
Director: Tony Scott (Domino, Man on Fire, True Romance, The Fan, Top Gun)
Screenplay: Mark Bomback
Producers: Eric McLeod, Mimi Rogers, Tony Scott, Julie Yorn, Alex Young
Starring: Denzel Washington, Chris Pine, Rosario Dawson, Ethan Suplee, Kevin Dunn, Kevin Corrigan
MPAA Rating: PG-13
Running time: 98 min.

It doesn’t happen nearly as much as I’d like but every once in a while, we get a movie that isn’t exactly brilliant but still manages to make your movie ticket worthwhile. This past weekend, we were lucky enough to get not one but two of these movies. The first is Skyline (review) which, despite its flaws, was a whole lot of fun to watch. The second, and slightly better of the two, is Tony Scott’s re-team with Denzel Washington and new hottie up-and-comer Chris Pine, a runaway train story simply titled Unstoppable which, by the way, is a totally misleading title because they soooooooo stop the train. This is Hollywood we’re talking about here.
The story’s pretty simple. Dewey (no comment), has to move a train off the track. As he’s moving it, he notices that the line has yet to be switched so he puts the engine in cruise and against his partner’s warning, jumps off to turn the switch. The controls dislodge and all of a sudden, the train is going 40 mph down the mainline with no conductor and picking up speed. Coming the other way, also on the mainline, are Frank (Washington), a veteran of the railway, and Will (Pine), a freshie four months out of training with a last name that raises eyebrows in the yard. They nearly miss a head-on collision with the out of control train when Frank decides that the company’s way of dealing with the problem isn’t going to work. They take chase. The plan: to hook onto the back of the runaway and basically slow it down enough so that someone can jump on and shut the thing off.




(3.5/5)



It’s an unfair question, one that won’t do justice to either film and for that reason, the comparisons end right here. Reeves’ film stands superbly on its own as one of the great unseen gems of 2010 and is definitely a contender for one of the better films of the year if not one of the best looking ones. Bringing Australian cinematographer Greig Fraser (
















