Last year was the first year I ever actually sat down and watched the Independent Spirit Awards. The first and won’t be the last. After the enjoyment I got out of that awards ceremony I’d be hard pressed to ever miss it again. They maybe aren’t as “important” as the Oscars, but around here we love our indie gems and to see the proper movies recognized for achievement rather than the wrong ones is always nice.
For the Spirit Awards, all eligible feature films must be at least 70 minutes in length, and the entire cost of a completed project must be under $20 million. A film also must have either screened at a major film festival including Sundance, Toronto or Film Independent’s own Los Angeles Film Festival or had a one-week engagement at a commercial theater.
The mood and celebratory nature of the indie awards is so much more fun too. The guests are all partying and drinking and cussing and some are wearing jeans and a t-shirt rather than the stuffy penguins suits or triptastic ballroom gowns. This year’s ceremony will air live and uncut on IFC on March 5th. The nominees were announced this morning and we’ve got them all posted right here. Best feature is first and the rest of the nominees are stuck under the seats…
Best Feature
- 500 Days Of Summer
- Amreeka
- Precious
- Sin Nombre
- The Last Station
Best Director(s)
- Ethan and Joel Coen – A Serious Man
- Lee Daniels – Precious
- Cary Fukunaga – Sin Nombre
- James Gray – Two Lovers
- Michael Hoffman – The Last Station
Best First Feature
- A Single Man – Tom Ford, dir; Tom Ford, Andrew Miano, Robert Salerno, Chris Weitz, prds.
- Crazy Heart – Scott Cooper, dir; T Bone Burnett, Judy Cairo, Rob Carliner, Scott Cooper, Robert Duvall, prds.
- Easier With Practice – Kyle Patrick Alvarez, dir; Cookie Carosella, pdr.
- Paranormal Activity – Oren Peli, dir. Jason Blum, Oren Peli, prds.
- The Messenger – Oren Moverman, dir. Mark Gordon, Lawrence Inglee, Zack Miller, prds.
Best Screenplay
- Alessandro Camon, Oren Moverman – The Messenger
- Michael Hoffman – The Last Station
- Lee Toland Krieger – The Vicious Kind
- Greg Mottola – Adventureland
- Scott Neustadter, Michael H Weber – 500 Days of Summer
Best First Screenplay
- Sophie Barthes – Cold Souls
- Scott Cooper – Crazy Heart
- Cherien Dabis – Amreeka
- Geoffrey Fletcher – Precious
- Tom Ford, David Scearce – A Single Man
Best Female Lead
- Maria Bello – Downloading Nancy
- Nisreen Faour – Amreeka
- Helen Mirren – The Last Station
- Gwyneth Paltrow – Two Lovers
- Gabourey Sidibe – Precious
Best Male Lead
- Jeff Bridges – Crazy Heart
- Colin Firth – A Single Man
- Joseph Gordon-Levitt – 500 Days of Summer
- Souleymane Sy – Goodbye Solo
- Adam Scott – The Vicious Kind
Best Supporting Female
- Dina Korzun – Cold Souls
- Mo’Nique – Precious
- Samantha Morton – The Messenger
- Natalie Press – Fifty Dead Men Walking
- Mia Wasikowska – That Evening Sun
Best Supporting Male
- Jermaine Clement – Gentleman Broncos
- Woody Harrelson – The Messenger
- Christian McKay – Me And Orson Welles
- Raymond McKinnon – That Evening Sun
- Christopher Plummer – The Last Station
Best Foreign Film
- A Prophet (France) – Jacques Audiard
- An Education (UK/France) – Lone Scherfig
- Everlasting Moments (Sweden) – Jan Troell
- Mother (South Korea) Bong Joon-ho
- The Maid (Chile) – Sebastian Silva
Best Documentary
- Anvil! The Story Of Anvil – Sacha Gervasi
- Food, Inc – Robert Kenner
- More Than A Game – Kristopher Bellman
- October Country – Donal Mosher, Michael Palmieri
- Which Way Home – Rebecca Cammisa
Best Cinematography
- Roger Deakins – A Serious Man
- Adriano Goldman – Sin Nombre
- Anne Misawa – Treeless Mountain
- Andrij Parekh – Cold Souls
- Peter Zeitlinger – Bad Lieutenant: Post Of Call New Orleans
John Cassavetes Award (best feature made for under $500,000)
- Big Fan – Robert Siegel, dir. Elan Bogarin, Jean Kouremetis, prds.
- Humpday – Lynn Shelton, dir/prd.
- The New Year Parade – Tom Quinn, dir. Steve Beal, Tom Quinn, prds.
- Treeless Mountain – Kim So Yong, dir. Bradley Rust Gray, Ben Howe, Kim So Yong, Lars Knusden, Jay Van Hoy, prds.
- Zero Bridge – Tariq Tapa, dir. Josee Lajoie, Hilal Ahmed Langoo, Tariq Tapa, prds.
Acura Someone To Watch Award (presented to a film-maker of singular vision who has not yet received appropriate recognition. The award includes as $25,000 unrestricted grant funded by Acura.)
- Kyle Patrick Alvarez – Easier With Practice
- Asiel Norton – Redland
- Tariq Tapa – Zero Bridge
Truer Than Fiction Award (presented to an emerging director of non-fiction features who has not yet received appropriate recognition. The award includes as $25,000 unrestricted grant.)
- Natalie Almada – El General
- Jessica Oreck – Beetle Queen Conquers Tokyo
- Bill Ross, Turner Ross – 45356
Piaget Producers Award (presented to emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity and vision required to produce quality independent films. The award includes as $25,000 unrestricted grant funded by Piaget.)
- Karin Chien – The Exploding Girl, Santa Mesa
- Larry Fessenden – I Sell The Dead, The House Of The Devil
- Dia Sokol – Beeswax, Nights & Weekends
Robert Altman Award (presented to one film’s director, casting director and ensemble cast)
- A Serious Man
Dirs, Ethan and Joel Coen
Casting directors, Ellen Chenoweth and Rachel Tenner
Ensemble cast: Richard Kind, Sari Lennick, Jessica McManus, Fred Melamed, Michael Stuhlbarg, Aaron Wolff













I’m thrilled to see some love for James Gray. His film came out so long ago it feels like last year – it’s nice to see not everyone has forgotten how excellent it is.
A nice assortment of titles – including more than a few I haven’t seen! Have to get cracking!
Oh yeah….and ANVIL!!!!
Oh shit. And Downloading Nancy love for Bello! Woohoo!
Wow some serious love for Treeless mountain in them thar Indie Spirit ‘wards: (my review – http://www.rowthree.com/2009/04/26/review-treeless-mountain/ )
It seems wrong that A SERIOUS MAN is not up for best picture. It seems very wrong. Can we punt Precious off the list please
If you’re going to punt something, how about the pretentiousness of 500 Days of Summer.
I see the wink in your comment, but you’ve not seen Precious.
Fucker.
I dont think 500 Days was best pic material either… but I dont get where people thought it was pretentious. I thought it was just harmless fun wrapped up with some indie quirk for style.
I can see how (500) Days of Summer might feel a little ‘too arty on purpose’ but I just see it as awesome
People want pretentious they should gander at some 80′s stuff.. that is where that is at.
Still need to see Precious. I wasn’t interested at all, then I saw the trailer and almost starting crying right then & there.
Should be a fun watch, I really hope they broadcast it live in Canada this year or at least have it on Ustream like they did the announcement!