
Exactly a month before its awards ceremony, The British Academy of Film and Television Arts nominations have been released. Another of the many possible indicators of what will be on Oscar ballots, the BAFTAs are always fun to peruse since they tend to include a couple of surprises and films that aren’t on the same calendar cycle as North America.
You can find the full list of their nominees on their site, but here’s a list of the “major” ones:
BEST FILM
Avatar
An Education
The Hurt Locker
Precious
Up In The Air
OUTSTANDING BRITISH FILM
An Education
Fish Tank
In The Loop
Moon
Nowhere Boy
DIRECTOR
Avatar – James Cameron
District 9 – Neill Blomkamp
An Education – Lone Scherfig
The Hurt Locker – Kathryn Bigelow
Inglourious Basterds – Quentin Tarantino
ORIGINAL SCREENPLAY
The Hangover – Jon Lucas, Scott Moore
The Hurt Locker – Mark Boal
Inglorious Basterds – Quentin Tarantino
A Serious Man – Joel Coen, Ethan Coen
Up – Bob Peterson, Pete Docter
ADAPTED SCREENPLAY
District 9 – Neill Blomkamp, Terri Tatchell
An Education – Nick Hornby
In the Loop – Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
Precious – Geoffrey Fletcher
Up in the Air – Jason Reitman, Sheldon Turner
FILM NOT IN THE ENGLISH LANGUAGE
Broken Embraces
Coco Before Chanel
Let the Right One In
A Prophet
The White Ribbon
ANIMATED FILM
Coraline
Fantastic Mr. Fox
Up
LEADING ACTOR
Jeff Bridges – Crazy Heart
George Clooney – Up in the Air
Colin Firth – A Single Man
Jeremy Renner – The Hurt Locker
Andy Serkis – Sex & Drugs & Rock & Roll
LEADING ACTRESS
Carey Mulligan – An Education
Saoirse Ronan – The Lovely Bones
Gabourey Sidibe – Precious
Meryl Streep – Julie & Julia
Audrey Tautou – Coco Before Chanel
SUPPORTING ACTOR
Alec Baldwin – It’s Complicated
Christian McKay – Me and Orson Welles
Alfred Molina – An Education
Stanley Tucci – The Lovely Bones
Christoph Waltz – Inglourious Basterds
SUPPORTING ACTRESS
Anne-Marie Duff – Nowhere Boy
Vera Farmiga – Up in the Air
Anna Kendrick – Up in the Air
Mo’Nique – Precious
Kristin Scott Thomas – Nowhere Boy
ORANGE RISING STAR AWARD
Jesse Eisenberg
Nicholas Hoult
Carey Mulligan
Tahar Rahim
Kristen Stewart
That last category is an interesting one…One has to wonder if voters might note Carey Mulligan’s presence there and feel better about skipping over her for Best Actress.
Also, I’m personally still baffled by nominations for The Hangover – a Screenplay nod from the Golden Globes and now BAFTA? Just weird. Does my heart good to see Vera Farmiga and Let The Right One In get nominated though. And I think this really shows that the Foreign Language film (ie. non-English) is pretty much between The White Ribbon and A Prophet at this stage.
Surprises? I probably wouldn’t have guessed Alec Baldwin or Audrey Tatou (though I haven’t seen either of their films) in their acting categories and I’m unfamiliar with both Nowhere Boy and Andy Serkis’ film.














NICE:
SUPPORTING ACTOR
Alec Baldwin – It’s Complicated
Christian McKay – Me and Orson Welles
Alfred Molina – An Education
Stanley Tucci – The Lovely Bones
Christoph Waltz – Inglourious Basterds
I’m hoping In The Loop will get some love over here in it’s homeland, I can’t see the Oscars going for it.
As for Nowhere Boy and Sex, Drugs & Rock & Roll they both got fairly good reviews (Nowhere Boy more so than Sex, Drugs..) but they didn’t seem to blow anyone away so I doubt they’ll win anything. I didn’t catch them myself.
Caught Up in the Air last night though and really enjoyed it. I’d be happy to see that win a few gongs.
Well, at least these nomination make more sense than the Golden Globes ones.
Go Avatar and James Cameron! Clean some house!
Don’t make me come smack you, Andrew, even if you are jesting.
I do like these noms better than the Globes.
I’m also a bit surprised at “Coco Before Chanel”. Not that I’ve seen it, but advance word didn’t sound very good. Dave, did it receive better reviews on your side of the water?
I don’t think Oscar will go for “In The Loop” either. Its best writing comes in the verbal attacks and insults.
Jest? Hellz naw. I think James Cameron’s new approach to directing with Avatar will be studied for years. People will look back at Avatar and agree that it is an absolute masterpiece. Terrence Malick could only dream of such majesty and directing prowess. I’ve never seen a director take such control over his actors and give them the motivation needed to deliver the performances of their careers in a story that, quite frankly, is so profound and forward thinking it’s amazing that their briliant performances weren’t completely overshadowed by the intensity, intrigue and nuanced craftsmanship of a tale that will be told by your children’s children’s children. Absolute magnificense.
Or maybe it’s just a demo for the latest in CGI technology by an over the hill director trying to remain relevant.
Definitely one of the two.
The reviews for Coco Before Chanel weren’t amazing in the UK either just sort of luke warm, but it did quite well audience-wise, making a fair amount of money for a film of it’s type.
Does anyone else think An Education is a really good movie that just has the wrong ending?