Let’s review…This whole idea behind the Blind Spot series (kicked off 2 years ago by top notch Toronto blogger/writer dudes James McNally and Ryan McNeil) is solely meant to poke and prod slackards like myself into finally getting around to those films that we not only feel are classics we should see, but ones we really want to see. Whether the titles are standard “Canon” fodder or some goofy grindhouse flick that you found for a dollar and have had sitting at home for 5 years, the point is to nudge us to watch something that has obviously caught our eye, but keeps getting passed over. Indeed, life is too short to watch something dull/crappy simply to “get through it” and check it off a list, but we’re talking about movies that sparked some kind of interest at some point and now vie for your attention with a vast array of other possibilities. The vast majority of the 44 blindspots I’ve seen and written about over the last 2 years (pairing movies for each post) have been well worth the wait and typically confounded expectations that had been in place for years. Even the ones that didn’t do much for me at least gave me something to consider.
So here is my initial cut at the pairings I’m looking at for 2014 (with me reserving the right to scrap them and alter my choices based on nothing more than a whim). What about you? Any particular film or films you’ve been meaning to see, but keep avoiding?
Breaking The Waves (1996)
Shanghai Express (1932)
One of the pairings I didn’t get around to last year, so let’s give it another shot. Almost 65 years separate these two stories of women and their sacrifices – it just takes one of them exactly twice as long as the other to tell its version.
Best Years Of Our Lives (1946)
Ashes And Diamonds (1958)
The other pairing I didn’t do last year was Best Years Of Our Lives and From Here To Eternity (I decided to swap them out for a couple of Westerns). On reconsidering their inclusion again this year, I still wanted to get to Best Years, but this time out I thought I would match it up with another post-war story. I’m expecting the view from Poland to be in sharp contrast to the one from the U.S. though.
West Side Story (1961)
42nd Street (1933)
Busby Berkeley’s flights of imagination seem to be a good match for the colour and choreography of West Side.
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