One of my favourite films on the festival circuit last year, from Sundance to Toronto After Dark, was the debut feature from Polish director Agnieszka Smoczynska. It is a thoroughly unorthodox adaptation of Hans Christian Anderson’s The Little Mermaid, retold as a 1980s period musical, with a healthy dose of blood and drugs and sex.
A literal, fish-out of water tale, set it in a burlesque club in 1980s Warsaw. A family of musicians, whose main gig is to play back-up for the strippers at a night-club, discover two mermaids in the water while drinking and singing on the beach. They bring them aboard as part of their act, sort of like adopting two new children, and drop them right in to soft-core sex trade. What could possibly go wrong?
My review is here. Check out the trailer below.