Author Archive

  • Kurosawa Centenary: Kagemusha

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    [March 23 1910, legendary filmmaker Akira Kurosawa was born. To celebrate the centennial of his life, his prolific contributions to the world of cinema, and immense impact on the hearts and minds of those quietly mourning his absence, staffers at Row Three are (rather enthusiastically) taking this opportunity to share their own experiences of the Kurosawa catalogue]

    Ksagemusha has the distinction of being the first Kurosawa film I ever saw, and I will forever hold it in high regard and strong affection. The film is a visual, artistic triumph. Though Dodes’ka-den and Dersu Uzala certainly have their merits, Kagemusha seems to me to be the first film in Kurosawa’s colour canon where he fully utilized and exploded the opportunities of the palette, any doubt of which should be immediately quelled Kagemusha’s second sequence – a page running through a seemingly endless forest of different-coloured warriors.

    As the legend goes, when Kurosawa could not initially raise the funds to make Kagemusha, he spent his time painting the sequences as he saw them in his mind. The resulting film has a decadent splendour which only Dreams would eventually surmount. » Read the rest of the entry..

  • Kurosawa Centenary: The Hidden Fortress

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    [March 23 1910, legendary filmmaker Akira Kurosawa was born. To celebrate the centennial of his life, his prolific contributions to the world of cinema, and immense impact on the hearts and minds of those quietly mourning his absence, staffers at Row Three are (rather enthusiastically) taking this opportunity to share their own experiences of the Kurosawa catalogue]

    The Hidden Fortress is reported (and over-reported) as “the film that inspired Star Wars,” a descriptor which has a technical truth to it only in the most basic plot terms (elder general and two bumbling idiots spirit a fugitive princess across enemy lines). The Star Wars connection likely leads to Fortress being many viewers’ access point to Kurosawa’s canon, however, and a splendid introduction it proves to be.

    The Hidden Fortress is Kurosawa at his most warmly populist. Here, he builds a grand adventure movie around two of his consistently repeating obsessions: the chanbara genre, and Toshiro Mifune. The result is an unabashed crowd-pleaser, but, as one would expect, one built with exceptional craft and narrative verve. » Read the rest of the entry..

  • Kurosawa Centenary: Scandal

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    [March 23 1910, legendary filmmaker Akira Kurosawa was born. To celebrate the centennial of his life, his prolific contributions to the world of cinema, and immense impact on the hearts and minds of those quietly mourning his absence, staffers at Row Three are (rather enthusiastically) taking this opportunity to share their own experiences of the Kurosawa catalogue]

    Kurosawa’s 1950 film, Scandal, is unfortunately little more than a ghastly weepie, a real low point in a period of the director’s career (1947-1954) which was otherwise marked with career-defining heights.

    The directorial imprimatur of Message overtakes Scandal almost from the outset, as Kurosawa sets out to essay the deterioration of media morality in postwar Japan. His weapon of choice is the story of a libel suit against a tabloid by a young artist (Toshiro Mifune, who is so suave and debonair in this film that he’s a remark shy of James Bond) and a popular singer, who have been wrongly reported as being lovers.

    » Read the rest of the entry..

  • Mamo #162: The Hurt Oscar

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    The boys of Mamo sat through what must have been in the top-three worst Oscar telecasts of all time, and babbled incessantly throughout. Were you there? If not, we have conveniently stitched our ravings together into one mega-mini-Mamo. Hey, listeners: I see you.

     

  • Mamo #161: Mamo in Underland

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    It’s 2 days to the Oscars, and our intrepid Mamo hosts consider the decaying nation of 3-D, the sideways evolution of TRON, and zombie career of Tim Burton: been dead for a while, still going. Plus, we prep for our annual semi-live Oscar podcast, coming at you this Sunday, March 7, via Twitter (@tederick and @mattmovies).

  • Mamo #160: Oscar nom nom nom

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    We eat the Oscars! While no one would be foolish enough to base their Oscar pool bet on our analysis of this year’s nominations, we’ll help you sift through the madness of Avatar vs. The Hurt Locker vs. 8 Films No One Will Remember Two Minutes From Now, 2010.

    **Additionally, both Matts would like to apologize profusely to Marion Cotillard, upon whom they have significant, publicly-acknowledged crushes, and would be Facebook friends with if they could.

  • Mamo #159: The Hurt Avatar

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    The roll to total world domination continues, as Avatar takes some Golden Globes, some more records, and the increasing ire of some among the filmgoing community. We continue to handicap the world’s first 2 billion dollar hit, and why it isn’t the world’s first 2 billion dollar hit.

     

  • Mamo #157: Baby Boy Blue

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    Mamo!

    AVATAR! AVATAR! AVATAR! AVATAR! AVATAR! AVATAR! AVATAAAAAAAAR!!

  • Mamo #155: She said, he said

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    Mamo!

    Pretend we didn’t just do a show where we spent the first ten minutes slagging girl-centric crap like Twilight and New Moon and then proceeded to geek out about boy candy like Avatar, Thor, and the Star Trek DVD. Let’s all pretend we didn’t do that.

  • Mamo #154: Ich Bin Ein Mamo

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    Mamo!

    Hi Mamo listeners, I am in Berlin right now. How, then, have I managed to record this Mamo? Magic and science, that’s how, together at last! In this episode, in honour of my absence, we discuss the posthumous victories of Jackson, Polanski, and Ledger. Enjoy!

  • Mamo #152: Hollywood Fucked It Up

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    Mamo!

    In which the summer of 2009 is put to rest, reputations are made and broken, and a hero (of guessing box office grosses) is at long last revealed. Plus, our belated interview with Zeb Pike, and his thoughts on 9.

  • Mamo #150: Mamo Three To Go

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    More Mamo from the 7th day of the Toronto International Film Festival 2009! Too tired to further blurb, please have a listen.

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