Trailer: Marvel’s Black Panther

I have read more than a few afro-future science fiction novels, and I have to say, that despite the Marvel brand on this film, I’m impressed with the world that Ryan Coogler (Fruitvale Station, Creed) and his team have built with Black Panther. Helped enormously by the big paydays with the Guardians of the Galaxy films, a more gonzo and original feel to the latest Marvel movies makes them visually impressive to say the least. We don’t post a ton of trailers for comic books around here these days because they are all starting to look the same, but lo and behold, he comes a new look.

After the events of Captain America: Civil War, King T’Challa returns home to Wakanda. He soon finds his sovereignty challenged by factions within his own country. When two enemies conspire to bring down the kingdom, T’Challa must team up, as the Black Panther, with C.I.A. agent Everett K. Ross and members of the Dora Milaje—Wakanda’s special forces—to prevent a world war.

Friday One Sheet: The Killing Of A Sacred Deer

Yorgos Lanthimos Killing of a Sacred Deer is so nice that I had to see it twice, at different festivals on opposite sides of the world. All of the posters for his films have been noteworthy, and while this one is not quite as remarkable as the first poster, which happens to be my favourite one-sheet of 2017, it is a curious design. Upside down, kind of collage-y and I’m not exactly sure if Nicole Kidman’s neck is really that long, or it is just a trick of the eyes with the superposition. But this one is certain to cause double takes if it happens to be hanging at the local multiplex.

Friday One Sheet: Thoroughbreds

Foregrounded text continues to be a dominating aspect of movie posters these days (Since the poster for David Fincher’s The Social Network. But this poster for Cory Finley’s suburban drama, Thoroughbreds uses the two lead actresses eye-lines to create a harmony with the text. While it does feel more like a book cover than a movie poster, it is that distinction that makes it stand out just a little bit.

Trailer: Woody Allen’s Wonder Wheel

The annual Woody Allen joint for 2017, Wonder Wheel, is a mob story set on Coney Island in the 1950s seemingly in Technicolor. Starring Kate Winslet (in Romance & Cigarettes mode), Juno Temple, Justin Timberlake, and a very potbellied Jim Belushi. The film revolves around Ginny (Winslet), the wife of a carousel operator (Belushi), who perks up when she falls for a handsome lifeguard, Mickey (Timberlake). But when her husband’s estranged daughter (Temple) resurfaces and also sets her sights on Mickey, it begins ‘the great unraveling of Ginny. Not as baroque or kooky as Jonathan Demme’s Married To The Mob, but still it looks like Allen stepping a (wee) bit outside his comfort zone here. Once again, Amazon Studios is funding, and while the film will premiere at the New York Film Festival on October 14, it will be seeing a wider release on December 1st.

The eponymous Coney Island Ferris Wheel is no stranger to being on screen, as it is featured in The Taking of Pelham 123, Remo Williams, Angel Heart, underwater in A.I., and in the opening credits of Walter Hill’s iconic, The Warriors.

Sunday Video Essay: Blade Runner’s Noir Influence Is The Essence Of It’s Science Fiction

The Lessons From A Screenplay YouTube Channel spends a satisfying 10 minutes examining the noir roots and tropes behind Ridley Scotts 1982 masterpiece, and soon to be latter day sequel-ized, Blade Runner. This is not just your run-of-the-mill lesson in aesthetics, but rather the core aspects of noir, normalization of crime, police corruption and death. Enjoy it as we are only a few days away from Denis Villeneuve’s spin on the world, and it will be interesting if he and his screenwriters can capture that tone.

Rowthree Staff Summary of TIFF 2017

Our traditional round-up of impressions and reactions to the massive slate of the 2017 Toronto International Film Festival has arrived in its tenth (!) edition, here in the third row. Happy Decade to us! As always, several of the Row Three staff and contributors, along with a few a regular reader or two, provide a tiny capsule – a postcard if you will – of all the films that they saw at the festival. These are accompanied by an identifier-tag: [BEST], [LOVED], [LIKED], [DISLIKED], [DISAPPOINTED], [FELL ASLEEP], [WALKED OUT], [HATED] and [WORST].

Collectively we – Kurt Halfyard, Bob Turnbull, Courtney Small, Mike Rot, and Sean Kelly – saw a sizable chunk of the films shown at the massive public festival. Hopefully this post can act as a ‘rough guide’ for films that will be finding distribution on some platform, whether on the big screen, small screen, or streaming service, in the next 18 months.
 
 

THE SHORT VERSION:

Personal BEST: FACES PLACES [Bob], mother! [Kurt], CALL ME BY YOUR NAME [Courtney], LADY BIRD [Mike], and I, TONYA [Sean].

Personal WORST: The personal low-lights were THE RITUAL [Kurt], THE CONFORMIST [Bob], VERONICA, [MIKE], and FIRST REFORMED [Sean].
 
 
Other Consensus Picks: THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, THE CRESCENT, THE KILLING OF A SACRED DEER, THE DISASTER ARTIST, LOVELESS, THE SHAPE OF WATER and THE FLORIDA PROJECT.
 
 
The ‘MASSIVE’ version is below. All our thoughts and impressions from offerings of the 2017 Toronto International Film Festival.

Would you like to know more…?

Friday One Sheet: Ronin

Arrow Video recently gave a deluxe Bluray release of John Frankenheimer’s final feature, and late 1990s adult-action classic, Ronin. While they went with a rather boring de-saturated ‘stack of actors sporting guns’ design for the cover, designer ChungKong released this minimalist, warm toned poster that highlights the French locations while emphasizing the over-sized Macguffin, a large silver case used for transporting ice-skates, at the heart of the ‘late unpleasantness.’

Trailer: Wes Anderson’s Isle of Dogs

So, well within the vein of Fantastic Mr. Fox, comes Wes Anderson’s Japan-set new stop-motion animated feature. Isle of Dogs was not penned by Roald Dahl, but Anderson and his team certainly made Fantastic Mr. Fox their own when they adapted it for the big screen, and this feels almost like a sequel. Many of the Anderson regulars, Bill Murray, Edward Norton, Tilda Swinton, Bob Balaban, Jeff Goldblum, Frances McDormand, Harvey Keitel, F. Murray Abraham, Fisher Stevens are here, with some new voices added including Scarlett Johansson (who does a LOT of voice work these days), Greta Gerwig, Ken Watanabe, Bryan Cranston and Liev Schreiber. It looks familiar and great, and really, Fantastic Mr. Fox was one of the best things to happen to feature length animation some time, even if Anderson directed it over the phone from Paris to London.

The film gets a wide release date, March 23, 2018.

Friday One Sheet: Wonder Wheel

Woody Allen’s latest takes place in New York’s Coney Island amusement park in the 1950s. And this key art delivers a nostalgic glow on the eponymous ferris wheel in the title. It also foregrounds a stern but relaxed (?) and nearly unrecognizable Kate Winslet writing in a journal on the worlds smallest day-bed. The warm glow of her hair is at odds with the severity of her expression. Thus lending the tension, will this film be swimming in rosy nostalgia, or be a darker, deeper consideration of New York’s most frivolous, and often dangerous districts.

Harry Dean Stanton: 1926 – 2017

Possibly the greatest character actor of the past 40 years, the cantankerous stalwart for the smoking, drinking working fellow, Harry Dean Stanton passed on at the venerable age of 91. The actor has approximately 200 film and television credits dating all the way back to the 1950s, so obviously you might fit into one or more of several camps of HDS. There is the dopey working class performances in Red Dawn, and Alien (Rieeeght). There is the creepy, creepy villain rolls in TV’s Big Love series, Seven Psychopaths, and Wild At Heart. The existential drifter, in Paris Texas, and his last major film to come out, 2017’s Lucky. The mentor and father figure, in Pretty in Pink, Repo Man. As a seedy sidekick in Escape From New York and Cockfighter. Or the witness to events in The Straight Story, The Green Mile, The Avengers, Twin Peaks Fire Walk With Me, and The Last Temptation of Christ. Or mood-setting troubadour strumming his six string in Cool Hand Luke, Access All Areas and recently in Twin Peaks: The Return.

His lanky frame and ‘I don’t give a fuck’ posture, which was meticulously achieved with committed performances in even the tiniest of parts, made him one of the recognizable faces in film, and he will deeply missed. Of course, Stanton worked right up to the moment of his death and can be seen acting alongside one of his regular collaborators, David Lynch (he is in the bulk of Lynch’s filmography), in John Carroll Lynch’s Lucky as well as in Michael Oblowitz’s Frank Sinatra, Ava Gardner picture, Frank & Ava.

Variety has more.

Friday One Sheet: The Shape of Charcoal

Fresh off its big Golden Lion win at Venice, its hot-ticket premiere at TIFF, and Opening Film slot announcement at the upcoming at Sitges, Guillermo del Toro’s The Shape Of Water gets this handsome charcoal-sketch poster that is a variant of sorts from the water-colour teaser design. Clearly articulating the ‘Creature From The Black Lagoon’-as-a-love-story angle of the film and wearing its festival laurels in the corner, this one will be an eye catcher when it is hung (hopefully on paper, not on a screen) in multiplex lobbies in December. Me, I will be standing in the rush line in Toronto (hey, I’ve been here all week!) at TIFF hoping to see if the film lives up to its praise, or I will be waiting until December like the rest of you.