Movies I Watched at the 65th Cannes Film Festival 2012

With the 65th Cannes Film Festival enjoying one of its most (potentially) impressive line-ups in years I was lucky enough to attend the festival this year. Due to work and financial constraints I could only make the first few days of the festival, but I still managed to squeeze in 10 films (and the last half of Project A on the beach). So to give you my thoughts on what I watched, plus to rub it in for those who weren’t there, here are capsule reviews for everything I caught.

A couple of my friends and colleagues are still there and plan to record some podcasts during the festival, so keep an eye out at Blueprint: Review for those. I recorded a couple with them last week so check those out over there too.

Flying Swords of Dragon Gate

Director: Tsui Hark
Screenplay: Tsui Hark
Starring: Jet Li, Xun Zhou, Kun Chen
Country: Hong Kong
Running Time: 121 min


Tsui Hark’s latest martial arts extravaganza is entertaining and handsomely mounted but rather uninspired and clumsily plotted. There are a few too many characters too and it gets a little confusing at times. It’s not as enjoyably crazy as Hark’s previous offerings either which was disappointing but it is action packed and still fun to watch. The 3D is OTT which does it favours at times, adding depth to the lavish and extravagant sets, but distracts at others with a barrage of items being thrown at the camera.

Moonrise Kingdom

Director: Wes Anderson
Screenplay: Wes Anderson, Roman Coppola
Starring: Jared Gilman, Kara Hayward, Bruce Willis, Frances McDormand, Bill Murray, Edward Norton
Country: USA
Running Time: 94 min


Wes Anderson’s new film is charming and enjoyable but ultimately very slight. The central romance is a little too creepy to anchor the emotional core with the kids acting like adults all the time, but Anderson’s style takes centre stage and it’s clearly lovingly crafted, making for a very pleasant and easy watch. Maybe that’s faint praise but it’s hard to come up with a better way to describe the experience. I certainly enjoyed it at least.

Anton Corbjin Inside Out

Director: Klaartje Quirijns
Screenplay: Klaartje Quirijns, Thomas den Drijverv
Starring: Anton Corbijn, Bono, Martin Gore, James Hetfield
Country: Netherlands/Germany/UK/Italy/Sweden
Running Time: 90 min


Anton Corbjin Inside Out is a suitably well shot and intimate portrait of the photographer/filmmaker that I found very interesting. It dragged a bit though towards the end and had a number of ‘wanky’ moments that didn’t add much. Overall it’s a decent documentary though which was at its most interesting when watching him work and showing the work itself. I’m sure it will get released sometime soon possibly as a DVD extra which may be doing it a dishonour, although I doubt it has the appeal to hit cinemas.

Student

Director: Darezhan Omirbayev
Country: Kazakhstan
Running Time: 90 min


Taking part in the Un Certain Regard competition, Student is a lo-fi Kazakstani take on Dostoyevsky’s Crime and Punishment. With a sparse, stripped down style it desperately wants to be Pickpocket but despite a couple of well staged moments it felt too flat and hollow for me. The blank-faced lifeless performances didn’t help.

Rust and Bone

Director: Jacques Audiard
Screenplay: Jacques Audiard & Thomas Bidegain
Based on a story by: Craig Davidson
Starring: Marion Cotillard, Matthias Schoenaerts, Armand Verdure
Country: France
Running Time: 120 min


Audillard’s much anticipated follow up to the popular A Prophet is very well made with strong performances (especially a fearless Marion Coutiard) and strong direction with a slick art-house style. The story has a few too many contrivances though and one or two sequences really jarred so it began to outstay its welcome after a strong first half. Plus it never quite delivers the emotional impact it seems to strive for. A solid but forgettable affair.

Beasts of the Southern Wild

Director: Benh Zeitlin
Screenplay: Lucy Alibar & Benh Zeitlin
Starring: Quvenzhané Wallis, Dwight Henry and Levy Easterly
Country: USA
Running Time: 92 min


This debut feature about a young girl growing up in ‘the bathtub’, a swampland area in the Southern Delta, is generally excellent with a wonderfully joyous tone despite the potentially bleak subject matter. It occasionally gets slightly cheesy and many of the supporting adults are annoyingly characatured but overall it’s a fantastically original and beautiful work. The lead child performance from Quvenzhan√© Wallis is exceptional, feeling very natural while retaining enough character to carry the whole film on her back, which is probably why many of the other performances seem poor. Watching the world through a child’s eyes is brilliantly achieved through some nicely integrated fantasy elements, a strong voice over and great sound design and music.

Dead Mine

Director: Steven Sheil
Screenplay: Steven Sheil, Ziad Semaan
Starring: Joe Taslim, Sam Hazeldine and Miki Mizuno
Country: Indonesia
Running Time: 100 min


I made a random trip to this low budget Indonesian action-horror whilst there was nothing much else on. Although expectations weren’t high, this was still fairly disappointing. It’s too slow for an action film and wasn’t helped by painfully cliched dialogue and wooden performances. It did have some atmospheric sequences, looked nice for a cheapie and had decent gore effects, but ultimately it was a let down. The ending was especially disappointing and rather abrupt.

Lawless

Director: John Hillcoat
Screenplay: Nick Cave
Based on a novel by: Matt Bondurant
Starring: Tom Hardy, Shia LaBeouf, Guy Pearce, Gary Oldman
Country: USA
Running Time: 115 min


John Hillcoat’s hard-boiled out-of-town gangster thriller was one of my most anticipated films of the festival and proved to be highly enjoyable but far too derivative to be anything other than that. It looks great, moves at a solid pace and the violence is suitably brutal. The cast are strong too with Shia Le Bouf pulling off the leading role effectively and Tom Hardy providing a quietly intense presence throughout. Guy Pierce is painfully OTT though. Hillcoat should have used more of Gary Oldman instead who is woefully underused. Overall, although it was a lot of fun (if that’s the right word to describe such a violent film) it just lacked anything special to make it truly noteworthy.

Mystery

Director: Ye Lou
Starring: Lei Hao, Hao Qin and Qi Xi
Country: China/France
Running Time: 98 min


This Un Certain Regard entry starts off quite well with a dark, intense opening sequence and intriguing and well handled relationship-drama elements. As these develop they become less interesting though. The thriller elements feel clumsily inserted and occasionally rely on ridiculous contrivances and the relationship aspects get blandly melodramatic. A police officer and car crash driver subplot feel unnecessarily tacked on too. So it ended up being pretty poor.

Lawrence of Arabia

Director: David Lean
Screenplay: Robert Bolt & Michael Wilson
Based on the writings of: T.E. Lawrence
Starring: Peter O’Toole, Alec Guinness, Omar Sharif, Anthony Quinn
Country: UK
Running Time: 222 min


I treated myself to this as my last film of the festival. I haven’t seen it for a long time and only ever on VHS (it was widescreen at least). Without having much to compare it to I can still tell this brand new 4K remastered edition has undergone an incredible restoration job. It seems a little over saturated at times but this mirrors the style of the era and the print is so clean and the desert vistas look so beautiful that it’s ridiculous to criticise it. The film itself is still incredible too. Not only does it look gorgeous with David Lean pulling out all the stops to deliver a breathtaking spectacle, but it’s a dark and fascinating character study, crafting one of cinema’s greatest enigmas. It’s also interesting looking at middle Eastern politics of WWI in light of more recent situations. A true classic in every sense and it remains one of my all time favourite films. The close to four hour running time just flies by.

David Brook
RowThree's UK correspondent.

14 Comments

  1. As much as I like Corbijn’s work, I can’t see myself digging an hour and a half doc on the guy. Anxiously await his next film though (PSH!)!

    Shame about wasting Gary Oldman but still looking forward to the Hillcoat picture.

    Lawrence of Arabia on the big screen. Done that one myself and it was magnificent!

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  2. The Corbijn doc focuses more on his rock photography work, which is extensive enough to fill a doc. Saying that, the film is about 15 or 20 minutes too long. It would work best as an hour long TV doc. But it is surprisingly interesting and worth checking out. Looks great too.

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  3. Definitely looking forward to Beasts Of The Southern Wild – http://www.rowthree.com/2012/05/02/whoa-beasts-of-the-southern-wild-trailer-impresses/ – that’s been getting tons of praise since Sundance. I was looking forward to the Audiard, but the plot doesn’t grab me very much and your comments seem to fall inline with what I expect – having said that, it’s received some terrific reviews. Moonrise can’t arrive soon enough.

    Apparently the Haneke is fantastic – early fave for the top prize. Heard some disappointing initial reviews of the Reygadas (sorry Andrew) and it apparently got some boos from one of the crowds. It’ll probably still look amazing though…

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  4. No Amour? heard it was by far the best film at Cannes.

    I’d be interested in Lawless if LaBeouf died a minute into it. Also looking forward to Rust and Bone.

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    • LaBaouf isn’t that bad in it, honestly. He’s far better than Guy Pierce who’s pretty embarrassing here, hamming it up in all the wrong ways. I’ve seen a few people praise his performance, but it didn’t work for me.

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  5. Yeah a lot of the films have been getting mixed reviews other than Amour which has been pretty much universally praised. I’m gutted that it was on the day I was flying. I’m sure it’ll get a release soon enough though.

    As for Beasts of the Southern Wild, it’s flawed and there are a few moments that don’t work, but when it works it works so well that I had to love it and give it such a high rating.

    And Moonrise is an odd one, the other guys I were with hated it. It’s total fluff and a pure style exercise, but it worked well enough for me, even if it didn’t blow me away. Only Anderson fans will like it, anyone who didn’t like Life Aquatic or Fantastic Mr Fox will hate this film.

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    • I was only there for the first 4 days, so I missed a lot. I caught as many of the competition ones that I could. I might have been able to squeeze in Cristian Mungiu’s latest, but I couldn’t resist the remastered Lawrence of Arabia :)

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  6. Lucky bastage. Colour me envious. Lawless is my most anticipated film of the year (loved the book, love Hillcoat, and love the cast…for the most part); can’t wait to see that one. I hope it works a bit better for me than it did for you. I can deal with derivative if everything else works.

    I’ve been hearing great things about Holy Motors from Cannes and it sounds like it will be right up my alley. Any thoughts on that one? I have not seen any of the director’s previous works, but the reviews I’ve read and stills I’ve seen have me very excited for it.

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    • My mates who are over there saw it and one of them called it the best of the festival so far. It’s supposed to be very odd, but in a good way by the sounds of things.

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      • Sounds perfect to me. Glad to hear your friends liked it too. There was a sweet screencap on the THR review and that helped sell me as much as the review did.

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      • Hmm… The films shown at Berlin have been announced some time ago, and BA was not among them.But an Ingmar Bergman trtiube is going to be shown at Berlin, that’s for our Swedish friends.And it’s way too early for Cannes, no movies have been selected yet.

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  7. I just got credentialed for the LA Film Fest, which is screening Beasts of the Southern Wild as a Gala Presentation. After all the praise I’ve heard, I’m definitely going to try to get in.

    Also just saw Moonrise Kingdom over the weekend and really, really liked it. Probably loved it. I can’t think of anything really bad to say about it, so I guess I loved it. :) Wes Anderson pleases me.

    Reply

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