Ba Ba-ba DOOK DOOK DOOK!!
Silly made up sounds to fit a children’s verse or shudder-inducing syllables to remind you of the darkness that exists in all our souls? In the case of first-time feature filmmaker Jennifer Kent’s critically praised creeper The Babadook, it’s not an either / or situation. The cute can definitely coexist with the terrifying.
Young Samuel typically celebrates his birthday in tandem with his cousin even though the date isn’t right. His mother Amelia likes to avoid discussing his actual date of birth since it was the rather auspicious occasion of the car crash that took his father’s life (as he drove Amelia to the hospital to give birth). As he closes in on turning 7 years old, Amelia seems to be having a harder and harder time coping with single parenthood. Samuel is a handful as his imagination gets the better of him on a regular basis – his certainty that monsters are after him, his magic tricks and his creative construction of weaponry are all putting Amelia right on the edge. One night she finds a storybook called The Babadook that she’s never seen before and they decide to read it together. It illustrates a tall, top hat-wearing, cloaked in black man-beast called The Babadook who will come a calling and knock three times. And Once you let him in…he never leaves.
The book seems to leave quite the impression on Samuel as he starts worrying about the dagger-fingered Babadook and warns his mother repeatedly about it – especially after something knocks on their door one evening. Amelia’s sleep patterns start getting messed up, Samuel appears to be harder and harder to control and she starts having issues at work. She’s a complete wreck and begins pushing away those that can and want to help her – she is caught up in a crushing concern for her son while also being way past the frustration point with him. The house starts closing in on her…