Usually reserved for thrillers, the ‘white border’ dividing photos design (See Heist, Triple Nine, Homefront, Red) a classic poster cliche. But as with many things Soderbergh, repurposing that cliche with a bit more care. For instance the borders here in some cases split a single image, rather than just lazily putting in on-set stills or head-shots of the movie stars (a major pet peeve of mine when it comes to poster design).
The black and white mix with sunset colours also really works, and is a stand out in a year of pink posters.
Further points for the side-mountain credit block to accomodate the race-car and drifting cash under the title.