Archive for October, 2009

  • The Story of Anvil on VH1 This Weekend

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    Set your DVR now! As the resident documentary “hater” around here, you should take note when I tell you that one of the top five films that I’ve seen in the past 12 months is easily Sacha Gervasi’s documentary, Anvil! The Story of Anvil (our review). It’s one of the most heartwarming stories of persistence and determination through failure that I’ve ever seen; but also ass-kicking at the same time. It’s the kind of movie that makes you want to stand up and cheer during the closing credits. Sort of This is Spinal Tap meets American Movie if you will. “Family. It’s important shit man.”

    So as I said, set your DVRs because the television broadcast premiere of Anvil! The Story of Anvil airs tomorrow night (Saturday, October 3rd) at 10pm eastern on VH1 and VH1 Classic. If you’re a music fan (or even if you’re not), you’ll be doing yourself a huge favor by watching this movie this weekend.

    \m/ !!! \m/

    PS – the band is also scheduled to play on “The Tonight Show with Conan O’Brien” on Tuesday.

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  • Up in the Air Gets a Traditional Trailer

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    Oh my gods, I’m not sure if there is a movie that I want to see more this year than Up in the Air (Kurt’s TIFF Review). The teaser trailer was one of the greatest I have ever watched, setting the tone for the film and telling us a bit about the main character, but not showing us too much for the actual film – and while this new theatrical trailer is a conventional one, it did what a trailer needs to do to make sure my butt is planted firmly in the seat on opening night. Damn you George Clooney for being so suave. Damn you.

    Bonus: Use of Iggy Pop’s “The Passenger,” also used very effectively in the trailer for Nicolas Cage’s The Weather Man.

  • Crazy trailer for The Crazies remake

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    Despite my pretty solid knowledge of classic (and terribly cheesy) horror movies, thanks to my hometown local movie store as youth where you could rent five horror movies for $3, I never got around to watching George Romero’s 1973 classic The Crazies, despite the fact that it was filmed very close to where I live. With that said, I have no connection to the original and it doesn’t make me stomp my feet in anger the way that the Halloween remake did.

    The trailer for this remake does suck and follows all the tired horror movie trailer cliches, although Timothy Olyphant is da bomb diggity. Love that guy. What noticeably stands out though is the use of a certain iconic song that is very, very connected to another popular movie, which for me was a bit distracting, even if the lyrics were appropriate for what was happening on screen. It’s a February 26 release for this and I won’t be bothering with this one in theaters, but I’m sure it will be worth checking out for $1 in the Redbox on a lazy Tuesday night just to see Olyphant kick some ass.

  • 2012: Outlook Continues to Improve

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    A couple months ago we posted the awesome version of the trailer for what life will be like for John Cusack living in the year 2012. Today the future just gets awesomer as Columbia Pictures has released a completely believable five minute clip of the ridiculous mayhem in all of its uncut glory.

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  • Oi! Quality Trailer Alert: ZERO

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    ZeroPosterThis one looks like it would/will be a nice companion piece for TIFF favourite, Mr. Nobody. A stylish genre picture with a flair for odd structure, the conceit here is that the film continually follows the last person to speak, traveling around in sort of a narrative circle over a 24 hour timeframe. Someone has made a kinetic melodrama in the mould of Richard Linklater’s Slacker with a dash of Christopher Boe’s Reconstruction, and it is going to be A-W-E-S-O-M-E:

    This is the start of a story which rests on the narrative principle of the camera following the character who speaks the last word in the dialogue. It’s the story of numerous characters and of whose fate we will learn as much as this narrative principle allows. The film tells the story of 24 hours from the fragments of the lives of: a Thickset Businessman, a Scruffy Fatso, a Mental Case, a Skinny News Vendor, a Sweaty Cabby, a Tired Bloke, a Filigree Blonde, an Elegant Lady Doctor, a Poorly Boy, a Dolly-Bird, a Huge Geezer, an Energetic Old Man, a Bearded Fella’, a Pale Woman, a Slight Teenager, a Trim Sex-Pot, a Dressed-up Chap, a Sympathetic Young Man, a Slim Woman, a Tall Barman, an Old Lady and others. Sometimes their fates entwine naturally, and sometimes as a matter of coincidence. The different threads of the story often entangle in a completely unexpected way. Sometimes we abandon them at the most intriguing moment only to return to them later in a completely different place. The camera’s progress is unyielding. We follow it into a story of love, hate, betrayal, sex, violence and decay. To the bottom.

    Trailer is tucked under the seat.

    » Read the rest of the entry..

  • John Hillcoat is the cool new kid in school.

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    When you make a movie as absurdly good as The Proposition, you’re bound to get the attention of many. When your next movie is a well-received, gritty adaptation of an almost unadaptable book, you get a free pass to do pretty much whatever you want and people will be lining up at your door. That guy, unfortunately, is not you, but John Hillcoat and that movie he is working on as his follow up to the inevitably successful The Road is a period drama titled The Wettest County in the World, an adaptation of Matt Bondurant’s book about his grandfather and two great-uncles and their Depression-era bootlegging business. From the Amazon description of the book:

    This family saga follows the Bondurants, bootlegging brothers runnin’ stills, runnin’ loads, and runnin’ from the law in Depression-era Virginia. The book is mainly narrated through the experience of the youngest Bondurant, Jack (in truth, a grandfather of the author), and his family’s moonshine enterprise supplies the action in a plot that evokes the culture of distilling and distributing white lightning. To optimistic Jack, bootlegging is both a bond to his older brothers, Forrest and Howard, and a means to make cash to impress a girl. Forrest, by contrast, is taciturn and suspicious: the world is violent, and he meets it on that ground. Tender of the stills and imbiber from same, burly Howard is always ready to take on the Bondurants’ enemies, corrupt law officers. Wending through this conflict in flash-forward mode is novelist Sherwood Anderson, who plumbs the Bondurant story a few years after the brothers’ climactic confrontation with the county sheriff. Descriptively gritty and emotionally resonant, novelist Bondurant dramatically projects the poverty and danger at the heart of the old-time bootlegging life.

    The names that are interested in this project according to The Hollywood Reporter? Ryan Gosling, Shia LaBeouf, Scarlett Johansson, Paul Dano and Michael Shannon. This sounds absolutely awesome. Unfortunately, there is no financing or start date for this yet, but with all of these names potentially involved, it should only be a matter of time. I shiver with delight at the thought of all these folks getting involved. Obviously, Gosling is a man-crush, LaBeouf is solid when he’s not making crappy Michael Bay movies, Paul Dano is one of the best young actors out there, and Michael Shannon is Michael freaking Shannon. We have the three brothers and reporter right there (and we could go on and speculate who could play which character, but we won’t).

    What do you think? Is there a more exciting up-and-coming director out there than John Hillcoat?

  • TIFF 09 Review: An Education

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    A beautifully told, classic coming of age tale through the eyes of a mature, cultured 16 year old growing up in suburban London in the 1960’s, Jenny (Carey Mulligan). Attending an all-girls school, she is by far the most inspired of her peers, the biggest dreamer. Though the dreams of her stern parents have their little girl studying at Oxford next year (and Jenny has the credentials and talent to see it through) her greatest joys come from listening to her Juliette Greco albums, as oppose to playing her cello, and speaking French instead of her dry school-book Latin. With Jenny’s cross into womanhood playing out for the duration of the film, this familiar struggle is an on going battle between her institutional obligations, and the new world she is carefully escorted into as she seeks her path in life.

    » Read the rest of the entry..

  • Review: The Informant!

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    Director: Steven Soderbergh (Traffic, Ocean’s 11, Bubble, The Girlfriend Experience, Full Frontal, Erin Brockovich, Che)
    Book: Kurt Eichenwald
    Screenplay: Scott Z. Burns
    Producers: Howard Braunstein, Kurt Eichenwald, Jennifer Fox, Gregory Jacobs, Michael Jaffe
    Starring: Matt Damon, Scott Bakula, Joel McHale, Melanie Lynskey, Thomas F. Wilson
    MPAA Rating: R
    Running time: 108 min.


    With the films of current prestigious studios or directors (Tarantino, Coen Brothers, Pixar, Wes Anderson, etc.) I find that the first thing I do as I leave the theater is rank the movie alongside its counterparts. Steven Soderbergh films fall very much within that realm and while I enjoyed The Informant! quite a bit, I couldn’t help but think this is a slighter lesser film in Soderbergh’s filmography. But like Tarantino, Coens, et. al, a lesser film by someone the likes of Soderbergh is likely better than 95% of all other movies comparatively. So yes, The Informant! is a very good film. And likely upon further screenings and reflection could even be great and steadily climb the ranks within Soderbergh’s repertoire. But time will tell.

    Damon plays Mark Whitacre. An obviously wealthy family man who after some problems begin to get the better of him at the office, decides it best to finally stick it to the company that isn’t exactly playing by the rules. Through some clever trickery on Whitacre’s part, the FBI gets involved and they of course want nothing more than to take down a giant corporation on fraud charges. But as the evidence mounts up and the game gets more and more complicated, things quickly begin to spiral out of control and Whitacre gets further and further in over his head as he steadily becomes more and more untrustworthy and shady.
    » Read the rest of the entry..

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