Author Archive

  • Film on TV: January 17-23

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    Black Narcissus, playing Sunday on TCM.

    Keep an eye out this week for gung-ho adventure Gunga Din on Tuesday, acclaimed Angry Young Man drama This Sporting Life on Wednesday, Tony Jaa’s martial arts extravaganza The Protector and first-class homage Murder by Death on Thursday, class gangster flick Scarface on Friday, and most of all, Powell & Pressburger masterpiece Black Narcissus on Sunday. Sundance also has the full Red Riding trilogy late Thursday/early Friday, which is nice to see after they’ve just had the first one playing periodically for a few weeks. Also, if you’re into silent comedy, check out TCM’s tribute to the Hal Roach studios on Wednesday, starting with a bunch of Charley Chase shorts – I’ve seen a few of these, and they’re definitely worthwhile.

    Monday, January 17

    8:15am – IFC – Before Sunrise
    Before Sunrise may be little more than an extended conversation between two people (Ethan Hawke and Julie Delpy) who meet on a train in Europe and decide to spend all night talking and walking the streets of Vienna, I fell in love with it at first sight. Linklater has a way of making movies where nothing happens seem vibrant and fascinating, and call me a romantic if you wish, but this is my favorite of everything he’s done.
    1995 USA. Director: Richard Linklater. Starring: Ethan Hawke, Julie Delpy.
    Must See
    (repeats at 3:15pm)

    1:15pm – TCM – The Defiant Ones
    Convicts Tony Curtis and Sidney Poitier escape, but are chained together and must learn to work with each other to evade the authorities. Made in 1958, just a few years into the Civil Rights Movement, it probably falls squarely into the message picture arena, but sometimes those are needed.
    1958 USA. Director: Stanley Kramer. Starring: Tony Curtis, Sidney Poitier, Theodore Bikel.

    3:00pm – TCM – Guess Who’s Coming to Dinner
    Interracial marriage may not be quite the hot topic now that it was in 1967 (although if you check some parts of the American South, you might be surprised), but at the time, Katharine Houghton bringing home Sidney Poitier to meet her parents Katharine Hepburn and Spencer Tracy (in his last film) was the height of socially conscious filmmaking.
    1967 USA. Director: Stanley Kramer. Starring: Spencer Tracy, Sidney Poitier, Katharine Hepburn, Katharine Houghton, Cecil Kellaway.

    » Read the rest of the entry..

  • Best of 2010: The Posters

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    The end of the year is always enjoyable to me because it finally feels like the right time to make lists, and I LOVE making lists. So forgive me if I indulge in at least one more before get too far into 2011. It may be the last, but I’m not promising anything! The poster is usually the first piece of marketing released for a film, the first thing that’s supposed to generate interest in an upcoming film. Too many posters resort to selling a film based purely on floaty-headed stars, but the ones that do something more, that manage to encapsulate the film in a single image or composite of images or are beautiful and evocative on their own, become something more than simply marketing. Here are some posters for 2010 films that particularly stood out. Click any image to see a larger version of the poster.

    The Best

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    The Social Network

    Just when full-face posters seem to be played out The Social Network takes the concept and in tandem with one of the more memorable taglines of the year, turns it into something that fits the film perfectly. It’s a Facebook profile picture, it’s an image of the man at the center of Facebook, and both revealed and obscured by text, standing in for the searing script that is at least half the reason the film is so much fun to watch. The other half? The great performances led by Eisenberg, whose mug fills the poster.

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    True Grit

    Just words on a page, maybe, but I love me some good typography, and this is great. Plus, making the whole thing look like a wanted poster in blacks and tans (plus the slight bit of red that just makes it even better) gets across the theme and feel of the movie right off the bat. Also, kudos for not bowing to the temptation of putting the faces of your very big stars on the poster.

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    Rabbit Hole

    It’s difficult to get across a sense of time and change in a still image, but that’s what this poster does really well, showing different stages in the relationship between Nicole Kidman and Aaron Eckhart as they grieve for their son – the slight gradation in color adds to the emotional range as well.

    See the rest under the seats – LOTS of images, so beware slow or mobile connections.
    » Read the rest of the entry..

  • DVD Review: Animal Kingdom

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    (4/5)

    Evoking classic crime family stories but on a claustrophobic scale, Animal Kingdom peers into the backyards and flats of Melbourne’s underworld with an intensity and strength of narrative and character that belies writer/director David Michôd’s first-timer status. This could easily have been another run of the mill crime drama, and it flirts with cliché a fair number of times, but it never loses its drive nor its focus on the characters.

    We come into this family of criminals (a gang of armed robbers, apparently a huge problem at one point in Melbourne history) through 17-year-old J. His mother dies in the deliciously morbid yet darkly funny teaser sequence and J has no other option than to go live with his grandmother and four uncles – a family his mother left years ago in an attempt to protect J from them. Now thrown in with them by necessity, he soon gets pulled into the family business. Unfortunately, the first major matter of business is revenge on the cops, which takes a predictably nasty turn and soon J has to choose between informing on his family to the cops (led by Guy Pearce) or irrevocably siding with his uncles despite his ever-more-serious issues with them and their way of life.

    » Read the rest of the entry..

  • Film on TV: January 10-16

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    Carlos, playing on Sundance on Saturday.

    Not a lot of really notable new things to mention this week, though I did pick out a few things that I haven’t featured before. Get your 1940s melodrama on with Now, Voyager, playing on Monday, and check out both of Luise Rainer’s back-to-back Oscar winning roles in The Good Earth and The Great Zigefeld on Wednesday; To Die For, featuring a great early role for Nicole Kidman, is on Friday, and you can catch two epic-length revolutionary films in Che and Carlos on Fridy and Saturday.

    Monday, January 10

    10:30am – TCM – Now, Voyager
    A fine example of a 1940s two-hanky melodrama, with Bette Davis a frumpy, repressed woman who finds herself with therapy and then falls for a married man. Davis holds it together and Paul Henreid acquits himself well in the role that brought him to prominence and had women across America swooning at his dual-cigarette-lighting move.
    1942 USA. Director: Irving Rapper. Starring: Bette Davis, Paul Henreid, Claude Rains, Gladys Cooper.
    Newly Featured!

    6:00pm – TCM – Rebel Without a Cause
    Nicholas Ray’s best-known movie (though not, I’d argue, his best), likely because it’s one of James Dean’s three films. Dean is a rebellious teen, hanging out with the wrong crowd, whose parents don’t understand him. It all seems a little overwrought these days, but there’s an intensity to Dean and the film that manages to make it still relatable.
    1955 USA. Director: Nicholas Ray. Starring: James Dean, Natalie Wood, Sal Mineo.

    8:25pm – Sundance – The Darjeeling Limited
    Not perhaps my favorite Wes Anderson film, but that’s not really that much of a negative statement for one of my favorite directors. Certainly the central image of the train is a fitting one for his flat, widescreen visual style, and the Indian setting allows for great use of color, so if nothing else, it looks freaking gorgeous.
    2007 USA. Director: Wes Anderson. Starring: Owen Wilson, Adrien Brody, Jason Schwartzman, Angelica Huston.
    (repeat at 2:05am and 10:45am on the 11th, 6:25pm on the 15th, and 7:20am on the 16th)

    11:35pm – IFC – The Ladykillers
    This film, usually considered one of the Coen Bros’ few misfires, has been coming up in comments a bit recently, thanks to discussions of their current release True Grit, also a remake of a classic film. It’s also one of the few Coen films I haven’t seen.
    2004 USA. Director: Joel & Ethan Coen. Starring: Tom Hanks, Marlon Wayans, Irma P. Hall.

    » Read the rest of the entry..

  • Film on TV: January 3-9

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    The Producers, playing on TCM on Sunday

    I threw in some stuff on Sundance this week, including Mammoth and Summer Hours (both on Monday) that I haven’t seen but have heard good things about, so I’m hoping I get to check those out. Also note that IFC is playing the Coen Bros. version of The Ladykillers late Wednesday/early Thursday, while TCM has the original version Thursday night – rather apropos given recent conversations about the Coens and remakes. There are a few other newly featured things scattered throughout, the most notable being Mel Brooks’ hilarious send-up of the business of Broadway in The Producers (the original version) and Martin Scorsese’s biopic of Howard Hughes, The Aviator.

    Monday, January 3

    6:30am – Sundance – Mammoth
    A favorite among a few Row Three writers, though not unanimously, this film from Swedish director Lukas Moodysson gives a three-faceted look at the modern world, contrasting an American businessman, his family, their Filipino maid, and her family.
    2009 Sweden. Director: Lukas Moodysson. Starring: Gael Garcia Bernal, Michelle Williams, Marife Necesito.
    Newly Featured!
    (repeats at 12:30pm)

    8:40am – Sundance – Grizzly Man
    Werner Herzog’s fascination with the duality of nature’s beauty and destructiveness continues into documentary, as he brings the story of grizzly researcher Timothy Treadwell to the screen.
    2005 USA. Director: Werner Herzog.
    (repeats at 2:40pm)

    10:40am – Sundance – No One Knows About Persian Cats
    A pair of Iranian rock musicians, unable to perform their music publicly because the government won’t give them a permit, try to put together a final underground gig to raise money to escape the country – it’s based on the actual story of the two people playing the musicians, so there’s an intriguing intersection of reality and fiction.
    2009 Iran. Director: Bahman Ghobadi. Starring: Negar Shaghaghi, Ashkan Koshanejad, Hamed Behdad.
    (repeats at 4:@5pm)

    6:15pm – Sundance – Summer Hours
    In what sounds like a very beautiful and meditative film, Olivier Assayas explores a French family as the matriarch prepares for her own passing and then the actions of her family after she does. It got the Criterion treatment almost immediately upon release, which is enough for me to get excited on its own, but I’ve also heard really good things about it.
    2008 France. Director: Olivier Assayas. Starring: Juliette Binoche, Charles Berling, Jérémie Renier.
    Newly Featured!
    (repeats at 5:40am on the 4th, and 9:25am on the 8th)

    8:00pm – IFC – Monty Python and the Holy Grail
    Easily one of the most absurd, random, hilarious, and quotable comedies of all time. A more hapless bunch of Round Table knights couldn’t be found, and Monty Python has never been better than they are here.
    1975 UK. Directors: Terry Gilliam, Terry Jones. Starring: Graham Chapman, John Cleese, Eric Idle, Michael Palin, Terry Gilliam, Terry Jones.
    Must See
    (repeats at 1:30am on the 4th)

    9:30pm -TCM – Morocco
    My knowledge of the Josef von Sternberg-Marlene Dietrich cycle of films is woefully slight, but the one I have seen (The Blue Angel) was pretty impressive, so itís an oversight I intend to fix at some point. Dietrich here takes a leap of androgyny with her tuxedo-clad cabaret numbers, while an extremely young Gary Cooper is along for the ride as a Legionnaire.
    1930 USA. Director: Josef von Sternberg. Starring: Marlene Dietrich, Gary Cooper, Adolphe Menjou.

    » Read the rest of the entry..

  • Film on TV: December 20-26

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    Rio Bravo, playing on TCM on Wednesday.

    This week check out a couple of hard-to-find films on TCM on Monday/Tuesday – Paul Mazursky’s Alex in Wonderland and Janet Gaynor’s first talkie Sunnyside Up, neither of which are available on DVD. Also note the great Pink Panther sequel A Shot in the Dark on Monday (RIP Blake Edwards), John Ford’s Cavalry trilogy plus classic western Rio Bravo on Wednesday, a double feature of horse-centric family features in National Velvet and The Black Stallion on Thursday, plus a whole string of classic Disney live-action family films on Sunday, including Old Yeller, Swiss Family Robinson, and The Parent Trap.

    Monday, December 20

    11:00am – TCM – A Shot in the Dark
    Here’s your counter example for the “sequels are never as good as the original” argument. This second film in the Pink Panther series is easily the best, and stands as ones of the zaniest 1960s comedies ever.
    1964 USA. Director: Blake Edwards. Starring: Peter Sellers, Herbert Lom.

    6:00pm – TCM – The Odd Couple
    Jack Lemmon and Walter Matthau have made a lot of movies together over the years, and this mismatched buddy film (written by Neil Simon) remains one of the best, as neatnik Felix (Lemmon) and slob Oscar (Matthau) become roommates and try not to drive each other nuts.
    1968 USA. Director: Gene Saks. Starring: Jack Lemmon, Walter Matthau.

    10:00pm – TCM – The Shop Around the Corner
    The original version of You’ve Got Mail has James Stewart and Margaret Sullavan as feuding employees of a shop who are unknowingly exchanging romantic letters. Ernst Lubitsch directs, bringing his warm European wit to bear.
    1940 USA. Director: Ernst Lubitsch. Starring: James Stewart, Margaret Sullavan.
    (repeats on the 25th at 8:00am)

    11:45pm – TCM – The Great Dictator
    Chaplin’s first completely talking film, and one in which he doesn’t play his Little Tramp character. Instead, he’s both Hitler and a Jewish man who looks strikingly like Hitler. This obviously creates confusion. Brilliantly scathing satire – it always amazes me that it was made as early as 1940.
    1940 USA. Director: Charles Chaplin. Starring: Charlie Chaplin, Paulette Goddard.
    Must See

    12:00M – IFC – Requiem for a Dream
    Darren Aronofsky’s breakthrough film (Pi remains a cult favorite) follows a quartet of people as their lives spiral out of control due to drug addiction.
    2000 USA. Director: Darren Aronofsky. Starring: Ellen Burstyn, Jared Leto, Jennifer Connelly, Marlon Wayans.

    2:00am (21st) – TCM – 8 1/2
    Federico Fellini translates his creative block in making his next film into a film about a director with a creative block – and in so doing, makes one of the most brilliant and creative films of all time.
    1963 Italy. Director: Federico Fellini. Starring: Marcello Mastroianni, Claudia Cardinale, Anouk Aimée.
    Must See

    4:30am (21st) – TCM – Alex in Wonderland
    A very self-reflexive New Hollywood film about a director who wants to make a challenging film but is being pushed by the studio into making a commercial one. Director Paul Mazursky did Bob and Carol and Ted and Alice, one of my most enjoyable finds of my New Hollywood marathon this year, so I’m looking forward to checking this out – and note that it’s not available on DVD and I’ve never seen TCM play it before, so if you’re interested in it, this may be your best chance.
    1970 USA. Director: Paul Mazursky. Starring: Donald Sutherland, Ellen Burstyn, Meg Mazursky.
    Newly Featured!

    » Read the rest of the entry..

  • Video: Films of 2010 Retrospective Mashup

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    We love us some movie montages around here, and this is one of the best I’ve seen recently. A thematically and visually arranged collage of 2010 releases, both big and small, both good and not-so-good, giving a pretty comprehensive overview of the films of 2010 in a mere six minutes. And it’s truly a case where the whole becomes more than the sum of its parts, as the editor (genrocks on YouTube and Twitter) uses snippets of dialogue here and there to create a great thematic rhythm and at times almost a narrative of the year. This is some incredible work; I can’t even imagine how timeconsuming this was, but it sure pays off. There’s a full list of the films used here, but watch it first – it’s pretty cool to see how some of the clips you’ll recognize are used.

    Hat tip to Gary King on Facebook for the find (for me at least). The video is tucked under the seat.
    » Read the rest of the entry..

  • Film on TV: December 13-19

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    Fish Tank, playing Wednesday on Sundance.

    Mostly repeats this week, but some great ones. TCM closes out the Moguls and Movie Stars series, reaching the end of the classical Hollywood studio system, and has a bunch of 1960s greats on Monday and Wednesday to go along with that, plus Cabaret on Tuesday, Ingrid Bergman’s first American film on Friday, Frank Capra’s Meet John Doe on Saturday, and the always enjoyable Grease on Sunday. But if you only watch one thing this week, and you have the Sundance channel, please catch Andrea Arnold’s amazing Fish Tank on Wednesday night. It’s due out on DVD from Criterion in February, so this is a great chance to see it early if you missed its limited theatrical run earlier this year.

    Monday, December 13

    3:35pm – Sundance – Visual Acoustics: The Modernism of Julius Shulman
    As an architectural photographer covering modernist architecture during the mid-twentieth century, Julius Shulman captured some of the most iconic images ever of homes and other buildings, basically creating an entire generation’s perception of Los Angeles and Palm Springs especially. This well-designed documentary is a great primer on his life and work, and through his work, on modernist ideals and architecture itself. Definitely worth a look if you’re interested in photography, architecture, modernism, or Los Angeles.
    2008 USA. Director: Eric Brickner. Starring: Julius Shulman, Dustin Hoffman.

    7:00pm – Sundance – Eraserhead
    David Lynchís first feature is a weird post-apocalyptic dreamscape of a film ñ what, you were expecting something normal? When you can have industrial decay and mutant babies?
    1977 USA. Director: David Lynch. Starring: Jack Nance, Charlotte Stewart.
    (repeats at 3:30am on the 14th. and 10:00pm on the 18th)

    8:00pm – TCM – Moguls & Movie Stars: Fade Out, Fade In
    TCM’s History of Hollywood wraps up this week with the 1960s, the end of the classical studio system period. As the moguls who basically created Hollywood in the 1920s began losing control of the studios, the system itself broke down, mirroring the upheavals in the society around them and allowing an influx of new, young talent that would take us into New Hollywood and beyond. But that’s beyond the scope of this documentary series. This is one of the most exciting decades in film history for me, and TCM has programmed a nice collection of films to go along with it, representing socially conscious prestige pictures, lower budget cult films, and two of the films that truly signaled the beginning of the New: Bonnie and Clyde and Easy Rider (on Wednesday).

    9:00pm – TCM – Guess Who’s Coming to Dinner
    Interracial marriage may not be quite the hot topic now that it was in 1967 (although if you check some parts of the American South, you might be surprised), but at the time, Katharine Houghton bringing home Sidney Poitier to meet her parents Katharine Hepburn and Spencer Tracy (in his last film) was the height of socially conscious filmmaking.
    1967 USA. Director: Stanley Kramer. Starring: Spencer Tracy, Sidney Poitier, Katharine Hepburn, Katharine Houghton, Cecil Kellaway.

    12:00M – TCM – Whatever Happened to Baby Jane?
    Aging stars Bette Davis and Joan Crawford play an aging child star and her sister in Robert Aldrichís cult favorite. Hard to think of better casting for a story like this.
    1962 USA. Director: Robert Aldrich. Starring: Bette Davis, Joan Crawford, Victor Buono, Wesley Addy, Maidie Norman.

    2:30am (14th) – TCM – The Magnificent Seven
    Homage comes full circle as American John Sturges remakes Akira Kurosawaís The Seven Samurai as a western – Kurosawaís film itself was a western transposed into a Japanese setting. Sturges ainít no Kurosawa, but the story of a group of outcast cowboys banding together to protect an oppressed village is still a good one, plus thereís a young Steve McQueen and Charles Bronson in the cast.
    1960 USA. Director: John Sturges. Starring: Yul Brynner, Steve McQueen, Charles Bronson.

    » Read the rest of the entry..

  • Film on TV: December 6-12

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    Intolerance, playing late Sunday night on TCM.

    The next episode of TCM’s History of Hollywood series takes us into the 1950s, and they pair it with a bunch of gritty dramas on Monday (a few of which started as teleplays, as befits the 1950s preoccupation with television) and a spattering of other ’50s highlights on Wednesday. One of those is the newly featured The Defiant Ones, which also points to the burgeoning Civil Rights Movement; also note Lilies of the Field on Friday. Not too many other newly featured things: The Girl on the Train on Monday on IFC, a trio of Judy Garland-Mickey Rooney musicals on TCM on Thursday, The Bishop’s Wife getting us ready for Christmas on Sunday, and also Intolerance, which I would rank as my favorite Griffith film.

    Monday, December 6

    6:40pm – Sundance – The Girl on the Train
    In this French film, a young girl claims to be the victim of an anti-Semite attack on a train; a media sensation follows, but is she telling the truth? I’ve been curious about this one for a while, but haven’t made time to see it. Has anyone caught it yet?
    2009 France. Director: André Téchiné. Starring: Émilie Dequenne, Michel Blanc, Cahterine Deneuve.
    Newly Featured!
    (repeats at 12:00M and 5:10am on the 7th)

    7:00pm – IFC – Letters from Iwo Jima
    The Japan-focused half of Clint Eastwood’s two-part exploration of World War II, which most people consider superior to the American half, Flags of Our Fathers. Of course, I goofed and only saw the American half, but I keep meaning to go back and see Letters from Iwo Jima as well, not least of all because Ken Watanabe is always worth watching.
    2006 USA. Director: Clint Eastwood. Starring: Ken Watanabe, Kazunari Ninomiya, Tsuyoshi Ihara, Ryo Kase, Hiroshi Watanabe.

    8:00pm – TCM – Moguls & Movie Stars: Attack of the Small Screens
    The sixth episode of TCM’s History of Hollywood series hits up the 1950s, the beginning of the end for the Hollywood studio system, as the original moguls left or were forced out of their empires, the McCarthy era and its blacklist ravaged Hollywood, and television threatened theatre-going. Yet it was also a time of great artistry, with gritty realism staking a firm claim on the cinematic landscape along with lush melodramas, socially conscious dramas, and bright musicals.

    12:00M – TCM – A Face in the Crowd
    A rare film role for homespun comedian Andy Griffith really shows his chops as he plays an Ozark hobo who becomes an overnight sensation on radio and TV; when the fame and power starts going to his head, the film shows the cynical dark underbelly of media sensations. One of the recently late Patricia Neal’s best roles, too, as the girl who discovers him.
    1957 USA. Director: Elia Kazan. Starring: Andy Griffith, Patricia Neal, Anthony Franciosa, Walter Matthau, Lee Remick.

    12:00M – IFC – Pulp Fiction
    Tarantino’s enormously influential and entertaining film pretty much needs no introduction from me. Samuel L. Jackson and John Travolta give the performances of their careers, Tarantino’s dialogue is spot-on in its pop-culture-infused wit, and the chronology-shifting, story-hopping editing style has inspired a host of imitators, most nowhere near as good.
    1994 USA. Director: Quentin Tarantino. Starring: Uma Thurman, Samuel L. Jackson, John Travolta, Tim Roth, Bruce Willis, Ving Rhames.
    Must See

    2:15am (7th) – TCM – Sweet Smell of Success
    One of the most acidically witty films of the 1950s, Sweet Smell of Success turns its gaze on Broadway gossip columnist Burt Lancaster, who connives with press agent Tony Curtis to break up his sister’s romance – a searing indictment of unscrupulous newspaper men, yes, and a bitingly funny one to boot.
    1957 USA. Director: Alexander Mackendrick. Starring: Burt Lancaster, Tony Curtis, Susan Harrison, Martin Milner, Sam Levene.

    4:00am (7th) _ TCM – A Streetcar Named Desire
    A Streetcar Named Desire won Vivien Leigh her second Oscar as fading Southern belle Blanche DuBois, and made a star out of Marlon Brando. It’s also one of the films I’m most embarrassed to say I’ve never seen. I even have it on DVD somewhere! Someday, I will get to it.
    1951 USA. Director: Elia Kazan. Starring: Marlon Brando, Vivien Leigh, Kim Stanley, Karl Malden.

    » Read the rest of the entry..

  • Even More (Really Belated) Horror…

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    What do you mean, it’s not October anymore? How did that happen? Ah well, good horror is still good horror even if it’s a month late, and after sitting down with more than twenty horror films in October/November I didn’t want to let them all go past without comment. And yet I STILL didn’t get to Carrie or Army of Darkness or The Wicker Man, or any of the J-horror on my list. I figured I’d tend toward older films this year (as I often do anyway, but I’ve been in a particularly old-movie mood lately), and that’s pretty much how it turned out, helped along by Cinefamily‘s William Castle series.

    I’ve got them in here in the order I liked them, most to least, though I should note that I saw all the Castle films and all the Argento films in a theatre with very good audiences (and all the gimmicks intact on the Castle films), so I’m sure that made an incalculable difference in some cases in terms of how I responded to them.

    28 Weeks Later – (4.5/5)

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    2007 USA. Director: Juan Carlos Fresnadillo. Starring: Robert Carlyle, Rose Byrne, Jeremy Renner.
    More epic tragedy than horror film, 28 Weeks Later far outstripped its predecessor for me. I had put off watching it for a long time because while I appreciated some of the things 28 Days Later did, I really disliked the ending, which kind of put me off seeing the sequel, but enough people told me I should that I finally sighed and bit the bullet. And it had me totally rapt from that incredible opening sequence all the way through. The quiet moments are as full of dread and horror as the frenetically-edited (but rarely incoherent) chases, and the lengths that those who are still human go to in order to survive are just as horrifying as the infected – and that’s what really set this film apart. The most terrible moments in the film aren’t jump scares, attacks by infected hoardes, or even when our now-infected hero attacks his loved ones, but when the human Carlyle abandons his family, and when soldier Jeremy Renner realizes he’s been ordered to shoot everyone, whether infected or not, and the line between monster and protector becomes indistinguishable. The horror here is human. But there are no good choices, no satisfactory options in this world, and that’s what Fresnadillo captures so well.

    Deep Red – (4.5/5)

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    1975 Italy. Director: Dario Argento. Starring: David Hemmings, Daria Nicolodi, Gabriele Lavia.
    Okay, I have to talk for a second about how I saw this. Cinefamily flew in a print from Italy, something which is apparently NEVER DONE, and theatres here just about NEVER show Deep Red in 35mm. This print had seen a LOT of use in Italian grindhouse theatres, was in terrible shape (it took two projectionists like 20 hours of work just to make it feed through the projector without breaking), and didn’t have subtitles – they manually ran an .srt file on a secondary projector. There were skips here and there cutting out whole lines of dialogue. The theatre got some negative feedback for the choppiness of the print, but I thought the experience of seeing it that way was incredible. Sure, I might’ve missed a few lines of dialogue here or there, or the plot might’ve jumped a bit, or the subtitles might’ve been a tad off…but I’ll probably never have the opportunity to see a film print of Deep Red again. Plus I loved the movie, print defects and all. When I saw Suspiria last year, I enjoyed it for the set-pieces but thought the plot was a a bit thin – Deep Red was perfect. It was great visually, if perhaps not quite as flamboyant, and had a really well-developed, if admittedly far-fetched, twisty-turny plot. Plus a couple of scenes that will likely be filed under “things that freak me the hell out” forever.

    » Read the rest of the entry..

  • David Lynch Makes Music

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    We mostly know and love David Lynch for the incredibly individual films he directs, but he has also composed and performed a lot of music, much of it appearing on the soundtracks of his films, but he has also worked on other music projects, including the album Dark Night of the Soul with Danger Mouse and Sparklehorse and a bunch of guest stars. The music underlying Lynch’s AFI Introduction is from that album, I believe. Now he has released a couple of new singles on iTunes, one a rather bright (for Lynch) electrop pop number called “Good Day Today,” and a much darker, grittier piece called “I Know.” The latter is somewhere between blues, alt-country, and electronic, and it is pretty great – definitely something you can easily associate with Twin Peaks or INLAND EMPIRE.

    Check out both tracks streamed via Soundcloud under the seats.

    » Read the rest of the entry..

  • Film on TV: November 29 – December 5

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    Night of the Living Dead, playing Saturday on TCM.

    Among new things this week we find Charlie Chaplin’s first full talkie The Great Dictator on TCM on Monday, The Bitter Tea of General Yen, a relatively early oddity in Frank Capra’s career, on TCM on Tuesday, late Truffaut film The Last Metro on IFC on Thursday, and Romero’s zombie classic Night of the Living Dead on TCM on Saturday. TCM brings out some 1940s greats to go along the latest installment of Moguls and Movie Stars, which focuses on wartime Hollywood, so stay tuned for those Monday and Wednesday night.

    Monday, November 29

    11:30am – TCM – Gold Diggers of 1933
    The story’s nothing to get excited about (and in fact, the subplot that takes over the main plot wears out its welcome fairly quickly), but the strong Depression-era songs, kaleidoscopic choreography from Busby Berkeley, and spunky supporting work from Ginger Rogers pretty much make up for it.
    1933 USA. Director: Mervyn LeRoy. Starring: Joan Blondell, Warren William, Ruby Keeler, Dick Powell, Aline MacMahon, Ginger Rogers, Guy Kibbee.

    1:15pm – TCM – 42nd Street
    By 1932 when 42nd Street came out, the Hollywood musical had already died. So excited by the musical possibilities that sound brought in 1927, Hollywood pumped out terrible musical after terrible musical until everyone was sick of them. 42nd Street almost single-handedly turned the tide and remains one of the all-time classic backstage musicals. It may look a little creaky by later standards, but there’s a vitality and freshness to it that can’t be beat.
    1932 USA. Director: Lloyd Bacon. Starring: Warner Baxter, Ruby Keeler, George Brent, Bebe Daniels, Dick Powell, Ginger Rogers, Una Merkel.

    8:00pm – IFC – Barton Fink
    One of the Coen Brothers’ most brilliant dark comedies (heh, I think I say that about all of their dark comedies, though), Barton Fink follows its title character, a New York playwright whose hit play brings him to the attention of Hollywood, where he goes to work for the movies. And it all goes downhill from there. Surreal, quirky, and offbeat, even among the Coens work. It’s based loosely on the experiences of Clifford Odets, whose heightened poetic style of writing has clearly been influential on the Coens throughout their career.
    1991 USA. Director: Joel Coen. Starring: John Turturro, John Goodman, Judy Davis, Michael Lerner, Tony Shalhoub.
    (repeats at 1:45am on the 30th)

    8:00pm – TCM – Moguls and Movie Stars: Warriors and Peace Makers
    TCM’s Hollywood History series enters WWII, examining how Hollywood reacted to the war – everything from war-themed films to escapist entertainment to explicitly political films. A selection of those films directly inspired by the war and war efforts play tonight, then several other non-war themed 1940s films play Wednesday night as part of the series.

    9:00pm – TCM – Casablanca
    Against all odds, one of the best films Hollywood has ever produced, focusing on Bogart’s sad-eyed and world-weary expatriot Rick Blaine, his former lover Ingrid Bergman, and her current husband Paul Henreid, who needs safe passage to America to escape the Nazis and continue his work with the Resistance. It’s the crackling script that carries the day here, and the wealth of memorable characters that fill WWII Casablanca with life and energy.
    1943 USA. Director: Michael Curtiz. Starring: Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains.
    Must See
    (repeats at 6:00pm on the 5th)

    12:00M – TCM – The Great Dictator
    Chaplin’s first completely talking film, and one in which he doesn’t play his Little Tramp character. Instead, he’s both Hitler and a Jewish man who looks strikingly like Hitler. This obviously creates confusion. Brilliantly scathing satire – it always amazes me that it was made as early as 1940.
    1940 USA. Director: Charles Chaplin. Starring: Charlie Chaplin, Paulette Goddard.
    Must See
    Newly Featured!

    2:15am (30th) – TCM – They Were Expendable
    There are films that don’t seem to be all that while you’re watching them – no particularly powerful scenes, not a particularly moving plot, characters that are developed but don’t jump out at you – and yet by the time you reach the end, you’re somehow struck with what a great movie you’ve seen. This film was like that for me – it’s mostly a lot of vignettes from a U-boat squadron led by John Wayne, the only one who thought the U-boat could be useful in combat. But it all adds up to something much more.
    1945 USA. Director: John Ford. Starring: John Wayne, Robert Montgomery, Donna Reed, Jack Holt, Ward Bond.

    3:45am (30th) – IFC – The Piano
    I often find Jane Campion films overly pretentious, but this one strikes the right chord, with Holly Hunter as a mute woman in an arranged marriage who finds love with one of her husbands’ hired hands – but stealing the show is her young daughter, an Oscar-winning performance by Anna Paquin.
    1993 New Zealand. Director: Jane Campion. Starring: Holly Hunter, Harvey Keitel, Anna Paquin.

    4:30am (30th) – TCM – Hollywood Canteen
    One of several films made during WWII that largely functioned as excuses for studios to parade their stable of stars on-screen in cameos, musical numbers, and comedy bits – in this case, the central device is the major Hollywood USO location of the title with a standard soldier-starlet romance plot, and the film has basically the whole Warner Bros. lot running around. It’s entertaining though not that good, and fun to see so many big stars playing themselves for a change.
    1944 USA. Director: Delmer Daves. Starring: Robert Hutton, Joan Leslie, Dane Clark.
    Newly Featured!

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