoffman (The Last Station) helmed remake of Gambit; that according to IMDB is currently in post-production. The next project that they will be both directing and writing may at first seem a tad peculiar amongst the rest of the Brothers’ filmography. That very project is an adaptation of Dave Van Ronk’s memoir The Mayor of MacDougal Street.

    It was back in June during the opening of the Elinor Bunin Munroe Film Center, a new facility erected on behalf of The Film Society of Lincoln Center, that the Coens first made allusions to this new venture. As they sat alongside Noah Baumbach in a discussion of their films’ openings mentions were made of a script in progress that will feature naturalistic dialogue, a lot single instrument-music performances to be recorded live on set, and extreme attention to capture the feel of a specific time and place. That time and place will be no other than New York City’s Greenwich Village during the ’60s, the epicenter of the folk music revival scene which spawned Bob Dylan, Joni Mitchell,and Phil Ochs to name a few. Dave Van Ronk was a friendly staple of the Village, and noted as a major influence of the sound which defined many of the performers who came out of there with a blend of blues style, and complex harmonies.

    Variety announced this week that StudioCanal will co-finance the film. In addition, Scott Rudin will produce while Robert Graf will act as Executive Producer – the same positions they filled on No Country for Old Men and True Grit. It was also revealed that the film will now be called Inside Llewyn Davis. This can surely be seen as an indicator that this won’t be a direct adaptation. In a recent interview with frequent Coen-collaborator Roger Deakins, the master cinematographer spoke of a film he was going to shoot in a style emulating the work of D.A. Pennebaker. If I was the sort of lad who liked to place bets, Inside Llewyn Davis is that movie. This is interesting on a number of levels. Other than the opportunity for bold characters this (at least to me) wouldn’t seem like obvious Coen fare. The stylistic details that have been mentioned have writers around the net making Robert Altman comparisons. Joel and Ethan themselves regarded to Baumbach at the Lincoln Center function that it would be something he would do. It would definitely seem as if they want move away from the sensibility we all know them for as their remake of True Grit, while no doubt having some Coen flourishes, still seems quite restrained in the light of their other work even compared with something like Miller’s Crossing. Not to in any way imply that is indicative of quality. Another aspect of this is how cool it will to see a movie within this world. The Village-Folk scene has really only been touched upon in light of Dylan as in Todd Haynes’ I’m Not There and Scorsese’s documentary No Direction Home. I am a sucker for music films, and even more fascinated when they attempt to embody a particular scene itself. Well, I am already there. The Coen Brothers could make a movie based on Swedish Fish, and my tickets already bought. Your thoughts, the Third Row?

     

  • Teaser Trailer for “Hunger Games”

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    So I just finished reading Suzanne Collins tween novel, “Hunger Games”, not but four days ago. I knew there was a movie coming but I had no idea it was this close to release (March 2012). Well, close enough for there to already be a teaser trailer anyway.

    If you’re not in the know, “Hunger Games” is essentially a mish-mash of Battle Royale, Stephen King’s “The Long Walk” and Orson Scott Card’s “Ender’s Game.” But of course not quite written at the same intelligence level. Katniss Everdeen is thrust into a deadly government sponsored game to the death in a large arena with 23 other contestants. The rules are simple: be the last alive. There’s obviously a lot more to it than that in this fascist, dystopian future, but you get the gist.

    We don’t get much from this trailer, just a good glimpse of Jennifer Lawrence (Winter’s Bone) as the 16 year-old star and her character’s bow-wielding experience. But there’s enough in here to get a general feel of the picture. Personally, I was generally disappointed in the final few chapters of the novel, but with Pleasantville director, Gary Ross, at the helm and helped out by none other than the great Steven Soderbergh as second unit director, I can’t help but sort of be excited for his release of the theatrical version of “Hunger Games.” Not to mention a great supporting cast including Woody Harrelson, Stanley Tucci, Donald Sutherland, Toby Jones, Elizabeth Banks, Lenny Kravitz and Wes Bentley. But time will tell if Lawrence can live up to the starring role.

    Take a look at the trailer under the seats. How does it compare to your expectations?

    » Read the rest of the entry..

  • The new Superman revealed. Does anyone care?

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    Well, we finally have our first look at Henry Cavill as Superman in Zack Snyder’s upcoming reboot Man of Steel. Whatever. Batman would kick his ass anyway.

  • Andrew Garfield, Andrew Garfield, does whatever a spider can.

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    Yesterday we had the pleasure of watching the teaser trailer for The Dark Knight Rises and today we have the teaser to another hotly anticipated (and, many would say, highly unnecessary) superhero reboot: The Amazing Spider-Man.

    My immediate thoughts:

    1. Andrew Garfield is going to be an infinitely better Peter Parker than Tobey Maguire.
    2. The origin story? Again? Really? *Yawn*
    3. First-person web-slinging is a neat concept, although it seems pretty unpolished. If they were trying to “wow” us with that sequence in the teaser, I am only left with an “eh.”
    4. Despite all of the talent involved, my last reaction after viewing the trailer is still: Why?

    Check out the trailer after the jump and let us know what you think. Is this a much-needed darker reboot or a waste of time, money, and talent?

    » Read the rest of the entry..

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