Teaser: Thelma

Norway’s answer to Olivier Assayas, already a master at his craft with only four features under his belt, Joachim Trier follows up the magnificent Louder Than Bombs, his English language debut, by returning to his native tongue and a supernatural sexual awakening story. Exhibiting a clean eye for visual film-making with an emphasis on people and character-study, I am curious to see what Trier can do with a more commercial project, than his past three films (which were firmly fixed on festival audiences).