Archive for December, 2010

  • David Lynch Makes Music

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    We mostly know and love David Lynch for the incredibly individual films he directs, but he has also composed and performed a lot of music, much of it appearing on the soundtracks of his films, but he has also worked on other music projects, including the album Dark Night of the Soul with Danger Mouse and Sparklehorse and a bunch of guest stars. The music underlying Lynch’s AFI Introduction is from that album, I believe. Now he has released a couple of new singles on iTunes, one a rather bright (for Lynch) electrop pop number called “Good Day Today,” and a much darker, grittier piece called “I Know.” The latter is somewhere between blues, alt-country, and electronic, and it is pretty great – definitely something you can easily associate with Twin Peaks or INLAND EMPIRE.

    Check out both tracks streamed via Soundcloud under the seats.

    » Read the rest of the entry..

  • Trailer: And Everything is Going Fine

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    Steven Soderbergh already has a taped monologue featuring Spalding Gray, 1996′s Gray’s Anatomy. But here, he and his editor, Susan Littenberg, have taken as much electronic media of Gray talking about himself as they could find, and this includes some interviews, TV footage, and other rare taped shows, and composed the ultimate ‘summary’ portrait of the man. In the spirit of the documentaries such as For All Mankind and Ascension (albeit this film is inner space, not outer space!) there is nothing added to this, no voice over, no framing elements, the available footage is there to be a new monologue of sorts, composed of parts separated by time and space.

    And Everything is Going Fine is probably the best gateway into the wonderful and fascinating world of such a compelling speaker and performer, and IFC is putting it out on Video On Demand. A few of us caught AND EVERYTHING IS GOING FINE at this years edition of Hot Docs (Rot’s Review) and you simply cannot go wrong by putting Spalding Gray in front of a camera, even if it is essentially an extremely well edited ‘clip show,’ aiming to sum up a life.

    The Trailer is tucked under the seats.
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  • Friday One-Sheet: Down the Rabbit Hole

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    I love it when a movie poster can tell the story, narratively, emotionally, all in a single image. Or in this case, a series of thin slats as Nicole Kidman and Aaron Eckhart’s relationship collapses. This is one of the better one-sheets this year.

  • After the Credits Episode 93 – Whistler Film Festival 2010 Dispatch #1

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    WFF10 Banner

    Colleen (Mary Ostler Wood Butchery & Other Stuff) and I talk report in from our first day at the Whistler Film Festival.

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    We can also be contacted via email – marina@rowthree.com!

    Show Notes:

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  • After the Credits Episode 92 – December Preview

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    Colleen (Mary Ostler Wood Butchery & Other Stuff) and I talk about the movie opening in December.

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    We can also be contacted via email – marina@rowthree.com!

    Show Notes:

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  • DVD Review: The Twilight Saga: Eclipse

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    Eclipse Movie Poster

    Director: David Slade (Hard Candy, 30 Days of Night)
    Screenplay: Melissa Rosenberg, Stephenie Meyer (novel)
    Producers: Wyck Godfrey, Greg Mooradian, Karen Rosenfelt
    Starring: Kristen Stewart, Robert Pattinson, Taylor Lautner, Ashley Greene, Peter Facinelli, Elizabeth Reaser, Kellan Lutz, Nikki Reed, Jackson Rathbone, Bryce Dallas Howard, Billy Burke, Charlie Bewley, Xavier Samuel, Daniel Cudmore, Christopher Heyerdahl, Dakota Fanning, Cameron Bright, Noot Seer, Michael Sheen, Graham Greene, Tinsel Korey
    MPAA Rating: PG13
    Running time: 124 min.

    (3.5/5)

    Let’s speak frankly, shall we? The Twilight franchise is not now, nor will it ever be, the all encompassing beast that is Harry Potter. Regardless of how much money the studio throws into the marketing machine, it’s wasted time, effort and dollars because as proven by the previous two films and now with the third instalment The Twilight Saga: Eclipse, they’re never going to win everyone over. The reasons why are too many to argue (and mediocre films are only one of them) and quite frankly, they don’t matter. Author Stephenie Meyer’s stories were never going to appeal to everyone, the key demographic has always been the hopeless romantic (and even some of those take issue with the story) and the films based on those stories clearly haven’t won over a large chunk of the population so why bother trying? The fan base is large enough, and ever growing, that the nay sayers are drowned out, even if they yell as loud or louder than the supporters.

    Eclipse Movie StillAs clear from my thoughts on the previous two films, I am a fan and as one, I came to love these characters long before there ever was a Twilight (review) film and the movies have been a sort of icing on the cake. Some bits of the icing have been sweeter than others but Eclipse is, for this fan at least, the sweetest. By this point in the story, Bella is back with Edward and happier than she’s ever been but Victoria, the rogue vampire who has been responsible for much, though not all, of Bella’s heartache, has a new plan of attack. She’s building an army and brining them to Forks in an effort to wipe out Bella in retribution for the loss of her own mate but to do so, she first needs to dispatch the pesky Cullens who have adopted Bella as one of their own.

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  • Review: Sell Out

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    Eric Tan has just been fired from his job for building a 10-in-One Soy Product machine that will not break down, even after the warranty expires, thereby pissing off his clueless corporate masters who are baffled that anyone in their large conglomerate is making an original product (to the point where they have cribbed the company Mission Statement of being about quality and originality, from another, presumably ‘lesser’ company). He tries to buy poison for a suicide attempt, but the cashier will not accept the torn bit of currency (which she, only moments ago, gave him from a previous transaction at the same store.) And will not take a credit card because the purchase is less than the store-policy minimum. So goes punchline after punchline in this densely written Monty Python-esque musical from Malaysia. Sell Out! (or $311.0u7 if you prefer the cash register title card design that does not show up until the exact halfyway point in the movie.) And yes, the movie asks if that is 50% over, or 50% left, in a fashion. I will stop now, as it is better to just let the film pummel you with all that it has to offer. Suffice it to say, this is a cult classic in the making, an impressive feat for a first time filmmaker. It is not even clear whether or not the film is a bit of a shaggy mess on purpose to make it even more lovable. Or this is the weird headspace the film puts you in when you catch your breath. It is even funnier if you close your eyes when Peter Davis (who plays Eric) is speaking because he is a dead ringer for director Edgar Wright. Why am I even mentioning that? No reason.

    Eric’s story is one of three competing, overlapping, opposite narratives umbrellaed by the FONY corporation, which in itself is a character (after all, Corporations are people too). The other two stories involve the ambitious and morally bankrupt host of a PBS style show on artists who really wants to be doing reality television, and the forgetful CEO and his smoking yes-man as they follow the really FONY mission statement, “Make Money.” The film itself drops the satirical hammer on Asian directors making films mainly for the film festival and foreign markets, even as it is itself filmed in English, and includes English subtitles for the entire duration of the film. You know, just in case. Yeo Joon Han makes a cameo of himself as a highly pretentious filmmaker, doing his interview nude. Thus we fall down the meta-rabbit-hole, yet are caught gently before we hit bottom by all the narrative strings coming together neatly and possibly even elegantly in the end. It’s a marvel. Derek Elley argued during his Variety review that the film has no sense of comic timing, and that there are huge chunks of non sequitur ‘bits’ (shapeless direction) that could have excised about 20 minutes to make the film leaner and slicker. But he is completely missing the bigger picture. Sell Out! is as much an SCTV styled arc of comedy sketches that ensnare all of the main characters in the absurdity that modern Malaysia (and the world in general) have to offer the average working stiff. Bureaucracy, poverty, fickle power-mad bosses, exorcising (not exercising) your inner dreamer, Karaoke morality lessons without anyone singing (that would be you, fictional audience!), and lots of death. It’s all a big joke. Sell out with the rest of us. It is frightening and true and silly and well worth your time. Life it too short.

    Sell Out! is playing in Toronto at The Royal From December 3-9th.

  • Nat’l Board of Reviews Gives Top Honors to Facebook

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    Now that its December, besides all of the top ten lists starting to crop up, it’s also award season. Yeah, I can’t believe it either. And while we’re not going to post every single critics/associations/boards/committee awards list, NBR is usually the first semi-big one that people actually take seriously. It’s a good pre-cursor to Oscar night and a smart bunch of whips over there.

    Results were unleashed today and my educated guess is that this is how much of the rest of the year is going to play out: with Fincher and Co. taking home a shitload of various statues for The Social Network. With the NBR alone it took best film, director, actor and screenplay. This is going to be The Hurt Locker of 2010 I foresee.

    The complete list of awards plays out as follows:

    Best Film: The Social Network
    Best Director: David Fincher, The Social Network
    Best Actor: Jesse Eisenberg, The Social Network
    Best Actress: Lesley Manville, Another Year
    Best Supporting Actor: Christian Bale, The Fighter
    Best Supporting Actress: Jacki Weaver, Animal Kingdom
    Best Foreign Film: Of Gods and Men
    Best Documentary: Waiting For “Superman”
    Best Animated Feature: Toy Story 3
    Best Ensemble Cast: The Town
    Breakthrough Performance: Jennifer Lawrence, Winter’s Bone
    Spotlight Award for Best Directorial Debut: Sebastian Junger and Tim Hetherington, Restrepo
    Best Original Screenplay: Chris Sparling, Buried
    Best Adapted Screenplay: Aaron Sorkin, The Social Network
    Special Filmmaking Achievement Award: Sofia Coppola, for writing, directing, and producing Somewhere
    William K. Everson Film History Award: Leonard Maltin
    NBR Freedom of Expression: Fair Game, Conviction, Howl

    Top Eleven Films (In alphabetical order):
    Another Year
    The Fighter
    Hereafter
    Inception
    The King’s Speech
    Shutter Island
    The Social Network
    The Town
    Toy Story 3
    True Grit
    Winter’s Bone

    Top Ten Independent Films (In alphabetical order):
    Animal Kingdom
    Buried
    Fish Tank
    The Ghost Writer
    Greenberg
    Let Me In
    Monsters
    Please Give
    Somewhere
    Youth in Revolt

    Top Six Foreign Films (In alphabetical order):
    I Am Love
    Incendies
    Life, Above All
    Of Gods And Men
    Soul Kitchen
    White Material

    Top Six Documentary Films (In alphabetical order):
    A Film Unfinished
    Inside Job
    Joan Rivers: A Piece of Work
    Restrepo
    The Tillman Story
    Waiting For “Superman”

     

  • Cinecast Episode 192 – Rub the Fuzzy Wall

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    It is a two man operation today, a very casual (and lengthy) conversation of a wide variety of movies. First up is a mixed, but leaning towards positive, review of Edward Zwick’s Love and Other Drugs, which features good chemistry between Jake Gyllenhaal and Anne Hathaway, but a very mixed bag of tonal shifts. Then we talk a little TV with The Walking Dead. We revisit a number of (relatively) recent films from what is predictable about Predators to what is excellent about Duplicity to what is slightly baffling about Walker, Don’t Look Back and Get Him to The Greek. The video-game as a childrens film in French CGI oddity The Dragon Hunters, and how this similar themed movie differs from Dreamworks’ How To Train Your Dragon is discussed for a while. Then it is back into documentary land for an extensive revisit of King of Kong, as well as credit card debt and the state of the nation (circa 2005-06) documentary, Maxed Out. Andrew makes a case for The Illusionist, and talks about the use of music in Black Snake Moan. We close on all things Kubrick and Steadicam with The Shining and Birth. And some DVD love for Disney and Vikings and Mixed Martial Arts Melodrama. Pull a seat up to the digital fireplace, grab and Brandy and a cigar and lets talk some turkey.

    As always, feel free to join the conversation by leaving your own thoughts in the comment section below and as always, thanks for listening!

     


     

     

     

    To download the show directly, paste the following URL into your favorite downloader:
    http://rowthree.com/audio/cinecast_10/episode_192.mp3

    ALTERNATIVE (no music track):
    http://rowthree.com/audio/cinecast_10/episode_192-alt.mp3

     
     
    Full show notes are under the seats…
    » Read the rest of the entry..

  • DVD Review: Music and Video Performances from The Twilight Saga Soundtracks Volume 1

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    Music Videos and Performances from The Twilight Saga Eclipse Soundtracks Volume 1

    Producers: Steve Devick, Paul Katz
    MPAA Rating: PG
    Running time: 100 min.

    (2.5/5)

    I promise you we’re working up to the main course but today is second appetizer day and on the menu, a look at the music of Twilight. Now don’t get super excited, I wish I could tell you that this is the greatest thing you’ll ever add to your growing number of Twigoodies but sadly, that’s not really the case.

    Music and Video Performances from The Twilight Saga Soundtracks Volume 1 is exactly what it sounds like: a compilation of music videos from some of the performers on the various soundtracks to date. It’s not a bad compilation. On the contrary it’s a sort of “best of the best” of the soundtracks, itself a pretty impressive thing considering the great collection of artists featured on the soundtracks. What’s disappointing is that this feels like a missed opportunity.

    Maybe I was wishing for too much but I hoped to get some insider info into the songs, why they were chosen, perhaps commentary from the artists on their experience with the franchise or heck, even commentary from the music supervisors on the films but nope, all we get is a playlist of music videos that could have been created on YouTube. At the very least, more of the songs should have been live performances – I vaguely remember mall tours with Paramore when Twilight was released. That would have been more interesting than a run-of-the-mill video. I will give them props for including a few live performances and those for some of my favourite bands; likely the result of lack of music videos – I don’t watch MTV but I’m pretty sure they’re not playing Bon Iver, Iron & Wine or Editors.

    As under whelmed as I was by the DVD, I wasn’t disappointed in the music and I certainly enjoyed seeing some of the music videos, a few of which I’d never seen before. For the most part, this is the kind of thing you put on at a party to keep the TV busy for a few hours or good background music for your night of Twilight boardgames. I feel a slumber party coming on.

    Maybe we’ll get a little extra for Volume 2.

    Music and Video Performances from The Twilight Saga Soundtracks Volume 1 available on DVD from EOne in Canada and Summit Entertainment in the US on December 4th.

    DVD Extras: Debussy’s “Claire de Lune: and Verdi’s “La Traviata.”

    I’m actually a little bummed that they didn’t include the performer of either of these pieces. “Claire de Lune” is performed on the harp, a version I’ve never heard before, and it’s gorgeous.

  • Mamo#185: Untangled

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    Breakfast at our new Mamo HQ, the inimitable Caplansky’s Deli, just a 2 minute walk from the new digs of one half of us. What was on the table? Besides gargantuan amounts of smoked meatery, we have laurels for Disney, darts for the Academy, and a split decision on 127 Hours. Grab a cup of coffee and a heart rate monitor, and join us, won’t you?


    To download this podcast use the following URL:
    http://rowthree.com/audio/mamo/mamo185.mp3

  • DVD Review: Destination Forks

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    Destination Forks

    Director: Jason Brown
    Producer: York Baur, Jason Brown
    MPAA Rating: G
    Running time: 83 min.

    (3.5/5)

    The release of a Twilight DVD, especially this close to the holidays, is a perfect opportunity to give fans more of what they love. With New Moon, we saw the release of Twilight in Forks: Saga of the Real Town, which I never got around to seeing. With Eclipse (review), we see yet another offering: Destination Forks.

    Divided into a number of sections, Jason Brown’s documentary starts with a mini-tour of Forks, Washington, the little town which saw itself shot into the limelight when Stephenie Meyer’s best selling series (and films), set in Forks, entered the world of fandom. The town, once a hub for timber and still a popular destination for sports fishing, was in decline until fans started pouring in, wanting to get a glimpse of the locations that filled Meyer’s pages.

    Brown’s film starts at the epicentre with a tour of the town’s now infamous locales and interviews with the people that own them. We get a glimpse of the Swan residence, the Cullen house and the ever popular shopping destination Dazzled by Twilight. We meet the proprietors and get their take on the people that visit the area, teen girls and their parents, grandmothers and their granddaughters and families who flock to Washington in the summer months all looking to live a little piece of their fantasy.

    Along the way, Brown introduces us to the fans and quickly moves along the storyline to cover the fandom itself. Talking to fans, he delves into the world of the people that love the series, trying to get at the core of what makes Twilight so attractive and the answers are as varied as the fans.

    Though this idea of bringing Forks to the masses isn’t new, Brown’s film sets itself apart by featuring some gorgeous cinematography of the area. The talk of Forks and the phenomenon that is Twilight stops at the hour mark and the final 20 minutes of the film is simply gorgeous cinematography of the area around Forks set to music. It feels like the kind of thing you’d see as time filler between shows on National Geographic but it’s a soothing homage to the region and more of a selling point for a visit than anything that precedes it.

    Not exactly a must have but I really enjoyed Destination Forks and it’s definitely a great addition to any Twilight fan’s collection. The final chapter on this DVD is likely to become a regular in my DVD player for those moments when you just want to relax.

    Destination Forks is available on DVD from EOne in Canada and Summit Entertainment in the US on December 4th.

    DVD Extras: None.

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