While you can read the entire AMA over here, here are the highlights.
On his favorite movie of his:
I did a film with Jim Jarmusch called Broken Flowers, but I really enjoyed that movie. I enjoyed the script that he wrote. He asked me if I could do a movie, and I said “I gotta stay home, but if you make a movie that i could shoot within one hour of my house, I’ll do it.” So he found those locations. And I did the movie. And when it was done, I thought “this movie is so good, I thought I should stop.” I didn’t think I could do any better than Broken Flowers, it’s a film that is completely realized, and beautiful, and I thought I had done all I could do to it as an actor. And then 6-7 months later someone asked me to work again, so I worked again, but for a few months I thought I couldn’t do any better than that.
On his oddest experience in Japan:
I was eating at a sushi bar. I would go to sushi bars with a book I had called “Making out in Japanese.” it was a small paperback book, with questions like “can we get into the back seat?” “do your parents know about me?” “do you have a curfew?” And I would say to the sushi chef “Do you have a curfew? Do your parents know about us? And can we get into the back seat?” And I would always have a lot of fun with that, but that one particular day, he said “would you like some fresh eel?” and I said “yes I would.” so he came back with a fresh eel, a live eel, and then he walked back behind a screen and came back in 10 seconds with a no-longer-alive eel. It was the freshest thing I had ever eaten in my life. It was such a funny moment to see something that was alive that no longer was alive, that was my food, in 30 seconds.
On Groundhog Day:
The scripts is one of the greatest conceptual scripts I’ve ever seen. It’s a script that was so unique, so original, and yet it got not acclaim. To me it was no question that it was the greatest script of the year. To this day people are talking about it, but they forget no one paid any attention to it at the time. The execution of the script, there were great people in it. It was a difficult movie to shoot because we shot in winter outdoors. If you ever get to go to Puxatawney, you should go, it is one of the few things that is BETTER than advertised. It’s really something to see. But doing the movie, shooting the scenes over and over, it’s like an acting challenge. It’s like doing a play and those same scenes over and over and again, so you can try to make it better or deeper or funnier than you made it previously.
On his brother and frequent collaborator Brian:
My brother Brian was my first great influence. He made much of what I am possible. To this day, if I have a question about something ethical or about being an actor or entertainer or a person or something like that, he’s a person who helped form me. Shooting scenes with him is delightful. The idea that the two of us get to entertain is a kick. He’s really funny. He really makes me laugh. He’s funny.
On why he did Garfield:
I had a hilarious experience with Garfield. I only read a few pages of it, and I kind of wanted to do a cartoon movie, because I had looked at the screenplay and it said “Joel Cohen” on it. And I wasn’t thinking clearly, but it was spelled Cohen, not Coen. I love the Coen brothers movies. … So I didn’t really bother to finish the script, I thought “he’s great, I’ll do it.” So then it was months before i got around to actually doing it, and I remember i had to go to a screening room in somewhere, and watch the movie and start working. … there were all these people on the other side of the recording studio, and at the end of the reel I was SOAKED In perspiration. I had drunk as much coffee as any columbian ever drank, and I said “you better just show me the rest of the movie.” And they showed me the rest of the movie, and there was just this long, 2 minute silence.
And I probably cursed a little, and I said “I can fix this, but I can’t fix this today. Or this week. Who wrote this stuff?”
And it appeared that one of the people behind the screen was the misspelled Joel Cohen. And I said “how could you have THAT scene take place before this scene? This can’t possibly happen? Who edited this thing?”
And another person behind the glass was the editor of the film. He quit the film that week to go work on another job, so that began a long process of working on the film. I worked the rest of the week on it, and I said “Bobby it is still nowhere near done. But I can’t fix it all, we have to try to do this again.”
It was sort of like Fantastic Mr Fox without the joy or the fun. … The second one was beyond rescue, there were too many crazy people involved with it. And I thought I fixed the movie, but the insane director who had formerly done some Spongebob, he would leave me and say “I gotta go, I have a meeting” and he was going to the studio where someone was telling him what it should be, countermanding what I was doing.
They made a movie after that second miscarriage, that went directly to video. So they sort of shot themselves in the foot, the kidneys, the liver and the pancreas on the second one. If you had a finer mind working on them? The girl, Jennifer Love-Hewitt, she was sweet. In the second movie they dressed her like a homeless person. You knew it wasn’t gonna go well.
On what he thinks about being so awesome:
Well, nothing prepared me for being this awesome. It’s kind of a shock. It’s kind of a shock to wake up every morning and be bathed in this purple light.