
The Battleship Potemkin, playing on TCM on Sunday late night
Not a lot of new stuff this week, but when the new ones are A Star is Born, To Kill a Mockingbird, The Battleship Potemkin, it’s kind of hard to complain. Enjoy the rest of the repeats, including a great set of westerns themed around aging cowboys on Tuesday night on TCM.
Monday, June 14
7:20am – IFC – Bride & Prejudice
Laugh at me if you must for recommending Chadha’s Bollywood-infused version of Pride and Prejudice, but I love it. It’s silly, it’s beautiful, it’s a fun exercise in adaptation of literary classics, and it’s only slightly weighed down by Martin Henderson’s woodenness.
2005 UK. Director: Gurinder Chadha. Starring: Aishwarya Rai, Martin Henderson, Naveen Andrews, Alexis Bledel.
(repeats at 1:05pm)
4:30pm – TCM – Old Yeller
One of the great tear-jerker family films, about a family in the old west who adopt a stray dog, growing to love and depend on the animal in the absence of their father (away on a cattle drive). Ah, yes, the good old days, when kids movies weren’t all happy-peppy all the time.
1957 USA. Director: Robert Stevenson. Starring: Dorothy Maguire, Fess Parker, Tommy Kirk, Kevin Corcoran.
1:45am (15th) – TCM – Rebel Without a Cause
Nicholas Ray’s best-known movie (though not, I’d argue, his best), likely because it’s one of James Dean’s three films. Dean is a rebellious teen, hanging out with the wrong crowd, whose parents don’t understand him. It all seems a little overwrought these days, but there’s an intensity to Dean and the film that manages to make it still relatable.
1955 USA. Director: Nicholas Ray. Starring: James Dean, Natalie Wood, Sal Mineo.
Tuesday, June 15
5:30am – TCM – The Searchers
Deservedly considered one of the greatest westerns ever made, a high point in the careers of both John Wayne and John Ford. Wayne is the almost anti-heroic main character Ethan Edwards, driven by anger and revenge to find the group of Indians who killed his nearly estranged family and kidnapped his young niece. Along with the contemporary films of Anthony Mann, The Searchers marks a point in the Western genre where we can no longer necessarily accept the motives of the good guys to be pure, and in fact, are forced to question if the good guys are actually good – perhaps the beginning of the revisionist western. Ford’s command of cinematic space and the language of the frame here is unparalleled, and the performances and everything else in the film match it.
1956 USA. Director: John Ford. Starring: John Wayne, Jeffrey Hunter, Natalie Wood.
Must See
6:05am – IFC – Crimes and Misdemeanors
When Martin Landau’s long-time mistress threatens to expose their affair unless he marries her, he’s faced with the decision to let her ruin his life and career or have her murdered. In a tangentially and thematically-related story, Woody Allen is a documentary filmmaker forced into making a profile of a successful TV producer rather than the socially-conscious films he wants to make. One of Allen’s most thoughtful and philosophically astute films – there are few answers here, but the questions will stay in your mind forever.
1989 USA. Director: Woody Allen. Starring: Woody Allen, Alan Alda, Martin Landau, Anjelica Huston, Claire Bloom, Joanna Gleason.
Must See
(repeats at 11:30am and 4:50pm)
12:00M – TCM – Ride the High Country
In the 1960s, Sam Peckinpah contributed to the beginnings of the revisionist western, taking complicated heroes and violence to new levels – in Ride the High Country, Joel McCrea and Randolph Scott (who had both starred in many westerns throughout the 1930s and 1940s) play jaded cowboys hired to transport gold who get caught up in a family feud that forces them to confront their own differences and troubled pasts. It’s a fairly simple plot on the surface, but goes much deeper than you’d expect.
1962 USA. Director: Sam Peckinpah. Starring: Joel McCrea, Randolph Scott, Mariette Hartley, Ron Starr.
4:00am (16th) – TCM – The Man from Laramie
One of several westerns that James Stewart and Anthony Mann made together, and this one is one of the most solid; in this one, Stewart is a wagon train leader who gets pulled into a territorial feud against his will when one side torches his wagons. These westerns begin to show the dark side of the west, where the hero is only a hero because it’s expedient for him, or because he has some personal gain to get out of it.
1955 USA. Director: Anthony Mann. Starring: James Stewart, Arthur Kennedy, Donald Crisp, Cathy O’Donnell.
Wednesday, June 16
9:45pm – IFC – Shadow of a Vampire
What if actor Max Schreck, who played the vampire in F.W. Murnau’s 1922 Nosferatu, actually WAS a vampire and kept eating various members of the cast and crew? That’s the premise set forth by this slight but entertaining film, with John Malkovich as Murnau and Willem Dafoe as the eccentric Schreck.
2000 USA. Director: E. Elias Merhige. Starring: John Malkovich, Willem Dafoe, Cary Elwes, Catherine McCormack.
Thursday, June 17
8:00pm – TCM – The Awful Truth
This is one of the definitive screwball comedies, starring Cary Grant and Irene Dunne as a married couple who constantly fight and decide to divorce, only to wind up meddling in each other’s lives (and screw up other relationship attempts) because they just can’t quit each other. Dunne’s impersonation of a Southern belle showgirl is a highlight.
1937 USA. Director: Leo McCarey. Starring: Cary Grant, Irene Dunne, Ralph Bellamy.
Must See
4:45am (18th) – IFC – Dancer in the Dark
Bjork plays a factory worker whose increasing blindness threatens to keep her from being able to do her job, which will keep her from earning the money she needs for an operation that will prevent her son from suffering the same blindness. Add in the relationship with her not-as-happy-as-they-seem neighbors and a trenchant critique of the justice system and death penalty, not to mention several musical numbers juxtaposed throughout, and you have a film that’s unlike any other.
2000 Denmark. Director: Lars von Trier. Starring: Bjork, Catherine Deneuve, David Morse, Peter Stormare.
(repeats at 11:50am on the 18th, and 6:45am on the 19th)
Friday, June 18
8:05pm – IFC – A Fish Called Wanda
It’s not a Monty Python picture, but with John Cleese and Michael Palin on board as participants in a zany crime story, along with ambiguous-relationshiped Jamie Lee Curtis and Kevin Kline, it has some of the same absurd charm.
1988 USA/UK. Director: Charles Crichton. Starring: John Cleese, Jamie Lee Curtis, Kevin Kline, Michael Palin, Maria Aitken, Tom Georgeson.
(repeats at 3:00am on the 19th)
Saturday, June 19
9:15am – IFC – Paranoid Park
I go back and forth on whether I think Gus Van Sant is brilliant or a pretentious bore – maybe some of both. But I really quite liked the slow, oblique approach in this film about a wanna-be skateboarder kid who relishes hanging out with the bigger skateboarders at the titular skate park – but there’s a death not far from there, and it takes the rest of the movie to slowly reveal what exactly happened that one night near Paranoid Park. Gets by on mood and cinematography.
2007 USA. Director: Gus Van Sant. Starring: Gabe Nevins, Daniel Lu, Jake Miller, Taylor Momsen, Lauren McKinney.
(repeats at 3:45pm)
8:00pm – TCM – A Star is Born (1954)
Judy Garland’s comeback role after several years off the screen remains one of her best, crystalizing both the hope and sorrow that her later life represents.
1954 USA. Director: George Cukor. Starring: Judy Garland, James Mason.
Must See
Newly Featured!
12:00M – Sundance – Oldboy
Ultra-violent revenge films don’t get much better than this. A man is inexplicably locked up in a room for several years then just as inexplicably released, at which point he seeks revenge. A bloody and at times disturbing film, but with an underlying thoughtfulness that sets it apart.
2003 Korea. Director: Park Chan-Wook. Starring: Min-sik Choi, Ji-tae Yu, Hye-jeong Kang.
Sunday, June 20
2:00pm – TCM – Father of the Bride
Long before Steve Martin kicked off his nearly twenty-year run of remaking classic comedies with his version of this film, Spencer Tracy was the Father of the Bride, dealing with the difficulty of letting his only daughter, Elizabeth Taylor, go to some other man. I don’t hate the Martin version, but this one is better. The family’s son is played by a young Russ Tamblyn (of Seven Brides for Seven Brothers and West Side Story).
1950 USA. Director: George Cukor. Starring: Spencer Tracy, Elizabeth Taylor, Joan Bennett, Russ Tamblyn.
4:00pm – IFC – Broadway Danny Rose
It’s lesser Woody Allen, but it’s still Woody Allen. Danny Rose (Woody) is a theatrical agent whose clients always leave him when they start becoming successful. His current client, a has-been tenor trying to make a comeback, gives him further grief by having an affair with a young woman (Mia Farrow) with gangster connections. Not very substantial, but enjoyable.
1984 USA. Director: Woody Allen. Starring: Woody Allen, Mia Farrow, Nick Apollo Forte.
8:00pm – TCM – To Kill a Mockingbird
Widely regarded as one of the best adaptations of a great novel ever, To Kill a Mockingbird captures the themes and mood of the novel perfectly, following the racial and social tensions of a murder trial in the South.
1962 USA. Director: Robert Mulligan. Starring: Gregory Peck, Mary Badham, Phillip Alford, Robert Duvall.
Must See
Newly Featured!
8:15pm – Sundance – Metropolitan
If Jane Austen made a movie in 1990 and set it among entitled Manhattan socialites, this would be it. The film follows a group of such entitled teens from party to party, focusing especially on the one outsider, a boy from the blue-collar class who has to rent a tux and pretend he likes to walk to avoid letting his new friends know he has to take the bus home. Though they find out soon enough, they keep him around because his intellectual nattering amuses them. In fact, it’s quite amazing that this film is interesting at all, given the amount of pseudo-intellectual nattering that goes on, from all the characters. But from start to finish, it’s both entertaining and an incisive look at the American class structure.
1990 USA. Director: Whit Stillman. Starring: Edward Clements, Chris Eigeman, Carolyn Farina, Taylor Nichols, Dylan Hundley.
(repeats at 4:20am on the 21st)
10:00pm – Sundance – Paris je t’aime
I have a huge soft spot for Paris – basically any movie set there I will like to at least some degree. So an anthology film with eighteen internationally-renowned directors giving their take on Paris with eighteen short films all mashed together? Yeah, instant love. Obviously some sections are far stronger than others – the Coens, Gus van Sant, Alexander Payne, Isabel Coixet, Tom Tykwer, and Wes Craven turn in my favorites.
2006 France. Director: various. Starring: many.
(repeats at 6:00am on the 21st)
12:30am (21st) – TCM – The Battleship Potemkin
Sergei Eisenstein’s groundbreaking film dramatizing the 1907 Revolution and simultaneously illustrating the power of montage. Many iconic scenes are well known out of context, but the film still carries a great amount of power as a whole.
1925 Russia. Director: Sergei Eisenstein. Starring: Aleksandr Antonov, Vladimir Barsky, Grigori Aleksandrov.
Newly Featured!
2:00am (21st) – TCM – My Life As A Dog
Lasse Hallstrom gives us this simple but effective coming-of-age story, focusing on the every day life of a young boy as he’s sent to live in a provincial village after acting out at home.
1985 Sweden. Director: Lasse Hallstrom. Starring: Anton Glanzelius, Tomas von Brömssen, Anki Lidén, Melinda Kinnaman.













Tuesday has two of the best Westerns showing on TCM: The Searchers and Ride the High Country. If I am up late tonight I will Catch Rebel Without a Cause, one of those oversights on my part.
The Searchers marks a point in the Western genre where we can no longer necessarily accept the motives of the good guys to be pure, and in fact, are forced to question if the good guys are actually good – perhaps the beginning of the revisionist western. Ford’s command of cinematic space and the language of the frame here is unparalleled, and the performances and everything else in the film match it.
Congrats, Asim13285, you’ve managed to extend the “copy a previous comment” method of commenting into “copy part of the original post.” I’m impressed with your innovation in this area.
And yet, the searchers is still very, very goofy at times. It is an uneven film, I can absolutely see why people praise it, but the film is far from perfect – or maybe I find the consistent “aw Shucks” of the home-front scenes to be rather grating..
Jandy how could you leave out Agnes Varda’s 1985 film called Vagabond? IFC is showing it Friday.
http://www.ifc.com/movies/52129/Vagabond
What do you have against goofy, Kurt? The Searchers is my favorite western, just a bit ahead of Rio Bravo (which also has goofiness in it). It runs the gamut tonally but its a big enough film to do that.
@Me, I have seen Vagabond, it was alright, Cléo de 5 à 7 is better.
@Me, if I leave off a film with the reputation of Vagabond, it is almost always because I haven’t seen it yet and am hoping to catch it and be able to talk about it better before the next time it rolls around. There are a TON of films on Sundance that fit into this category. I just don’t like trying to talk about films that I haven’t seen, though I have done it on occasion – usually with films that don’t play a lot. IFC repeats films so often that I usually figure I’ll have another chance to include it before very long. That said, yes, if anyone has seen something playing on TV that’s worth watching that I missed, please mention it in comments – I haven’t had a chance to see every movie ever made yet, so addendums to my knowledge are welcome.
Rot, Cléo was my favorite movie of everything I saw in 2008. I saw some clips from it the other day and fell in love with it again.
I’ve got nothing against goofy per se (it’s a film by film basis when judging this), it just seems alien to me to have it so forward-thinking and execution on one hand, and so painfully goofy on another in the case of this particular film. I don’t think I can explain it very well. I like the film a lot, I just find the ‘dinner and rocking chairs’ scenes to be rather awkward.
I know what you mean about those types of ‘apple-pie’ scenes, but I usually forgive them on the grounds of period. Most of the old classics have their dated elements. I’m not saying it’s not valid to bring them up, but I can see why some people ignore awkward moments like those.
I don’t think its about them being dated in The Searchers, I think they are deliberately goofy. They wanted the film to be both fun and melancholy. The guy trying to woo the girl in the film is funny, I don’t care if its fifty years ago or present day, his drawl makes me laugh, and when the two guys fight over her, its funny too. The dinner scenes are Americana quaint, and that doesn’t bother me, I see them for what they aim to be, this is a cinematic world the story takes place in… no different then something Tarantino would situate his stories in, the difference here is there is no meta going on, its just pleasuring in the artifice, in this pure Western.
There is a point coming up in Lost that I think you are going to hate but which I absolutely love, and the difference will be where we differ on this same point here… I go with the unmitigated pulp, you, perhaps, need some extra filter to digest it.
Mustard helps get through the cheese.
cheese-whiz is mighty fine