He was supposed to be the hero the Democratic Party needed. Charming. Funny. Brash. A progressive white knight in a sea of political darkness. He was the party’s future. You could see his path to the White House.
Then, he had to go and tweet that dick pic.
The joke wrote themselves. A resignation from Congress and two years later, he then decided to run for Mayor of New York… and people have forgiven him. He was even topping the polls. People trusted Weiner again.
Enter Carlos Danger.
Look, if this is all a little confusing to you… that’s fine. It’d probably be better to see his fall, his subsequent rise, and then his mind-boggling second fall with fresh eyes.
If you’re only even mildly interested in politics, this looks to be an instant classic. The trailer looks dynamite.
Weiner will be in theaters May 20, 2016 and Video on Demand on May 26.
Nate Parker isn’t new to the business–although you may not recognize him by name. Since his starring role in 2007’s The Great Debaters alongside Denzel Washington and Forest Whitaker, he’s taken on numerous roles in films such as Beyond the Lights, The Secret Life of Bees, Red Tails, Arbitrage, and Ain’t Them Bodies Saints. Then, a few years back, Parker decided to take his career down a different path. He’d write a movie. For those in the states who paid attention in high school history, you’ll likely recognize the name Nat Turner, the enslaved man who led a rebellion against slave owners in 1830s Virginia.
To write a film on such a complex human being with some pretty serious violence was certainly a task in and of itself. Parker also was tasked with convincing investors to finance his project and then he also planned to produce, direct, and star in the film.
[What Parker heard when writing the film was] all the reasons a movie about Nat Turner wouldn’t work: Movies with black leads don’t play internationally; a period film with big fight scenes would be too expensive; it was too violent; it wouldn’t work without a big box-office star leading it; Turner was too controversial.
Ultimately though, he secured $10 million in financing from investors and lined up a pretty impressive cast that included Gabrielle Union, Armie Hammer, Aja Naomi King, Jackie Earle Haley, and Penelope Ann Miller. The film, titled The Birth of a Nation, was coming together.
If you recognize that title, it’s no coincidence. D. W. Griffith’s 1915 revisionist racist garbage portraying the KKK as heroes of the south shares the same title, which was “very much by design,” Turner confirmed in an interview.
The Birth of a Nation has already won the Grand Jury Prize and Audience Award at this year’s Sundance before being picked up by Fox Searchlight. The film hits theaters stateside on October 7, 2016. From the early reviews out of Sundance (and the incredible trailer with the haunting Nina Simone vocals), I’d expect to see plenty of nominations for the film at next year’s Oscars.
Way back in 2013, I discussed my feelings about Disney getting the rights to Indiana Jones. Clearly apathetic or maybe just a little worn out with the world at the time, I said:
But when I hear that Disney has acquired full rights from Paramount to make more Indiana Jones movies (or TV shows or video games or whatever plans they have), well… I don’t even know if I care.
Do I care now?
I do. I probably shouldn’t, but I do.
July 19, 2019. That’s the date that Disney has announced for its release. It’s already actively in pre-production. Disney chairman Alan Horn announced in the press release:
“Indiana Jones is one of the greatest heroes in cinematic history, and we can’t wait to bring him back to the screen in 2019. It’s rare to have such a perfect combination of director, producers, actor and role, and we couldn’t be more excited to embark on this adventure with Harrison and Steven.”
Notice somebody being left out of the description? In 2009, Harrison had said that George Lucas had already been actively working on a fifth film, but since Lucas is no longer attached to the series in any way, it’s about guaranteed that the new writers (including David Koepp) will do their own thing, much like what was done with the newest Star Wars installment. That’s probably not a bad thing, considering even Spielberg has thrown Lucas under the bus for the whole alien-silliness. As for me though, I’ve always been more annoyed by the plastic CGI and the monkeys… those goddamn monkeys.
More details, I’m sure, will be released over the coming months. In the meantime, need a reminder of how bad Crystal Skull was? Here’s my scathing review (and it’s 117 comments).
And, as rumored, Matthew McConaughey is signed on as the mysterious Man in Black. Entertainment Weekly as well as King, Elba, and McConaughey all confirm the news.
Filming on the first of what will hopefully be many The Dark Tower films begins in South Africa in seven weeks and Sony Pictures is aiming for a Jan. 13, 2017 release date.
If you’re unfamiliar with the seven novels by Stephen King, you’re weird. But I’ll be helpful and republish EW’s description:
For those who haven’t turned the pages of The Dark Tower books, they tell the story of the fallen land of Mid-World through the eyes of Roland Deschain, a sort of frontiersman knight whose primary weapon is not a sword but a pair of revolvers. He’s on a quest to save his decaying world by reaching the tower that stands at the nexus point in time and space.
The man in black – a devil who goes by many names, but mostly Walter Padick or Walter O’Dim – is an ageless deceiver and sorcerer who also seeks to reach the tower and rule over its seemingly infinite kingdoms.
To complete his journey, Roland must call on help from our world, drawing a junkie named Eddie, an amputee named Susannah, and a young boy named Jake into his realm to be part of his ka-tet – the term for a group brought together by destiny. Their yellow brick road is one of the six invisible beams that hold Roland’s world together – and lead directly to the tower itself.
Other details are still under wraps, but the article suggests the films will not necessarily follow the order of the books (likely for cinematic as well as budgetary reasons). Furthermore, rumors are already swirling as to the companion television series following the flashback storyline of book four’s Wizard and Glass–but the series’s future development will likely depend on the success of the first film.
When one compiles a list of the most interesting American directors out there, they’d be hard-pressed to leave off Richard Linklater. He’s had his fair share of ambitious (and some not-so-ambitious) misses over his 20+ year career, but from last year’s critical darling Boyhood, to the Before trilogy, to his feature film debut Slacker, Linklater has made a career of crafting films that defy traditional genre boundaries. His cult classic 1976-set Dazed and Confused is no exception.
I had heard Linklater last year during press rounds for Boyhood discussing his spiritual sequel to Boyhood and Dazed and Confused, but I had promptly banked it somewhere in the back of my mind and forget all about it.
Until today, that is.
With a cast of largely unknown young actors, Linklater looks to have made a fun and silly 80s-era comedy about a young man going off to college where he discovers women, beer, and drugs–the auteur’s American Pie, if you will. While I’m sure it won’t be getting Linklater back onto the red carpet, I’m sure there’ll be plenty of heart, relatable moments, and far more depth than the trailer suggests.
Everybody Wants Some hits theaters on April 15, 2016.
Sure, nerds around the world may be united in their excitement for Star Wars Battlefront–but for me, it has been a time of longing for simpler times: 1995. In 1995, Han still shot first. Heir to the Empire was still canon. And Star Wars: Dark Forces was about to blow the mind of my 10 year old self.
While LucasArts had created a brand new engine for Dark Forces, it was essentially Bungie’s Marathon… except you killed Stormtroopers. Plus, it introduced the world to Kyle Kataran (who may or may not be a canon character now?). In other words, Dark Forces was awesome, with cool characters, slick level design, and enough nostalgia to fuel numerous sequels…including one of the best Star Wars games ever, Star Wars Jedi Knight II: Jedi Outcast. It was no Knights of the Old Republic, but it was damn good.
Rev·e·nant – ˈrevəˌnäN,-nənt – noun a person who has returned, especially supposedly from the dead.
Hot off the success of last year’s Best Picture winner Birdman, Alejandro G. Iñárritu is shifting gears with The Revenant. The film is a period piece revenge thriller adapted by Iñárritu from Michael Punke’s 2003 novel based on the true story of 19th century fur trapper Hugh Glass.
Over the years, the project has gone through quite a few hands before ending up on Iñárritu’s lap. At one point, Park Chan-wook was attached to direct with Samuel L. Jackson to star. Later on, John Hillcoat and Christian Bale were in negotiations.
As you’ll see in the trailer, with the final product, Iñárritu has crafted what appears to be a spectacularly beautiful film starring Leonardo Dicaprio as the weary protagonist hellbent on revenge against his companions (one played by Tom Hardy) who rob and leave him for dead after he’s attacked by a grizzly. Needless to say, it looks fucking awesome.
The Revenant drops into theaters stateside on Christmas Day 2015.
The nominations for this year’s Emmy awards dropped today and we have ’em for you, courtesy of Variety. The first few are listed immediately below and the rest of the nominations are after the jump.
I’m particularly pleased with all the love for Better Call Saul, which I think was the best television of the past year (along with some of the strongest performances).
Who or what is missing? Any surprises? Snubs? Chime in below!
OUTSTANDING DRAMA SERIES “Better Call Saul”
“Game of Thrones”
“House of Cards”
“Orange is the New Black”
OUTSTANDING COMEDY SERIES “Louie”
“Parks and Recreation”
“Unbreakable Kimmy Schmidt”
LEAD ACTOR, DRAMA Bob Odenkirk, “Better Call Saul”
Kyle Chandler, “Bloodline”
Kevin Spacey, “House of Cards”
Jon Hamm, “Mad Men”
Jeff Daniels, “The Newsroom”
Liev Schreiber, “Ray Donovan”
LEAD ACTRESS, DRAMA Taraji P. Henson, “Empire”
Claire Danes, “Homeland”
Viola Davis, “How to Get Away with Murder”
Tatiana Maslany, “Orphan Black”
Elisabeth Moss, “Mad Men”
Robin Wright, “House of Cards”