One of the more polarizing films amoungst my social circles at last years TIFF, Steve McQueen’s follow up to the highly acclaimed Hunger, the equally succinct titled Shame (Kurt’s Review) widens the canvas by having it set in New York City, and drops the directors fascination with macro lenses. One of the stand-out shots in the film is an extended jogging scene where Michael Fassbender shakes off his mounting series of problems with sex addiction and family. It is used here exceptionally well to assemble a trailer for the film.
The trailer is tucked under the seat.
