The Paramount Vault [Free Movies!]

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Tired of not being able to find anything on Hulu, Netflix, Amazon Prime, et. al? Well then you’re doing it wrong. But maybe you’re trying to save a few bucks and don’t have access to any of these services. If that’s the case, Paramount has seriously got you covered.

The Paramount Vault is a collection of dozens of full length films covering decades of material from the iconic studio. Classic Elvis to Clive Owen to Gene Wilder laughery to Noah Baumbach to black and white to guts and gore and everything in between, before and after – there’s something in here for everyone.


Our own Kurt Halfyard found this quick startup primer of the “best” and “worst” films available on the service if you’re looking for somewhere to start. For the record, I mostly agree with this list and being October, I highly encourage you to watch The Loved Ones this month. Myself? I’ll be checking out an early Robert Downey Jr picture, In Dreams; directed by Neil Jordan.

Have a look through the vault and you’re sure to find something to keep you busy for the rest of the next year or two. Enjoy!

Trailer: Bone Tomahawk

With all the excitement for fast cars, flying super heroes, dinosaurs and international spies each summer, some of us who enjoy our slow burn stories from the 19th century have to consider ourselves lucky if we get one western picture (from a big studio) in a year. But saddle up pardner, this year we get/got several. And if the quality of Slow West, The Keeping Room and The Salvation (and some might consider Far From Men or The Homesman 2015 western releases) is any indication, the two we’ve got coming up from Quentin and Craig Zahler are going to be real treats.

Bone Tomahawk brings Kurt Russell back into the western genre and also stars Richard Jenkins, Patrick Wilson, Matthew Fox and holy shit it’s Sean Young!

Though this is a directorial debut from Zahler, this trailer has gotten me pretty excited to get my boots dusty with Bone Tomahawk in between all of the explosive mega-blockbusters coming in this last gasp of 2015.


Cinecast Episode 412 – To Put it Bluntly…

We’ve got a rare treat in store for you with episode 412: it’s under an hour. Well, as close to under an hour as we can get 30 minutes devoted to Drug Cartels & the CIA, 30 minutes devoted to domestic horror. First up, Emily Blunt learns lessons on the horrors of the international drug war first hand. We might not want to hear (or believe in) those lessons, but they are dished out with brutal precision in Denis Villaneuve’s Sicario. Next up is slow-burn horror of a slightly unconventional nature in Goodnight Mommy. The Austrian film is shot gorgeously from one scene to the next, but a dull realization sets in as the movie slogs along and a flirt with torture porn makes for some exasperating viewing to what is otherwise a pretty austere art-film. But hey, if we’re squirming in our seats, maybe that’s a good thing? Hopefully you won’t be doing much squirming (in any way) throughout this show.

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!



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Cinecast Episode 411 – We Wanna See The Business

Despite seeing nearly 100 films combined at TIFF 2015, Ryan from The Matinee and Kurt indulge Andrew by getting out to the multiplex to see the latest Johnny Depp performance, as James “Whitey” Bulger in Black Mass. We have a spoiler discussion on that, but needless to say, no one was overly pleased with Andrew for suggesting it. Kurt and Ryan attempt to wrassle TIFF to the ground after 11 days of shared screenings and food. They, in part, hash out the bests, the beasts and the worsts (or in the cast of Love 3D, the wurst) of some of the films on hand.

But wait, there is more.

Ryan and Andrew have a Watch List which includes re-evaluated Spielberg, various Afflecks and a new-ish film starring Matthew Broderick. Hunker down with your favorite blankie, take out your blue contact lenses, and settle in for the show!

As always, please join the conversation by leaving your own thoughts in the comment section below and again, thanks for listening!




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Mondays Suck Less in the Third Row

Check out these links:
I combined Rotten Tomatoes and IMDB ratings to make lists for the best recent, best unknown, most underestimated, and most overrated movies
From Anderson to Tarkovsky, The Imaginary Houses of Famous Film Directors
Instagram photographers to follow in all 50 states
Everything is about to be terrible
21 Watermelon Sculptures That Are Too Skillfully Crafted to Eat
10 Drinks You Should Never Have After Dinner, and Why
People in London were asked to identify US States. Nice try.
A photographer returned to New Orleans a decade after Hurricane Katrina to see what’s changed

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Wes Craven: 1932 – 2015

Wes Craven had balls. He shocked (and still shocks) audiences in 1977 with the artful depravity of The Last House on the Left. He revitalized (or at least redefined for a time) the horror film escape in 1984 with an iconic character named Freddy Krueger. Then again in 1996, he took some meta-shots at some of his own work within the genre: . This once again brought about scores of copy-cats over the next two decades.

It’s safe to say that although not everything Craven touched turned to blood-curdling gold, the man was a legend not only within (though principally) a genre, but also the profession of screen writing and directing. At the age of 76, Craven has left us after a bout with brain cancer. He’ll certainly be missed but the filmography is here to stay and will certainly never die. Rest in peace sir.

Mondays Suck Less in the Third Row

Check out these links:
Barack Obama’s Spotify playalists for DAY and NIGHT
Kid asks dad for a “real” Thor hammer for his birthday
Mark Hamill’s awesome autographs
Creative Star Wars posters
129 Of The Most Beautiful Shots In Movie History
Kurt Halfyard told me to post this
Tianjin Chemical Explosion Visible From Space
Furniture and clothing made to look like human flesh and guts

Would you like to know more…?