Archive for August, 2011

  • DVD Review: Last Night

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    Last Night DVD Cover

    Director: Massy Tadjedin
    Screenplay: Massy Tadjedin
    Producers: Christophe Riandee, Massy Tadjedin, Nick Wechsler
    Starring: Keira Knightley, Sam Worthington, Eva Mendes, Guillaume Canet
    MPAA Rating: R
    Running time: 90 min.

    (3/5)

    What’s worse: cheating on your spouse by having meaningless hot sex with a near stranger or sharing an intimate, sex-free, night with a person you’re still in love with? That’s the question posed by Massy Tadjedin in her debut Last Night but there’s more at play than the obvious. Tadjedin is also exploring the realities of relationships, the things we tell each other and those that we choose to keep to ourselves and essentially, is there such a thing as too much honesty?

    Last Night Movie StillHappily married for a few years, Joanna (Keira Knightley) and Michael (Sam Worthington) are comfortable in their relationship. At a party, Joanna sees Michael having what appears to be an intimate conversation with Laura (Eva Mendes) a co-worker he has been spending a lot of time with. At home that evening the two argue about it before Joanna concedes that she was over reacting, reading into an attraction Michael swears isn’t there and the next morning, Michael goes on a business trip with the sexy Laura. While he’s away, Joanna bumps into Alex (Guillaume Canet), a man we later find out was the object of her attention while she and Michael were taking some time apart before getting back together and eventually getting married.

    The night unfolds in snippets as Michael and Laura have drinks and a dip in the pool that leads to passionate sex while Joanna has dinner with Alex and the two reminisce about their time together and skirt around the love they still have for each other though both are in relationships with others.
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  • Trailer: Twixt

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    To be fair, I’ve not ventured into any of Francis Ford Coppola’s neo-revival (Youth Without Youth, Tetro), but they’ve not seemed as ‘straight up genre’ as Twixt does. Somewhere between In The Mouth of Madness and 1408 the film is stacked to the gills with interesting actors: Val Kilmer (and his ex wife, Joanne Whalley), Bruce Dern, Elle Fanning (that’s her covered in blood in the above poster), Ben Chaplin and David Paymer. While this doesn’t look half as strong or nuanced as Shutter Island, I’m certainly willing to give it a shot despite the cheap cinematography and poorly put together trailer that seems to be cribbing voice-over from Throw Mama From The Train, “The Night Was…Humid.”

    A writer with a declining career arrives in a small town as part of his book tour and gets caught up in a mystery involving a young girl. That night in a dream, he is approached by a mysterious young ghost named “V.” Unsure of her connection to a murder in the town but nevertheless, he is grateful for the story being handed to him.

    The trailer is tucked under the seat.
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  • Cinecast Episode 223 – Just the Alien from Cloverfield and Super 8?

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    A bit of a break in the usual routine as summer comes closer to a close – In this episode of the Cinecast director Jim Mickle (Stake Land and Mulberry St.) joins Kurt and Andrew for a chat on Jon Favreau’s Cowboys and Aliens and Errol Morris’s Tabloid. We mix up the typical show order and do DVD picks first (as Stake Land hits DVD shelves this week!), then our main reviews, with liberal sprinkling of Netflix instant watch suggestions throughout the show before finally ending on The Watch List. This allows for a lot of delightful tangents and director/screenwriter insights. Hope you enjoy this one, it’s a keeper.

    As always, thanks for listening and please join the conversation by leaving your own thoughts in the comment section below.


     
     

     

    To download the show directly, paste the following URL into your favorite downloader:
    http://rowthree.com/audio/cinecast_11/episode_223.mp3

     
     
    Full show notes are under the seats…
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  • Review: The Devil’s Double

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    (4/5)

    Dominic Cooper has been more than holding his own in supporting roles for several years now, giving second lead Danny in An Education more depth than you’d initially expect, almost stealing Tamara Drewe from its leads as petulant drummer Ben Sergeant, and filling the shoes of Robert Downey Jr’s grandfather as Howard Stark in Captain America. It’s about time for him to shine in a lead role, and that’s precisely what he does in The Devil’s Double, taking on not just one lead part, but two. The devil of the title is Uday Hussein, fast-living son of Saddam Hussein in the glory days of late 1980s Baghdad, while his double is Latif Yahia, an old school friend whose more than passing resemblance to Uday makes him the perfect person to bring on board as Uday’s double – you know, in case anyone should want to assassinate him or if there’s a public function he doesn’t feel like attending.

    Latif is pulled off the front lines of war with Iran for this, and he’s none too happy about becoming complicit in Uday’s antics, especially as Uday quickly proves himself an essentially amoral, psychotic individual who shifts from winningly charismatic to ripping someone’s guts out with a machete in the blink of an eye. But the Husseins are not accustomed to take no for an answer, and they make Latif an offer he can’t refuse. I don’t use those words lightly, because though it doesn’t aspire to anything like the sweeping grandiosity of The Godfather, in essence, The Devil’s Double is a gangster film, in the style of a family mob movie like The Godfather or Goodfellas – Latif may not want in, but once he’s in, there’s no getting out. At least not without great cost.

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  • Film on TV: August 1-7

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    Modern Times, playing on TCM on Tuesday

    The few new ones this week are certainly worth highlighting – Chaplin’s masterpiece Modern Times on Tuesday, Academy Award winner Midnight Cowboy on Wednesday, David Fincher’s meticulous Zodiac on Thursday, and epic Spartacus on Sunday, among others. TCM also has a bunch of great ones as part of their “Summer under the Stars” series, with a different star featured every day – Marlon Brando on Monday, Bette Davis on Wednesday, Lucille Ball on Saturday (featuring many of her pre-Lucy roles that are either dramatic or decidedly different styles of comedy), and Charles Laughton on Sunday – each with some of the greatest films ever as part of the lineup.

    Monday, August 1

    1:05pm – Sundance – Encounters at the End of the World
    Werner Herzog has made the savage beauty of nature one of his themes throughout most of his fiction films, so perhaps it’s only natural that he has moved onto explicitly non-fiction explorations of some of nature’s most remote locales, in this case, Antarctica.
    2007 USA. Director: Werner Herzog.

    5:15pm – TCM – Guys and Dolls
    Marlon Brando seems like an unusual casting choice for a musical, and indeed, he’s a bit uncomfortable for a good part of this. But the rest of the cast (especially second leads Frank Sinatra and Vivian Blaine) make up for it, bringing Damon Runyon’s colorful underground New York gambling scene come to life.
    1955 USA. Director: Joseph L. Mankiewicz. Starring: Marlon Brando, Jean Simmons, Frank Sinatra, Vivian Blaine.

    6:05pm – Sundance – The Royal Tenenbaums
    My favorite of all of Wes Anderson’s films (and indeed, one of my favorites of the whole decade), a web of fine characterizations surrounding Royal Tenenbaum, an eccentric old man whose imminent mortality forces a reunion with his family. But its morbidity is tempered by absurd humor and quirk.
    2001 USA. Director: Wes Anderson. Starring: Gene Hackman, Anjelica Huston, Gwyneth Paltrow, Luke Wilson, Owen Wilson, Ben Stiller, Bill Murray.
    Must See

    9:30pm – TCM – A Streetcar Named Desire
    A Streetcar Named Desire won Vivien Leigh her second Oscar as fading Southern belle Blanche DuBois, and made a star out of Marlon Brando – with good reason in both cases. The film is somewhat campy, but compellingly so, with Leigh’s classic Hollywood style battling Brando’s Method style, making their on-screen rivalry that much more powerful. Add in a stickily languid New Orleans setting that comes through despite the obvious heightened reality of Hollywood sets, and this is a much odder film than you might expect, but one that plays like gangbusters.
    1951 USA. Director: Elia Kazan. Starring: Marlon Brando, Vivien Leigh, Kim Stanley, Karl Malden.
    Must See

    10:00pm – MGM – Fiddler on the Roof
    A Tzarist-era Russian Jewish village doesn’t seem a particularly likely place to set a musical, but Fiddler on the Roof does a good job of it, exploring the clashing cultures as patriarch Tevye tries to marry his daughters off to good Jewish husbands with decreasing success.
    1971 USA. Director: Norman Jewison. Starring: Topol, Norma Crane, Leonard Frey, Rosalind Harris, Michele Marsh, Neva Small, Michael Glaser.

    10:45pm – IFC – Requiem for a Dream
    Darren Aronofsky’s breakthrough film (Pi remains a cult favorite) follows a quartet of people as their lives spiral out of control due to drug addiction.
    2000 USA. Director: Darren Aronofsky. Starring: Ellen Burstyn, Jared Leto, Jennifer Connelly, Marlon Wayans.
    (repeats at 3:45am on the 2nd)

    12:00M – TCM – On the Waterfront
    Marlon Brando’s performance as a former boxer pulled into a labor dispute among dock workers goes down as one of the greatest in cinematic history. I’m not even a huge fan of Brando, but this film wins me over.
    1954 USA. Director: Elia Kazan. Starring: Marlon Brando, Lee J. Cobb, Karl Malden, Eva Marie Saint.
    Must See

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