Author Archive

  • Coen Brothers Writing a True Western

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    Joel & Ethan CoenI think that just about everyone will be ecstatic to hear that Joel and Ethan Coen are busy writing a script for a violent and realistic western that will take place in the 1870s.

    “We’ve written a western with a lot of violence in it,” Joel said. “There’s scalping and hanging … it’s good. Indians torturing people with ants, cutting their eyelids off.”

    Brother Ethan then added: “It’s a proper western, a real western, set in the 1870s. It’s got a scene that no one will ever forget because of one particular chicken.”

    While their recent No Country for Old Men has some elements of a western, it’ll be nice to see them take it back to the traditional era of the genre, especially with their twisted sense of humor and the essence of originality that they consistently bring to the screen. I’d love to see a classic climatic western showdown with the Coen brothers behind the camera and script.

    Thanks to Filmstalker for the heads up.

  • P.T. Anderson and Daniel Day-Lewis Interview

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    Being one of the most private actors in the industry, Daniel Day-Lewis isn’t too keen on participating in too many interviews. Yet, every time he comes out with a movie, he’s always willing to sit down with Charlie Rose for an hour-long interview; interviews that always turn out to be some of the most interesting interviews I’ve ever seen. At the top of the list of greatest actor interviews, if I were weird and obsessed enough to actually have such a list. This interview below with Charlie Rose, Day-Lewis and P.T. Anderson being no exception, as they talk about their critically acclaimed film There Will Be Blood. Check it out.

     

  • Hellboy II Trailer and Thoughts

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    Hellboy 2

    Say what want you want, but Hellboy turned out to be surprisingly good movie. Not just decent, but good. I remember first seeing the trailer and my good friend eagerly shared with me his excitement for it. I laughed at him, rolled my eyes a bit, and said it looked ridiculous and stupid. Eventually, a few weeks after it came into theatres, I caved and went with him to see it (just the two of us, since nobody else was willing to go, having the same reservations that I had). Often, I can be stubborn and refuse to admit when I’m wrong, but when the credits rolled, I turned to me friend, nodded, and said, “You know what, that was pretty good.” Three viewings later over the past few years and I stand by it. I loved it. It had slick, cool action without being too over-the-top. The humor was right up my alley, dry and oddly mature. The supporting cast of John Hurt, Jeffery Tambor, and Selma Blair (as well as Doug Jones in costume) were all great. The visual style was unique and gorgeous (director Guillermo del Toro hadn’t had too much “cred” at this point yet remember). It was surprisingly a character-driven flick rather than one relying on CGI and action. And most importantly, Ron Perlman really created an iconic character with the pessimistic, cranky lone hero Hellboy, spitting hilariously memorable wisecracks left and right, yet somehow, someway making him not only likable, but relatable. The scene on the roof between Hellboy and the young boy, where they’re discussing relationships cracks me up every time – and c’mon, who couldn’t relate to Hellboy there?

    So, it goes without saying, I’m pretty excited to see what del Toro has up his sleeve for Hellboy II: The Golden Army, especially now that in the past year he’s become a “respected visionary” in the film industry and since he probably has even more freedom to do what he pleases with this film than the first one. There is no getting around it, the trailer looks fantastic. Yes, I’m really looking forward to seeing this on July 11, 2008. I think it’s going to be a real crowd pleaser (hopefully it can rake in more than the $59 million of the first one), but I also think it’s one that those with a more, uh, “refined” taste will be able to sit back and enjoy. Thanks to Coming Soon for the heads up.

  • Movies You’re Ashamed You Haven’t Watched

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    AshamedCome on, everybody has them. They’re movies that you know you should have watched years ago, and in many cases you might have them sitting on your very shelf, but for one reason or another you just haven’t gotten around to watching them. You know your peers might frown, find you less of a man or woman if they ever found out your deep, dark, buried secret, because c’mon… what true movie lover hasn’t watched them, right? Well, there’s only so many hours in a day, that’s my main defense to make me feel better about myself, but as I re-watch certain films for the umpteenth, sometimes I think to my self, “Self… maybe you could pop in [random movie I'm ashamed I haven't watched] instead.” I never do, though, and I can’t figure out why.

    So, here are mine, excuses attached, in order of most shame to least:
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    It feels good to get that off my chest. Your turn and don’t forget to feed us your excuses.

  • Interview with The Sensation of Sight Director Aaron J. Wiederspahn

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    The Sensation of Sight Poster

    I was intrigued when I first heard that David Strathairn was starring in The Sensation of Sight, a low-budget indie drama about a middle-aged man who after facing a tragedy in his life starts going door to door selling encyclopedias and searching for the meaning of it all. I haven’t been able to get enough of Strathairn after seeing his Oscar-nominated performance in Good Night and Good Luck – and I’ve always loved films that deal with the meaning of life. So, this seemed right up my alley. Then I saw the trailer (which you can watch at the end of this article) and I loved what I saw. The winner of the Best Feature Film at the New Hampshire Film Festival and Best Cinematography at the Durban International Film Festival (where it was hailed “An instant American classic”), The Sensation of Sight has been receiving great reviews so far and some are saying Strathairn’s performance is one for the ages. I was fortunate enough to have the chance to chat with the film’s director Aaron J. Wiederspahn, who is making his feature film debut with this, and if his passion for the film carries over onto the screen, I think we’re in for something really special here.

    » Read the rest of the entry..

  • Christian Slater is a Quiet Man

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    He Was a Quiet Man PosterEver since the trailer was released for Frank A. Cappello’s He Was a Quiet Man a few months back, I’ve been left really curious. Frankly, I’ve never really felt that Christian Slater had much talent. He’s done some stuff I’ve liked (True Romance comes to mind), but for the most part, I’ve felt that he hasn’t been too out of place these past few years in crappy straight-to-DVD sequels like Hollow Man II and Uwe Boll disasters like Alone in the Dark. After seeing that trailer though, I was left wondering if the guy might actually be able to pull off something special, something beyond what I thought he had in him. Then a few months passed and the movie received about zero buzz and despite IMDb saying it had a November 23rd limited theatrical release in the U.S., I never heard much about it. Now, it looks as though the movie will be released on DVD in the US at the end of January.

    It has a solid 75% on Rotten Tomatoes – out of only 12 reviews though. It seems the general agreement is that Slater does a great job, but the movie itself is a little shifty and unsure of what it wants to be, one reviewer calling it a mix of The Office with Boxing Helena, others saying it has shades of Falling Down and Office Space. It has a supporting cast that includes William H. Macy and Elisha Cuthbert and it covers the scenario of the unsuspecting, quiet man becoming a recognized hero that everyone has daydreamed about at least once in their life.

    So, has anyone out there actually seen this? If not, anybody else think Slater actually might have the chops to impress here? Check out the trailer by clicking on “show text” below.

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  • Footage from Marc Caro’s Dante 01

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    Two absolute favorite films of mine are Delicatessen and The City of Lost Children, which both come from visionary French directors Jean-Pierre Jeunet and Marc Caro. Both movies are absolutely mesmerizing, immersive, and visually unlike anything I’ve ever seen – watching them is just an experience.

    So the two worked magic together, but then after The City of Lost Children, for one reason or another, Jeunet and Caro parted ways. Jeunet went on to have a movie butchered in Hollywood (but it was still pretty to look at), and then went on to create the critically acclaimed Amélie and A Very Long Engagement. As for Caro, he lined projects up, but nothing ever came of them. So, when I heard he was working on a sci-fi thriller called Dante 01, I was very excited (especially when I heard Dominique Pinon was going to be in it – I f’n love that guy!!!), because as much as I loved Jeunet’s two non-Caro projects, they just lost something undetectable to the human eye, just a bit of the magic that made those first two so special. Here’s the plot synopsis I snagged off IMDb:

    Deep space, at the edge of the galaxy. The future. A new prisoner arrives on top security prison ship and psychiatric research unit Dante 01. Sole survivor of an encounter with an alien force beyond imagining, Saint Georges is a man possessed by inner demons, caught up in the battle to control the monstrous power within him. It’s a power that will infect the other highly dangerous occupants of Dante 01, gaolors and prisoners alike, unleashing a violent rebellion that turns this terrifying, labyrinthine world upside down. In the otherworldly hell of the ship’s depths, through danger and redemption, each must journey to his very limits… each must confront his own Dragon.

    Then today I came across an article on Twitch that contained the first few minutes of Caro’s film. I’m wishing I spoke French, because there are no subtitles here, but the footage gives us a pretty good feel for the movie. I’m really excited to see what Caro can do on his own and it’s been a long time coming. No word yet on when it will make its way over to the U.S., but it hits theatres in France on January 2, 2008.

  • The 65th Annual Golden Globe Awards Nominations

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    Casey AffleckWell folks, it’s officially that time of year if you were wondering. The Golden Globe nominations were released today, marking the true beginning of the awards season (because everybody knows that the Globe and Oscars are the only awards that matter, riiiiight?).

    Ahh, you can just smell it in the air. The debating, the arguing, the confusion, the waving it all off like awards don’t even matter… A lot of the nominations are surprising, as is always the case, and a lot of the omissions are even more surprising (c’mon, one nomination for The Assassination of Jesse James by the Coward Robert Ford? Sheesh… I’m going to have to make a few calls to the foreign press). So, folks, let’s get into it and talk about what really annoys us about these nominations (besides that Casey Affleck is somehow listed under Best Supporting Actor), and who knows, there might even be a few things that we like, eh?

    » Read the rest of the entry..

  • DiCaprio in Body of Lies Photos

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    Body of Lies 1

    Here are the first released images of Leonardo DiCaprio from Ridley Scott‘s Body of Lies, courtesy of /Film. The film, which was penned by The Departed screenwriter William Monahan, is about an injured Iraq War journalist who is hired by the CIA to track down a dangerous Al Qaeda leader in Jordan. It co-stars Russell Crowe and Carice van Houten.

    It’s based on the David Ignatius novel of the same name, which I’ve never read, but in this novel he is said to have relied on “psychologically deep characters” and his “vast knowledge of Middle Eastern politics.” While this sounds like it might turn into some anti-US foreign policy propaganda (I mean, it’s about the CIA in the Middle East and the title is Body of Lies), I’m confident that Ridley will shy away from that and just give us a more fast-paced, heart-pumping spy thriller. That’s what I’m hoping for at least.

    Body of Lies 2

  • Indy 4 Gets a Poster

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    Indy 4 Poster

    Here’s the first officially released poster for Indiana Jones and the Kingdom of the Crystal Skull. It certainly captures the feel of the first three films. I love this and I’m getting a vibe similar to this awesomely made Temple of Doom poster (which I have hanging on my wall right in front of me). I like how he looks his age, I like the creepy crystal skull in the background, and I love that it was created by the always cool Drew Struzan. Thoughts, concerns, complaints?

    Source: The Raider

  • Five Novels I Want to See Adapted

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    Books!I guess that outside of two of these novels I’ve picked, this could probably be called “Novels I Want to See Adapted Again” or better yet, “Right.” So yeah, needless to say, some of these have been adapted for the big screen already, but if I’ve included them, I thought all of the adaptations beforehand were either just poorly made films or terrible as adaptations of their source material. In a way, I’m a little hesitant suggesting these at all, because depending on my mood, I sometimes think that some novels are better left as novels (i.e. my Stephen King suggestion below), but other times I just can’t help it and find myself imagining these done right as films and who I’d want taking on the roles and being in charge of ‘em. Of course, feel free in the comments to discuss my choices as well as talk about which novels or stories you’d love to see adapted right.

    » Read the rest of the entry..

  • From the Back Row: The Great Silence

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    The Great Silence (Silence)

    “Once, my husband told me of this man. He avenges our wrongs. And the bounty killers sure do tremble when he appears. They call him Silence. Because wherever he goes, the silence of death follows.”

    From the Back Row is going to be my editorial of choice that I’ll dive into every once in a while when the mood strikes me. The purpose is simple: highlight some lesser known films that I feel deserve far more attention and discussion than they receive, and hopefully inspire a few people to queue them up on their on their online rental service of choice. Today we’ll take a look at The Great Silence, the 1968 classic spaghetti western from director Sergio Corbucci.

    The Great Silence follows the story of a mute gunslinger-for-hire in late 19th century Utah named Silence (Jean-Louis Trintignant) – a man who always draws second, but shoots first – who agrees to help a group of outlaw Mormons and a woman (Vonetta McGee) who wants to avenge her husband’s death at the hands of a ruthless gang of bounty hunters. Between Silence and Loco (Klaus Kinski), the psychotic leader of the bounty hunters, lies an honest sheriff (Frank Wolff), a man who despises the idea of bounty killing and only wants to see justice.
    » Read the rest of the entry..

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