Archive for October, 2011

  • Survey: Anna Faris

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    Reading this NYMAG article on Anna Faris reminded me just how much I like this particularly fearless comedienne. As the focus is on mainstream appeal, I believe the author fails to register that Faris is very much a cult item, even if she is best known as the lead from the Weinstein Brothers’ self-cannibalizing Scary Movie Franchise; itself a parody of Scream Franchise, both released by Dimension, and both I suspect, went a few too many entries too far. But I digress. Having only seen the first Scary Movie franchise, with Faris hardly registering, I will give you the run down of why I like the rather chameleon starlett and why I do not want her (as Kyle Buchanan and Claude Brodesser-Akner say) to be this generations Goldie Hawn. I would rather her be somewhere in the wide middle-ground between this generations Frances McDormand and Michelle Pfeiffer.

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  • Film on TV: October 3-9

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    The Shining, playing Sunday on IFC

    October is horror month, at least in the United States, so I was expecting an uptick in horror films on TV this month, and I’m not disappointed. TCM kicks things off Monday night with some classic 1920s and 1930s horror, most of them must-sees. Newer horror isn’t totally out, either, as IFC plays Kubrick’s The Shining on Sunday (along with a couple of other Kubrick films on Wednesday). Outside of horror, TCM celebrates Nicholas Ray’s birthday with two of his earlier classics on Tuesday night, and continues their month-long tribute to Buster Keaton on Sunday night with some of his best-loved shorts and features.

    Monday, October 3

    9:00pm – TCM – Frankenstein
    The most recognizable image of Frankenstein’s monster comes from this film, rather a departure from Mary Shelley’s novel, but nonetheless iconic as a film. More a tragedy than a horror film, almost, with Dr. Frankenstein’s god-like experiments yielding a monster whose very simplicity becomes his downfall, and self-righteous townspeople who become monsters themselves. Lots more subtlety and tenderness than you’d expect.
    1931 USA. Director: James Whale. Starring: Colin Clive, Boris Karloff, Mae Clarke.
    Must See

    9:00pm – IFC – The Descent
    There aren’t too many people better at straight-up genre fare with flair than Neil Marshall, and this spelunking adventure gone wrong is a prime example – claustrophobia mounts as our characters are trapped in a cave, but that’s not all they have to deal with down there.
    2005 UK. Director: Neil Marshall. Starring: Shauna macdonald, Natalie Jackson Mendoza, Alex Reid.
    (repeats at 2:00am on the 4th)

    10:15pm – TCM – Freaks
    Or, Tod Browing’s circsploitation film, featuring many actual sideshow performers, which has been banned here and there, on and off, since its initial release in 1932. I actually haven’t seen it myself, though it’s been on my list for some time.
    1932 USA. Director: Tod Browning. Starring: Olga Baclanova, Harry Earles, Wallace Ford, Leila Hyams.

    12:30am (4th) – TCM – Dr Jekyll and Mr. Hyde
    Fredric March won his first Oscar for his role as the meek doctor and his violent alter ego, but honestly, the make-up department deserves most of those accolades. Well-done, posh version of the story.
    1931 USA. Director: Rouben Mamoulian. Starring: Fredric March, Miriam Hopkins.

    3:30am (4th) – TCM – The Cabinet of Dr. Caligari
    One of the most notable examples of German Expressionism, its also a highly watchable film about a strange series of murders that may be tied back to a somnambulist controlled by the somewhat sinister Dr. Caligari. The heightened emotions and strikingly off-kilter set designs and high contrast lighting would all be greatly influential on film noir a few decades later.
    1919 Germany. Director: Robert Weine. Starring: Werner Krauss, Conrad Veidt, Friedrich Feher.
    Must See

    4:45am (4th) – TCM – Nosferatu
    Made in 1922, this is still one of the greatest vampire movies ever made, and possibly the best version of Bram Stoker’s Dracula (names are changed due to rights issues, but it’s Dracula at the core). F.W. Murnau epitomizes German Expressionism here with his use of moody light and shadow, while Max Schreck is the embodiment of the horror of Dracula, back before vampires got all sexy and stuff.
    1922 Germany. Director: F.W. Murnau. Starring: Max Schreck, Gustav von Wangenheim, Greta Schroeder.
    Must See

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  • Music In Film: The Assassination of Jesse James by the Coward Robert Ford

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    Warning: SPOILERS lay within.

    For our first entry in our new Music In Film series I thought why not highlight what is probably my favourite film score of all time? Composed by the great duo of Nick Cave and Warren Ellis – who also did The Proposition and The Road – the score for The Assassination of Jesse James by the Coward of Robert Ford is a masterclass in setting tone, perfectly encapsulating and emulating the somber, sad and ponderous nature of the film.

    Writer/director Andrew Dominik certainly takes his time telling this tale – the film is not only over 150 minutes long but is slow-paced to boot – but the stunning visuals (each frame could be put up on display on your living room wall) and phenomenal performances keep things fascinating. But it’s the score by Cave and Ellis which gives Jesse James its “soft edge,” its enveloping tone, its magical atmosphere.

    There are 14 tracks on the soundtrack (19 on the special edition) and Cave and Ellis manage to make each track distinctive and uniquely evocative in their own right but still clearly part of the same overall package. A lot of scores have one overall musical motif that’s basically repeated throughout each track so in that way this score is quite unique.
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  • Mondays Suck Less in the Third Row

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    Gotham City Sirens, by Dustin Nguyen (click for larger):

    (source | via | Nguyen’s site)

     


     

    100 Years of East London Style:

    (via)

     


     

    More Lebowski Art:

     


     

    Withnail & I:

  • Welcome to October: T is for Thread

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    Friend of Row Three and horror blogger Jay Clarke (The Horror Section) puts forth a lesson to you all out there: If you are looking for plastic surgery, he is NOT the man you want to have doing the stitching on your face. Check out this black (and red) comedy short directed by Chris Nash and produced by Clarke. I cannot think of a more perfect or gruesome way to kick off October month. T for Thread has aspirations of getting into Drafthouse Films ABCs of Death short film anthology. I believe it has a good shot, if only because it has an entirely new spin on the banana-peel gag.

    Full short is tucked under the seat. (Warning, don’t watch this while eating…)

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  • “Prohibition” Starts Tonight on PBS

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    Ken Burns has done it again. A three-part documentary about America limiting a freedom that everyone took for granted, then took advantage of. Looks fascinating to me. Forget “Boardwalk Empire.” Check out: “Prohibition.”

     

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