• Martin Scorsese: ’3D is Liberating. Every Shot is Rethinking Cinema’
  As much as I’m skeptical of 3D in general and of the use of 3D in virtually every 3D film I’ve seen, I have to admit I’m pretty curious to see what Scorsese makes of it. it sounds like he’s really interested in figuring out how to use it cinematically: “At the end of a tough day’s filming at Shepperton studios, Scorsese seems genuinely fired up about the possibilities of the 3D format. ‘Every shot is rethinking cinema,’ he enthuses, ‘rethinking narrative – how to tell a story with a picture. Now, I’m not saying we have to keep throwing javelins at the camera, I’m not saying we use it as a gimmick, but it’s liberating. It’s literally a Rubik’s Cube every time you go out to design a shot, and work out a camera move, or a crane move. But it has a beauty to it also. People look like… like moving statues. They move like sculpture, as if sculpture is moving in a way. Like dancers…’”
• Design Trends of Movie Posters 2010
  Today we will talk about some common features that are typical for movie posters created in 2010. It was a real challenge to mark out some features that would be typical for more than 2-3 movies, so you might have your own opinion and we would be more than glad to hear it!
• Trent Reznor Talks Scoring David Fincher’s ‘The Girl With The Dragon Tattoo’
  After scoring Fincher’s “The Social Network,” the collaboration between the director and NIN frontman, Trent Reznor, continues for Fincher’s remake of Dragon Tattoo.
• Joel and Ethan Coen pick Favorite Westerns
  Top Five list of The Coens’ favorite western films of all time.
• American Grievers, Part Two: THE FOUNTAIN
  What makes The Fountain such a classic “American Griever” saga is that Jackman’s blindness to Weisz herself, seeing only her dying; she’s seen the light and Jackman only sees the shade.
• The Mystique of Robert De Niro
  Robert DeNiro will receive the Cecil B. DeMille lifetime achievement award at this year’s Golden Globe ceremony. His work started off as journeyman and became that of a legend. But what happened in the past ten years?
• True Grit (Outlaw Vern)
  A comparative look at the new Coen Brothers adaptation of True Grit and the original along with Portis’ novel.
• Is Black Swan, Darren Aronofsky’s tawdry thriller, a work of camp?
  In case you haven’t heard, it’s a comedy. Or, at any rate, a movie that frequently invites laughter. Its pitch is theatrical, its style exaggerated, its general tenor absurd—in other words, as more than a few reviewers have noted, it could be said to exhibit the hallmarks of camp.
• What if Stanley Kubrick directed Iron Man?
  A neat little set of posters designed to look like Kubrick’s classic films but with an Iran Man twist.

You can now take a look at RowThree’s bookmarks at any time of your choosing simply by clicking the “delicious” button in the upper right of the page. It looks remarkably similar to this: