• Movie Music: 20 Great Pieces

    For me, one of most important and enjoyable parts of a film is oftentimes the score. A great score can make an otherwise mediocre film good, just as a bland score can bring the quality of a great film down. My first rule when creating this list: the musical piece should not quite have iconic status – at least not in the sense that it would be recognized by the average, everyday person who doesn’t have a passion for cinema. This definition, of course, is vague and highly debatable, so I simply used my best judgment. When I say “iconic,” I’m thinking your Raiders March, your Good Bad Ugly, your Lawrence of Arabia iconic. These are twenty pieces that really stuck with me and helped pull me into the world that the filmmaker was creating.

    Take a look, listen through, and feel free to add your own thoughts in the comments!

    1. The Third Man Theme

    Composer: Anton Karas
    Film: The Third Man (1949)

    2. Martha’s Dream

    Composers: Nick Cave and Warren Ellis
    Film: The Proposition (2005)

    3. Promentory

    Composers: Trevor Jones and Randy Edelman
    Film: The Last of the Mohicans (1992)

    4. Man With a Harmonica

    Composer: Ennio Morricone
    Film: Once Upon a Time in the West (1968)

    5. The Hero’s Hallway

    Composer: Brian Tyler
    Film: Bubba Ho-Tep (2002)

    6. You’re So Cool

    Composer: Hans Zimmer
    Film: True Romance (1993)

    7. Apertura

    Composer: Gustavo Santaolalla
    Film: The Motorcycle Diaries (2004)

    8. For a Few Dollars More

    Composer: Ennio Morricone
    Film: For a Few Dollars More (1965)

    9. What Must Be Done

    Composers: Nick Cave & Warren Ellis
    Film: The Assassination of Jesse James by the Coward Robert Ford (2007)

    10. Kanada’s Death, Pt. 2 (Adagio In D Minor)

    Composer: John Murphy
    Film: Sunshine (2007)

    11. In the House – In a Heartbeat

    Composer: John Murphy
    Film: 28 Days Later… 2002

    12. Road to Perdition

    Composer: Thomas Newman
    Film: Road to Perdition (2002)

    13. One More Kiss Dear

    Composer: Vangelis
    Film: Blade Runner (1982)

    14. Tree of Life

    Composer: Clint Mansell
    Film: The Fountain (2006)

    15. Cops or Criminals

    Composer: Howard Shore
    Film: The Departed (2006)

    16. Intermezzo

    Composer: Pietro Mascagni
    Film: Raging Bull (1980)

    17. John Merrick And Psalm

    Composer: John Morris
    Film: The Elephant Man (1980)

    18. Emily’s Theme

    Composer: Nathan Johnson
    Film: Brick (2005)

    19. Truman Sleeps

    Composers: Philip Glass
    Film: The Truman Show (1998)

    20. To Be Forgiven

    Composer: James Newton Howard
    Film: The Lookout (2007)

20 Comments


  1. Neil says:

    Well its official, I’m watching true romance again

  2. Ingólfur Halldórsson says:

    “You’re So Cool” is just about the best song in any movie, ever. God I love this song.

  3. Roy says:

    BURDICK WHERE THE F IS ONCE UPON A TIME IN AMERICA???

  4. Steve Bland says:

    Some great tunes from some great movies. I loved Nick Cave’s work on The Proposition.

  5. Marina Antunes says:

    Some of my favourite composers made the list as did some of my fave pieces. I love Trevor Jones’ THE LAST OF THE MOHICANS. That score is all sorts of wonderfulness.

    Here are some others:

    Michael Giacchino’s “End Credits” from LET ME IN – http://www.youtube.com/watch?v=kaErC5UvKMo&feature=related

    Phillip Glass’ The Illusionist theme – http://www.youtube.com/watch?v=fNi20KKB2FE

    Julie Delpy’s “Dominic” from THE COUNTESS score – http://www.amazon.com/The-Countess/dp/B002DS8E7S (a taste)

    Elliot Gondenthal’s “Libera me” from INTERVIEW WITH A VAMPIRE – http://www.youtube.com/watch?v=Q1q03OUMTZk

    OK. I’m done for now.

  6. David Brook says:

    I’ll forgive your criminal exclusion of Bernard Herrmann simply because of the inclusion of Man With a Harmonica and the volume of Nick Cave in there.

    Two awesome posts by the way (this and the ‘cool list’). I need to pull my finger out and finally do the martial arts extravaganza I keep promising I’ll do.

  7. Jandy Stone says:

    I’m pretty sure I fell in love with True Romance the exact second that theme started playing.

    Also, is that “In the House” bit from 28 Days Later or 28 Weeks Later? Feels like I just heard it, and since I just watched Weeks a few days ago…

  8. Jonathan says:

    Jandy, it’s in both.

  9. Jandy Stone says:

    Ah, that would explain it, then. Thanks for the clarification!

  10. Kurt Halfyard says:

    Isn’t the Zimmer True Romance score just a whitewash of the Badlands score?

  11. Jay C. says:

    It’s actually not score. It’s a piece called “Gassenhauer” by classical composer Carl Orff.

  12. Kurt Halfyard says:

    Dare to compare. The musical piece is certainly used in Badlands like score though!

  13. Jandy Stone says:

    Well, True Romance lifted a bunch of stuff from Badlands. Like the dreamy, poetic voiceover.

  14. Jay C. says:

    Yes, the piece is in Badlands but it isn’t score. It’s like saying Wagner’s Das Rheingold: Vorspiel is score in The New World. It’s sort of semantics but I think it’s a distinction worth noting. The piece did not originate in Badlands although it’s re-shaping in True Romance is a direct reference to Badlands of course.

    While we’re at it, ‘Truman Sleeps’ is composed by Philip Glass. The Truman Show soundtrack was split down the middle between works by Glass and works by Burkhard Dallwitz.

  15. Kurt Halfyard says:

    Yea, on further consideration, much of True Romance is appropriating from that sub-genre, and Badlands is one of the best examples of it, so why not. I’ve no issue there…I just confuse the music in those two films constantly!

  16. Tom Clift says:

    Amazing list! Listening to these choices while my city is battered with a biblical level storm has been awesome.

    I’m an especially big fan of Clint Mansells work on The Fountain. Assuming his very iconic Requiem for a Dream score is out of consideration for a list like this, there are some really excellent pieces from his work on the Moon soundtrack from last year.

  17. Marina says:

    Mansell fangirl here. Love THE FOUNTAIN score. It’s all I listened to for weeks after seeing the film.

  18. Brett says:

    Some great choices, and you’ve made me want to check out a few new soundtracks that had either passed by me I’ve never even heard of. The Proposition in particular, Martha’s Dream is amazing. You’ve also opened my eyes to Nick Cave, never knew he did soundtracks.

    I disagree with a few choices, unfortunately. I think the Sunshine (Adagio In D Minor) is a lot nicer. Contains more tension and to me is a lot more memorable. I’d say that Tree of Life isn’t one of Mansell’s best, but there again, Moon is my favourite soundtrack of his, and I don’t like Lux Aeterna that much either. Sacrifice from Moon is probably my favourite of his. I’d also say that Ecstasy of Gold is my favourite Ennio Morricone track, although the ones you’ve picked are still great.

    I can’t agree more with In the House – In a Heartbeat though, stunning song. Most of the others are new to me, so thanks for introducing me to some great music :D

    Just quickly, sad to see that Trent Reznor and Atticus Ross didn’t make it on here the The Social Network soundtrack.

  19. Jonathan B. says:

    Thank for the clarification, Jay. I always mostly understood the difference (part of the reason why I chose referring to these as “pieces” rather than anything else), but could never explain it as eloquently as you did.

    As for Mansell’s work on “Moon” – boy, I can’t believe I left that off. I even own it. I absolutely adore his work on that.

  20. Bob Turnbull says:

    Holy cow was I impressed by the score in Social Network. It truly raises the entire film a few notches up.

    And The Fountain gives me goosebumps – but when you mix Mansell with Mogwai and Kronos Quartet, how the hell could you possibly go wrong?

    The music from “Lady Vengeance” is another fave (I know Kurt will back me up here), though I’m not sure it would count as a “score”. Still, it’s one of the reasons why I rank that movie higher than its two brothers.

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