Archive for the ‘Adaptations’ Category

  • Six (More) Novels I’d Like to See Adapted

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    Back in 2007, I wrote up a little something discussing five novels that I would love to see adapted for the big screen. Despite the influence of my opinion in Hollywood, not one of those has made it to the big screen yet – although two of them (Blood Meridian, The Dark Tower) are in the works and one was, but fizzled out (East of Eden). Here is my latest batch of recommendations. Studios, all I ask for is a “Special Thanks” and a producer credit. Maybe a lead role.

    As always, leave your own thoughts and recommendations in the comments.

    » Read the rest of the entry..

  • Trailer: John Dies at the End

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    We are big fans in these parts of Don Coscarelli’s occasionally pathos-laden cult goof off Bubba Ho-Tep and it is delightful to see the director, whom some might say peaked in the 1980s with the Phantasm movies and The Beastmaster, stay in this interesting low-budget cult niche. The wittily titled John Dies at The End is a drug/hallucination in the vein of Naked Lunch as a lark, which features a lot of interesting supporting characters (Paul Giamatti, Clancy Brown, and Guillermo Del Toro regular Doug Jones) and lots of imaginative prosthetics-work and situational weirdness. While I have my criticisms of using the ‘tell your story in a bar’ framing device in these films (It practically kills the almost-gems I Sell the Dead and John Carpenter’s Ghosts of Mars to name a couple examples.)

    The trailer seems to put the wacky-genre-hopping tone in the same ballpark as Joe R. Lansdale (who wrote the horror-comedy graphic novel on which Bubba was based) although John Dies At The End is adapted from a 2001 novel by Jason Pargin.

    Check out the trailer (tucked under the seat) and let us know if you are keen on another micro-budget romp for a very specialized audience.

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  • James Franco adapting Cormac McCarthy’s Child of God

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    If there is one Cormac McCarthy novel that I thought would never be adapted it would be Child of God. Written in 1973, the book follows a violent and sexually deviant man named Lester Ballard who wanders aimlessly around the mountains of Tennessee, living a mostly isolated life while he is killing, committing various other crimes, and having sex with dead bodies. Yes, you read that right. Despite the strangeness of the premise, it still stands as a masterfully written novel (I read it in a single sitting) and I can see how someone involved in the movie business could be inspired to want to tackle such a difficult novel – although I can’t imagine a studio ever financing such a movie, unless it is extremely altered or toned down.

    Apparently though – and it comes to no surprise due to his previous interest in adapting McCarthy’s Blood Meridian – James Franco wants to take on adapting the book, according to Indie Wire.

    “We shot a 20 minute test of it [Blood Meridian] that turned out pretty well … we were gearing up to do the feature but that for various reasons is on hold, but we are going to make a movie based on his [Cormac McCarthy’s] third book Child Of God,” Franco said.

    And for now, that’s all we have – whether he wants to play Lester or not, we are still unsure (although I would probably guess no), but we do know he plans on on directing.

    Has anyone Row Three readers out there read the book? Do you think something like this could ever be adapted for the big screen or is Franco chasing an unreachable dream?

  • Inside Llewyn Davis: The Next Film from The Brothers Coen

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    I know I am not the only one excited to know what the next film from Joel and Ethan Coen will be. They have scripted the Michael Hoffman (The Last Station) helmed remake of Gambit; that according to IMDB is currently in post-production. The next project that they will be both directing and writing may at first seem a tad peculiar amongst the rest of the Brothers’ filmography. That very project is an adaptation of Dave Van Ronk’s memoir The Mayor of MacDougal Street.

    It was back in June during the opening of the Elinor Bunin Munroe Film Center, a new facility erected on behalf of The Film Society of Lincoln Center, that the Coens first made allusions to this new venture. As they sat alongside Noah Baumbach in a discussion of their films’ openings mentions were made of a script in progress that will feature naturalistic dialogue, a lot single instrument-music performances to be recorded live on set, and extreme attention to capture the feel of a specific time and place. That time and place will be no other than New York City’s Greenwich Village during the ’60s, the epicenter of the folk music revival scene which spawned Bob Dylan, Joni Mitchell,and Phil Ochs to name a few. Dave Van Ronk was a friendly staple of the Village, and noted as a major influence of the sound which defined many of the performers who came out of there with a blend of blues style, and complex harmonies.

    Variety announced this week that StudioCanal will co-finance the film. In addition, Scott Rudin will produce while Robert Graf will act as Executive Producer – the same positions they filled on No Country for Old Men and True Grit. It was also revealed that the film will now be called Inside Llewyn Davis. This can surely be seen as an indicator that this won’t be a direct adaptation. In a recent interview with frequent Coen-collaborator Roger Deakins, the master cinematographer spoke of a film he was going to shoot in a style emulating the work of D.A. Pennebaker. If I was the sort of lad who liked to place bets, Inside Llewyn Davis is that movie. This is interesting on a number of levels. Other than the opportunity for bold characters this (at least to me) wouldn’t seem like obvious Coen fare. The stylistic details that have been mentioned have writers around the net making Robert Altman comparisons. Joel and Ethan themselves regarded to Baumbach at the Lincoln Center function that it would be something he would do. It would definitely seem as if they want move away from the sensibility we all know them for as their remake of True Grit, while no doubt having some Coen flourishes, still seems quite restrained in the light of their other work even compared with something like Miller’s Crossing. Not to in any way imply that is indicative of quality. Another aspect of this is how cool it will to see a movie within this world. The Village-Folk scene has really only been touched upon in light of Dylan as in Todd Haynes’ I’m Not There and Scorsese’s documentary No Direction Home. I am a sucker for music films, and even more fascinated when they attempt to embody a particular scene itself. Well, I am already there. The Coen Brothers could make a movie based on Swedish Fish, and my tickets already bought. Your thoughts, the Third Row?

     

  • Teaser Trailer for “Hunger Games”

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    So I just finished reading Suzanne Collins tween novel, “Hunger Games”, not but four days ago. I knew there was a movie coming but I had no idea it was this close to release (March 2012). Well, close enough for there to already be a teaser trailer anyway.

    If you’re not in the know, “Hunger Games” is essentially a mish-mash of Battle Royale, Stephen King’s “The Long Walk” and Orson Scott Card’s “Ender’s Game.” But of course not quite written at the same intelligence level. Katniss Everdeen is thrust into a deadly government sponsored game to the death in a large arena with 23 other contestants. The rules are simple: be the last alive. There’s obviously a lot more to it than that in this fascist, dystopian future, but you get the gist.

    We don’t get much from this trailer, just a good glimpse of Jennifer Lawrence (Winter’s Bone) as the 16 year-old star and her character’s bow-wielding experience. But there’s enough in here to get a general feel of the picture. Personally, I was generally disappointed in the final few chapters of the novel, but with Pleasantville director, Gary Ross, at the helm and helped out by none other than the great Steven Soderbergh as second unit director, I can’t help but sort of be excited for his release of the theatrical version of “Hunger Games.” Not to mention a great supporting cast including Woody Harrelson, Stanley Tucci, Donald Sutherland, Toby Jones, Elizabeth Banks, Lenny Kravitz and Wes Bentley. But time will tell if Lawrence can live up to the starring role.

    Take a look at the trailer under the seats. How does it compare to your expectations?

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  • The new Superman revealed. Does anyone care?

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    Well, we finally have our first look at Henry Cavill as Superman in Zack Snyder’s upcoming reboot Man of Steel. Whatever. Batman would kick his ass anyway.

  • Andrew Garfield, Andrew Garfield, does whatever a spider can.

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    Yesterday we had the pleasure of watching the teaser trailer for The Dark Knight Rises and today we have the teaser to another hotly anticipated (and, many would say, highly unnecessary) superhero reboot: The Amazing Spider-Man.

    My immediate thoughts:

    1. Andrew Garfield is going to be an infinitely better Peter Parker than Tobey Maguire.
    2. The origin story? Again? Really? *Yawn*
    3. First-person web-slinging is a neat concept, although it seems pretty unpolished. If they were trying to “wow” us with that sequence in the teaser, I am only left with an “eh.”
    4. Despite all of the talent involved, my last reaction after viewing the trailer is still: Why?

    Check out the trailer after the jump and let us know what you think. Is this a much-needed darker reboot or a waste of time, money, and talent?

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  • Jeff Bridges to give us an adaptation of a children’s classic.

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    I love Jeff Bridges. Besides maybe Andrew Zimmern or my grandmother, he might be my favorite person on the planet, even if he isn’t always immediately who comes to my mind when people ask me who my favorite living actor is. Still, I take care to note everything the man does (including his blossoming music career) and I am always excited to hear when he is working on a new project.

    That is especially the case when the new project is one as interesting an an adaptation of the 1993 children’s classic sci-fi book, The Giver. Any fans of dystopian-set films should also take note, as the book follows a young boy living in a society devoid of emotions and intellectualism who meets an old man known as the Giver, the possessor of society’s knowledge.

    I will leave the summary at that, but do yourself a favor. If you haven’t read it, it’s a one-sitting quick read (buy it here!). I always thought that they could spin an interesting film out of it and now that Jeff Bridges is on board (in fact, he is producing it as well), I look forward to seeing how this progresses.

  • Cronenberg’s latest collaboration with Viggo has a trailer.

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    Of all the director-actor relationships out there, I am coming to appreciate that of David Cronenberg and Viggo Mortensen more than almost any other. Their past two films together – A History of Violence and Eastern Promises – not only hold up with numerous viewings, they also become more enjoyable and rich experiences with each watch. I am convinced that future generations will regard both as classics. With my obvious lusting over these two together, it comes as no surprise that I have been eager to know more about their latest collaboration, a film titled A Dangerous Method that follows the psychoanalytic exploits of Sigmund Freud (played by Mortensen) and Carl Jung (played by Michael Fassbender) and the woman who comes between them. Today, my lusting was satisfied.

    Check out the trailer after the jump and be sure to leave your thoughts on the trailer (and these two in general) in the comments.

    » Read the rest of the entry..

  • Moneyball – the next great baseball classic?

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    It took forever for Brad Pitt to get his passion project Moneyball made, but he has finally done it – and it looks glorious. Based on the 2003 nonfiction book by Michael M. Lewis, the film follows the story of Oakland A’s general manager Billy Beane who attempts to create a competitive team with creative and controversial methods, due to having very little finances.

    Unfortunately, I can’t help but wonder what this could have been back before Sony booted Steven Soderbergh as the director, due to some of his interesting and unconventional ideas, which included peppering the movie with interviews of the actual people this film dramatizes. Still, with Capote director Bennett Miller behind the camera and a cast that includes Brad Pitt, Jonah Hill, Philip Seymour Hoffman, and Robin Wright, I can’t help but be excited about this. When was the last time a good baseball movie came out?

    The film will be released in US theaters on September 23, 2011. In the meantime, sound off with your thoughts!

    The trailer is tucked under the seat.

    » Read the rest of the entry..

  • Captain America gets a trailer.

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    This one is for you, Andrew.

    As much as I read comics as a young buck in the early-to-mid 90s, never really have I dug Captain America – although I absolutely loved the old arcade game. Still, some people may find this of interest, particularly because this incarnation of Steve Rodgers is going to join forces with Robert Downey Jr.’s Iron Man and some other Marvel movie stars for the The Avengers movie that is coming out sometime in the next couple of years.

    One aspect of note, for the special effects junkies, will be the transfer of Chris Evans’s face onto a prepubescent body and whether it will look seamless or just plain awkward. I’m going with awkward.

    Hey, speaking of arcade games (and since there is probably little interest in talking about this movie), what were your favorite arcade games back in the day?

    Besides the early classics like Pac-Man and Donkey Kong during the Golden Age of Arcading, the late-80s and early nineties had some real gems: Teenage Mutant Ninja Turtles, The Simpsons, Smash TV, and X-Men ate many of my quarters back in the day.

  • Aronofsky drops out of The Wolverine.

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    Sorry superhero fanboys who were hoping to finally receive a prestigious and life-changing hard-R superhero film about Wolverine before he joined up with the X-Men. Black Swan and The Wrestler director Darren Aronofsky has backed out as director. According to the Hollywood Reporter:

    “As I talked more about the film with my collaborators at Fox, it became clear that the production of The Wolverine would keep me out of the country for almost a year,” Aronofsky said in a joint statement with Fox.

    “I was not comfortable being away from my family for that length of time. I am sad that I won’t be able to see the project through, as it is a terrific script and I was very much looking forward to working with my friend, Hugh Jackman, again,” he continued.

    Stated Fox: “While we are of course disappointed that Darren can’t do The Wolverine, we also understand and respect his reasons. Having done both The Wrestler and Black Swan with Darren, we know he is an extraordinary talent and we look forward to working with him on other projects in the future. Hugh Jackman and Fox both remain fully committed to making The Wolverine. We will regroup and move forward aggressively.”

    For some, this is great news, as many felt he was wasting his talents on a nonsense blockbuster franchise. To others, they were curious to see what a unique director such as Aronofsky could do with such a film. After all, they said, the last time that Hugh Jackman and Aronofsky teamed up, the result was golden.

    I think it’s obvious that there is a little more to this than they announced, perhaps Fox not offering Aronofsky the creative freedom that he had expected. Regardless of the reasons though, where do you stand on the issue? Are you glad that he is moving on from this project? Or are you slightly disappointed that he wasn’t going to take on a project that seems very risky for a director such as himself?

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