Of special note this week is the tribute to Tony Curtis that TCM is running on Sunday; besides everything else that TCM does well, I’m always impressed by how quickly they clear off room on their schedule to memorialize classic Hollywood stars and directors upon their deaths. They’re running Operation Petticoat, Sweet Smell of Success, and The Defiant Ones, among other Curtis films. Also newly featured this week are a pair of early Tarantino-related films on IFC on Wednesday: his directorial debut Reservoir Dogs and From Dusk Till Dawn, which he penned. Also on Wednesday, TCM has a pair of films from Max Ophüls, including the delectable The Earrings of Madame de… And there are an extraordinary number of great films this week that we’ve featured before – I rarely bring attention to those up here, but do always keep a look out in case you’ve missed something earlier that you wanted to catch.

Monday, October 4

7:45am – TCM – Scaramouche
Stewart Granger was sort of a poor man’s Errol Flynn in his 1950s swashbucklers – never quite had Flynn’s panache, but hey, he tried. Scaramouche (from the novel by Rafael Sabatini, who also wrote Captain Blood and The Sea Hawk, which became Flynn vehicles) is one of his better films, and does boast the longest sword fight in cinema history. So there’s that.
1952 USA. Director: George Sidney. Starring: Stewart Granger, Janet Leigh, Eleanor Parker, Mel Ferrer.

9:45am – TCM – Kiss Me Kate
It’s hard to improve Shakespeare, but it usually works best to place his stories and words in a new context. Kiss Me Kate does just that by coupling a musical version of Taming of the Shrew with a backstage story that mirrors Shrew’s fighting protagonists. Great supporting work from Ann Miller, James Whitmore, Keenan Wynn, etc. helps out leads Howard Keel and Kathryn Grayson considerably, as do Cole Porter’s songs.
1953 USA. Director: George Sidney. Starring: Howard Keel, Kathryn Grayson, Ann Miller, James Whitmore, Keenan Wynn.

10:00am – IFC – Paranoid Park
I go back and forth on whether I think Gus Van Sant is brilliant or a pretentious bore – maybe some of both. But I really quite liked the slow, oblique approach in this film about a wanna-be skateboarder kid who relishes hanging out with the bigger skateboarders at the titular skate park – but there’s a death not far from there, and it takes the rest of the movie to slowly reveal what exactly happened that one night near Paranoid Park. Gets by on mood and cinematography.
2007 USA Director: Gus Van Sant. Starring: Gabe Nevins, Daniel Lu, Jake Miller, Taylor Momsen, Lauren McKinney.
(repeats at 3:15pm)

11:00am – Sundance – Encounters at the End of the World
Werner Herzog has made the savage beauty of nature one of his themes throughout most of his fiction films, so perhaps it’s only natural that he has moved onto explicitly non-fiction explorations of some of nature’s most remote locales, in this case, Antarctica.2007 USA. Director: Werner Herzog.
(repeats at 4:40pm)

6:20pm – IFC – The Uusal Suspects
One of the earliest in the late 90s wave of “twist” films, and still one of the few that did it best. Spoiler warnings may not have been invented for The Usual Suspects, but it was certainly one of the films that popularized anti-spoiler sentiment (and the converse glee for spoiling, I suppose). Thanks to Christopher McQuarrie’s tight script and great acting turns, though, the film is about more than the twist, which is what makes it continue to be worthwhile over a decade and multiple viewings later.
1995 USA. Director: Bryan Singer. Starring: Stephen Baldwin, Gabriel Bryne, Benicio Del Toro, Kevin Pollack, Kevin Spacey, Chazz Palminteri, Pete Postlethwaite.
(repeats at 9:05am and 2:05pm on the 5th)

11:30pm – TCM – Touch of Evil
Likely the last great noir film, with Orson Welles directing and starring as the corpulent corrupt sheriff of a corrupt border town, and Charlton Heston as a cop trying to solve a case with little, no, or negative help from Welles. Throw in Marlene Dietrich in one of her last roles and a virtuoso opening tracking shot, and you’ve got one of the most memorable noirs ever.
1958 USA. Director: Orson Welles. Starring: Orson Welles, Charlton Heston, Janet Leigh, Marlene Dietrich, Joseph Calleia, Akim Tamiroff.
Must See

1:30am (5th) – TCM – I Am a Fugitive from a Chain Gang
Paul Muni plays an initially optimistic and energetic young man who struggles to find a job during the Depression. Eventually he ends up unwillingly involved in a robbery and sentenced to the chain gang. One of Warner Bros’ best “ripped from the headlines” socially conscious films – they did a lot of them in the 1930s.
1931 USA. Director: Mervyn LeRoy. Starring: Paul Muni, Glenda Farrell, Helen Vinson.

3:15am (5th) – TCM – Cool Hand Luke
One of Paul Newman’s most memorable films, with Newman playing a renegade prisoner on a Southern chain gang who refuses to do what he’s told, escaping time and time again only to be recaptured as the guards attempt to break him.
1967 USA. Director: Stuart Rosenberg. Starring: Paul Newman, George Kennedy, J.D. Cannon, Lou Antonio.

Tuesday, October 5

8:00pm – TCM – Dr. Jekyll and Mr. Hyde
Fredric March won his first Oscar for his role as the meek doctor and his violent alter ego, but honestly, the make-up department deserves most of those accolades. Well-done, posh version of the story.
1931 USA. Director: Rouben Mamoulian. Starring: Fredric March, Miriam Hopkins.

11:45pm – Sundance – INLAND EMPIRE
David Lynch’s latest magnum opus, which pretty much can’t be understood by any use of normal narrative logic. However, it works thematically and emotionally as well as any movie I’ve seen ever. Stories weave in and out of each other, characters merge and separate, the plot you thought you had a hold of becomes elusive and it’s essentially impossible to tell what’s real. But if you let yourself go to it, you’re in for a special treat. You know those 3D images that you can only see by throwing your eyes out of focus? Do that with your mind in order to “see” INLAND EMPIRE.
2006 USA. Director: David Lynch. Starring: Laura Dern, Justin Theroux, Jeremy Irons, Jan Hencz, Karolina Gruszka, Grace Zabriski
Must See

2:45am (6th) – Sundance – 4 Months, 3 Weeks, and 2 Days
This unflinching Romanian film remains one of the most powerful things I’ve seen in the last several years. Set in the mid-1980s, it builds a thriller-like story of a woman trying to help her friend obtain a dangerous illegal abortion – yet it’s a thriller so deliberate that its very slowness and lack of movement becomes a major source of tension. When the camera does move, it has an almost physical force. I can hardly describe how blown away I am by this film…tough to watch, but incredibly worth it.
2007 Romania. Director: Cristian Mungiu. Starring: Anamaria Marinca, Laura Vasiliu, Vlad Ivanov, Alexandru Potocean.
Must See

Wednesday, October 6

6:15pm – TCM – Twentieth Century
In one of the films that defines “screwball comedy” (along with The Awful Truth and Bringing Up Baby), John Barrymore plays a histrionic theatre producer trying to convince his star Carole Lombard to come back to him – both professionally and personally. Lombard is luminous as usual, and Barrymore can chew scenery with the best of them, which is precisely what his role calls for.
1934 USA. Director: Howard Hawks. Starring: John Barrymore, Carole Lombard, Walter Connolly, Roscoe Karns.

8:00pm – TCM – Citizen Kane
Widely considered the greatest American film ever made, I’d be very surprised if anyone reading this hasn’t seen it. The quest for what makes publisher/politician Charles Foster Kane tick takes a journalist through a fractured narrative that never seems to give any definitive answers. Personally, I respect and recommend Kane for its innovations in narrative, cinematography, and cinema language, but I find it a difficult film to love (yet even that is fitting, as the difficulty of loving or being loved by Kane himself is a central theme).
1941 USA. Director: Orson Welles. Starring: Orson Welles, Joseph Cotten, Agnes Moorehead.
Must See

8:15pm – IFC – Reservoir Dogs
Quentin Tarantino’s first directorial feature sets the tone for his career – ultraviolet, talky, self-aware, and flamboyantly confident. It’s far from my personal favorite Tarantino film, but I’m in the minority on that; most Tarantino fans rank it quite favorably against his later films.
1992 USA. Director: Quentin Tarantino. Starring: Harvey Keitel, Tim Roth, Michael Madsen, Chris Penn, Steve Buscemi.
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10:15pm – TCM – The Seventh Seal
One of Ingmar Bergman’s most well-known films, a meditation on death, life, and the existence of God played out through a chess game (and conversation) between a disillusioned medieval knight and Death itself as the Black Plague ravages Europe around them.
1957 Sweden. Director: Ingmar Bergman. Starring: Max von Sydow, Bengt Ekerot, Gunnar Björnstrand, Nils Poppe.
Must See

12:00M – TCM – The Third Man
Novelist Holly Martins (Joseph Cotten) searches for his elusive, possibly murdered friend Harry Lime (Orson Welles) in post-war Vienna. A little bit of American film noir, a little bit of European ambiguity, all mixed together perfectly by screenwriter Grahame Green and director Carol Reed.
1949 UK/US. Director: Carol Reed. Starring: Joseph Cotten, Alida Valli, Orson Welles.
Must See

12:00M – IFC – From Dusk Till Dawn
An early collaboration between Quentin Tarantino and Robert Rodriguez (Rodriguez directing, Tarantino writing and acting) mixes crime action with vampire horror.
1996 USA. Director: Robert Rodriguez. Starring: Harvey Keitel, George Clooney, Quentin Tarantino, Juliette Lewis.
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2:00am (7th) – TCM – The Earrings of Madame De…
Director Max Ophüs is known for his sophisticated, almost decadent subjects and use of virtuosic long tracking shots, and both perhaps find their fullest expression in this film, with the story following the titular earrings as they make their way back and forth and around a group of nineteenth-century nobles – gifted, pawned, rebought, repawned, regifted, etc, all the while illuminating the interconnections and doomed love affairs going on.
1953 France. Director: Max Ophüs. Starring: Danielle Darrieux, Charles Boyer, Vittorio De Sica, Jean Debucourt.
Must See
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4:00am (7th) – TCM – Lola Montes
Max Ophuls’ only widescreen, color feature about the rise and fall of the title character in the courts of Europe is sumptuous and a great example of the circular plotting he tends toward as well as the elaborate tracking shots he’s known for. Quite lovely visually, and recently restored, so hopefully this is that version.
1955 France. Director: Max Ophuls. Starring: Martine Carol, Peter Ustinov, Anton Walbrook.

Thursday, October 7

7:30am – Sundance – Curse of the Golden Flower
One of the weaker entries in Zhang Yimou’s series of historical martial-arts-on-wires films, but it still has its moments – and the production design, as usual, is flawlessly beautiful. Definitely worth a watch if you’re a fan of the style.
2006 China. Director: Zhang Yimou. Starring: Chow Yun-Fat, Gong Li, Jay Chou, Ye Liu.
(repeats at 1:00pm)

5:15pm – TCM – In the Good Old Summertime
A musical remake of Ernst Lubtisch’s The Shop Around the Corner, and understandably not as good, but the story is still solid and it’s a decent enough time waster. Look for a three-year-old Liza Minnelli playing Judy Garland’s daughter (appropriately enough) at the end.
1949 USA. Director: Robert Z. Leonard. Starring: Judy Garland, Van Johnson, S.Z. Sakall, Spring Byington.
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6:00am – IFC – Breakfast on Pluto
Patrick is a young Irish boy who before very long becomes Patricia. His story is about more than just his attempts to get people to accept him as a her; his quest for identity and his lost family is played out against the backdrop of the early years of the Troubles, as his friends get more and more involved in IRA factions while he does his best to keep from getting involved in things that are too “serious.” There’s a tough-to-find sweet spot between hilarity and tragedy, and hilarity that masks tragedy, and director Neil Jordan and actor Cillian Murphy found it with this film.
2005 Ireland. Director: Neil Jordan. Starring: Cillian Murphy, Eva Birthistle, Liam Neeson.
(repeats at 12:00N)

8:00pm – TCM – Forbidden Planet
What’s better than Shakespeare’s The Tempest? Why, a science fiction film set on a planet run by a maverick genius, his robot, and his daughter, of course. Okay, Forbidden Planet isn’t really better than The Tempest, but it is an interesting take on the play, and an obvious influence on the original Star Trek.
1956 USA. Director: Fred M. Wilcox. Starring: Walter Pidgeon, Leslie Nielsen, Anne Francis.

10:00pm – TCM – Alien
Often considered one of the best sci-fi/horror creature features of all time (or just behind its sequel Aliens). Sigourney Weaver gets an iconic role as ass-kicking astronaut Ripley.
1979 USA. Director: Ridley Scott. Starring: Sigourney Weaver, Tom Skerritt, Veronica Cartwright, Harry Dean Stanton, Ian Holm, John Hurt.

Friday, October 8

11:30pm – TCM – Queen Christina
Quite possibly the supreme example of Greta Garbo’s extraordinary power over the camera, portraying the 17th-century monarch of Sweden whose unanticipated love affair with a Spanish emissary complicates her life and her reign. Her frequent silent film costar John Gilbert comes off a little less well in sound pictures, but Garbo more than makes up for that and for the film’s occasional creakiness.
1933 USA. Director: Rouben Mamoulian. Starring: Greta Garbo, John Gilbert, Ian Keith, Lewis Stone.

6:00pm – TCM – Silk Stockings
The musical version of Ninotchka, about a staid, repressed Communist woman who goes to Paris on a mission, only to get loosened up by a Western guy. Silk Stocking substitutes Cyd Charisse (who’s really only ever convincing when she’s dancing), Fred Astaire (who’s fine, though a bit on the old side by 1957), and adds Cole Porter music, which is really the major reason to check this version out.
1957 USA. Director: Rouben Mamoulian. Starring: Fred Astaire, Cyd Charisse, Janis Paige, Peter Lorre, Jules Munshin, George Tobias.

Saturday, October 9

9:05am – IFC – Howl’s Moving Castle
Hayao Miyazaki has been a leader in the world of kid-friendly anime films for several years now, and while many would point to Spirited Away as his best film, I actually enjoyed Howl’s Moving Castle the most of all his films. Japanese animation takes some getting used to, but Miyazaki’s films are well worth it, and serve as a wonderful antidote to the current stagnation going on in American animation (always excepting Pixar).
2004 Japan. Director: Hayao Miyazaki. Starring (dubbed voices): Christian Bale, Emily Mortimer, Jean Simmons, Lauren Bacall
(repeats at 2:30pm)

12:00N – Sundance – Ran
Akira Kurosawa’s inspired transposition of King Lear into medieval Japan, mixing Shakespeare and Japanese Noh theatre tradition like nobody’s business.
1985 Japan. Director: Akira Kurosawa. Starring: Tatsuya Nakadai, Akira Terao, Jinpachi Nezu, Daisuke Ryu.
Must See

2:00pm – TCM – The Public Enemy
Famous for the scene where James Cagney smashes a grapefruit into Mae Clarke’s face, this is one of the gold standards of early gangster films, along with Little Caesar and Howard Hawks’s Scarface.
1931 USA. Director: William A. Wellman. Starring: James Cagney, Jean Harlow, Edward Woods, Joan Blondell, Mae Clarke.

5:45pm – TCM – The Quiet Man
John Wayne plays a retired boxer returning to his ancestral home in Ireland, where he meets spitfire Maureen O’Hara and decides to marry her. She’s game, except her somewhat boorish brother Victor McLaglen disapproves and refuses to give up her dowry, and tradition is tradition! A great supporting cast of character actors and an epic (and comic) boxing match round out The Quiet Man into one of the most entertaining and endearing films John Ford ever made. Though I will say the last time I watched it, I was a little more concerned by its gender politics than I had been in the past.
1952 USA. Director: John Ford. Starring: John Wayne, Maureen O’Hara, Victor McLaglen, Barry Fitzgerald, Mildred Natwick.

7:05pm – Sundance – Pan’s Labyrinth
One of my absolute favorite films of the past decade (or ever, really), an absolutely beautiful and terrifying fantasy that juxtaposes the gruesome horrors of the Spanish Civil War with an equally horrifying fantasy world that provides, if not escape, at least some measure of importance and control to the film’s young heroine. Guillermo Del Toro solidified my view of him as a visionary filmmaker with this film, and it still stands to me as a testament to what fantasy can and should do.
2006 Spain/Mexico. Director: Guillermo Del Toro. Starring: Ivana Baquero, Sergi López, Meribel Verdú, Doug Jones.
Must See
(repeats at 2:35am on the 10th)

8:00pm – TCM – Strangers on a Train
Guy Haines is a tennis star all set to marry into a posh, loving family, if it weren’t for that pesky and annoying wife he’s already got – a problem that fellow train-passenger Bruno has a solution for: all Guy has to do is kill Bruno’s troublesome father and Bruno will take care of Guy’s wife. This criss-cross setup begins one of Hitchcock’s best films, full of memorable shots and set-pieces, not to mention one of the most mesmerizingly psychotic performances in all of cinema in Robert Walker’s portrayal of Bruno.
1951 USA. Director: Alfred Hitchcock. Starring: Farley Granger, Robert Walker, Ruth Roman, Patricia Hitchcock, Leo G. Carroll, Laura Elliott.
Must See

10:00pm – TCM – The Treasure of the Sierra Madre
One of Humphrey Bogart’s best films casts him as greedy prospector Fred C. Dobbs, who teams up with old-timer Walter Huston and youngster Tim Holt to find a horde of gold. Along the way, they uncover instead the darker sides of human nature. One of director John Huston’s most impressive films.
1948 USA. Director: John Huston. Starring: Humphrey Bogart, Tim Holt, Walter Huston.
Must See

10:05pm – IFC – Hard Candy
Ellen Page burst onto the scene as a teenage girl getting involved with an older guy she met on the internet – initially looks like a cautionary tale about internet chat relationships, but goes into even more twisted realms than that, with Ellen owning the screen every second.
2005 USA. Director: David Slade. Starring: Ellen Page, Patrick Wilson, Sandra Oh.
(repeats at 4:15am on the 10th)

4:00am (10th) – TCM – Grand Hotel
This 1932 Best Picture Oscar-winner is honestly pretty creaky around the joints these days, but if you wanna see how they used to do ensemble pictures in the studio days, this is it. MGM’s top talent, from Garbo and Crawford to Beery and two Barrymores are all on hand.
1932 USA. Director: Edmund Goulding. Starring: Greta Garbo, John Barrymore, Joan Crawford, Wallace Beery, Lionel Barrymore, Lewis Stone, Jean Hersholt.

Sunday, October 10

11:45am – TCM – Operation Petticoat
Tony Curtis did a fantastic and hilarious job imitating Cary Grant for part of his role in Some Like It Hot, and here you can see the two actually working together in this Navy-set comedy (released the same year!). It’s a pretty slight film, but it’s still enjoyable.
1959 USA. Director: Blake Edwards. Starring: Cary Grant, Tony Curtis, Joan O’Brien, Dina Merrill.
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6:45pm – IFC – Go
In the first section of this tripartite film, bored grocery store clerk Sarah Polley seizes an opportunity to broker a drug deal when her dealing coworker takes a trip to Vegas. It goes very wrong. Meanwhile, her coworker in Vegas gets mixed up in a murder there. Also meanwhile, two actors work with a narcotics officer to break up the drug ring. All three stories tie up together in the end, but not before a lot of quite well-constructed Pulp Fiction-esque jumping around. A lot of fun, and better than you might expect.
1999 USA. Director: Doug Liman. Starring: Sarah Polley, Katie Holmes, Jay Mohr, Scott Wolf.
(repeats at 1:30am on the 11th)

8:00pm – TCM – Sweet Smell of Success
One of the most acidically witty films of the 1950s, Sweet Smell of Success turns its gaze on Broadway gossip columnist Burt Lancaster, who connives with press agent Tony Curtis to break up his sister’s romance – a searing indictment of unscrupulous newspaper men, yes, and a bitingly funny one to boot.
1957 USA. Director: Alexander Mackendrick. Starring: Burt Lancaster, Tony Curtis, Susan Harrison, Martin Milner, Sam Levene.
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