5 Comments


  1. Goon says:

    the “tsk tsk Kurt’ thing this week is not pronunciation, its that he always calls it “Fantastic Fox”

  2. Kurt Halfyard says:

    And to think, the publicist kept giving me crap for adding a “THE” to the title, so I started taking out words…

  3. I agree that the end of the year doesn’t feel as landblasted with awards bait this year, but I did see a fair amount at festivals. Feels like a bit of a weird year this year. Guess we’ll get a better sense once the Globes are announced.

  4. dan says:

    Nice show, fellers. I really enjoyed Fantastic Mr. Fox as well. Truthfully, I was beginning to grow weary of Wes Anderson movies. I didn’t hate The Darjeeling Limited, but the narcissistic characters, covert ethnocentrism, and patented Wes Anderson style kind of rubbed me the wrong way. However, I thought his aesthetic worked like gangbusters in Mr. Fox. I reveled in the composition of each frame, the crazy amount of detail like you guys mentioned. Loved all the Wes Anderson fast pans, the majority all at straight angles, and side scrolling shots, which lent the movie such a retro/quaint/classic feel that simultaneously felt fresh amongst the glut of CGI features being released. The score kicked ass also, and I dug the scaled-back soundtrack choices.

    Haven’t seen The Road yet (probably will this week), but from your discussion I’m tempted to skip the flick and just pick up the book. For some reason I haven’t been too excited to see The Road, and I’m all about post-apocalyptic stories. The kid in the trailer seems too blonde or too precious or something.

  5. Kurt says:

    dan don’t go by the trailer, it is hogwash and not representative of the film.

    But yea, if you want to take a walk down THE ROAD, the book is recommended, although the film may play better if you’ve not read the book, which is indeed one of the best of the decade (at least out of the books I’ve read lately..)

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