Friday One Sheet: The B-Side

Errol Morris’s latest film portrays he friend and neighbor, portrait photographer Elsa Dorfman, and her body of work which is mainly ultra-large format Polaroid portraits, both of families and of some rather famous folks too. The poster design is offbeat and unusual and a little unassuming but also kind of quietly rebellious (as is Ms. Dorfman herself.) Take the handwriting on the poster, yes, people sharpie labels on their Polaroids all the time, so there is that, but you rarely see this kind of thing on a bit of promotional material. Also, the inky roll-lines on the sides of the poster, also a part of the large format roller-driven process, but still rather striking on the edges of a movie-poster. Then there is Ms. Dorfman herself, hardly imbued with movie-star looks, yet easily able to command the frame, is her pose a display or a query or an example of her work, this is a perfect incitement into what is Morris’ most gentle and casual (albeit not lacking in rigour in the slightest!)

Sort by:   newest | oldest | most voted
Sean Kelly
Guest

Opens at the Hot Docs Cinema in two weeks and will be preceded by a four film retrospective of Errol Morris, featuring screenings of The Fog of War, Gates of Heaven, Vernon, Florida, and The Thin Blue Line.

wpDiscuz