Archive for October, 2009

  • Halloween Movies on YouTube

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    Are you one of those curmudgeons that prefer to be the Halloween equivalent of Ebeneezer Scrooge and say “bah humbug” to the trick or treaters and the costumes and the parties and just sit at home and watch TV with the lights off? If so, then I say good for you. It’s the perfect night to catch up on some old horror classics or some of the newer blood curdling extreme film making. But what if you forgot to run to the video store this evening or your cable is out? Luckily, YouTube has got you covered.

    For tonight only, YouTube is hosting a whole bunch of free scary movies to tide the thirst of any wanna be vampire. From Vampirism documentaries to Elvira’s Movie Macabre. But the most high profile being Bram Stoker’s Dracula starring Gary Oldman, Keanu Reeves and Winona Ryder; directed by Francis Ford Coppola.

    So if you’re bored this Halloween and looking for free streaming, scary goodness, check out YouTube’s Halloween coverage.

  • Italian Horror: Impressions of a Newcomer

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    italian-horror-blogathon.jpg

    When I first heard that Kevin Olson was putting on a blogathon over at Hugo Stiglitz Makes Movies focused on Italian Horror this month, I jumped at the motivation to delve into a genre I’ve never tried before. I’m fairly new to horror in general, having only in the past couple of years actively sought out horror films to watch (and I’m still quite a wimp compared with most of my cowriters when it comes to horror), and until now I hadn’t seen any Italian horror at all. Dario Argento’s Suspiria has been on my to-watch list for quite some time, but I hadn’t gotten around to it yet, so I figured this was both a great film to begin my exposure to Italian horror with, and a great excuse to catch up with a film that makes many best lists, horror-related or not.

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    » Read the rest of the entry..

  • Follow Your Personal Legend on the Big Screen

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    People say never judge a book by its cover, but when I saw Paulo Coelho’s allegorical novel The Alchemist sitting on the Best Sellers section at Barnes & Noble a few years back, with the heavy fog hovering over a mysterious castle barely visible in the midst of it all, the title sprawled across a papyrus cover, I grabbed it and bough it without even reading the summary on the back. As Amazon describes it:

    [The Alchemist is] charming tale of Santiago, a shepherd boy, who dreams of seeing the world, is compelling in its own right, but gains resonance through the many lessons Santiago learns during his adventures. He journeys from Spain to Morocco in search of worldly success, and eventually to Egypt, where a fateful encounter with an alchemist brings him at last to self-understanding and spiritual enlightenment. The story has the comic charm, dramatic tension and psychological intensity of a fairy tale, but it’s full of specific wisdom as well, about becoming self-empowered, overcoming depression, and believing in dreams.

    I held onto the copy for a few years without every opening it, but I heard more and more about it as the years passed, praising the book as one of the finest of modern day, a classic even. Which is why I was slightly disappointed when I read it. I did enjoy the story and the exotic locations and the idea of chasing ones dream (or “personal legend” as the book coins it), even if it means leaving everything one knows behind, but it played out more like a self-help book disguised as a fictional fairy tale than anything else. It is still a book I recommend to people when given the opportunity, but not one I consider a modern day classic like many had made it out to be.

    I do think it is a story that would translate well to the big screen though and that is something we are going to be getting, with filmmakers Scott McGehee and Dave Siegel developing it for The Weinstein Company. As long as they keep it simple and don’t add in any huge war battles in attempt to create an epic war period piece that the book is not, this could turn into a visual feast of a fairy tale.

  • Review: This is It

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    Scaffolding in silhouette against the backdrop of a towering metropolis, a 3-D graveyard inhabited by lurking ghouls slinging dirt and dust into the blackness of the audience, a lush garden of butterflies and exotic wildlife- destroyed by today’s industrial monsters and forest-munching tractors, an army of futuristic soldiers marching in cadence to the rapid drum pattern leading us into another Jackson classic. These are examples of the vibrant worlds Michael Jackson and choreographer/director Kenny Ortega had created with the intent to take fans through an ultramodern concert experience. » Read the rest of the entry..

  • Shorts Program – George Lucas in Love

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    This one is for Andrew and all the other Star Wars fans out there. George Lucas in Love came out in 1999 shortly after Shakespeare in Love. It’s pretty smart and well shot and a lot of fun if you are a fan.

  • Weathering the Storm with 4 Months Actress Anamaria Marinca

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    Around these parts, as well as elsewhere, there was a lot of love for 4 months, 3 weeks & 2 days and the film’s star Anamaria Marinca. The young actress has been busy since the film’s premiere working in both television and film but this is the first I’ve seen of her since catching Mungiu’s film.

    Storm, the new film from Hans-Christian Schmid whose 2006 release Requiem was much loved, returns with this tale of a woman caught up in a United Nations investigation into war crimes in the former Yugoslavia. Marinca plays Mira a woman who witnessed and suffered some of the brutality and lived to tell about it and who is now being courted by Hannah Maynard (Kerry Fox), idealistic public prosecutor devoted to bringing the people responsible to justice.

    The political thriller has already garnered some attention and from the looks of the trailer, for good reason.

    Storm opens in the US today.

  • Bookmarks for October 30th

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    What we’ve been reading – October 30th:

    • Doc Films and Social Impact: Outreach, Outreach, Outreach
      In a 2007 study titled Documentaries on a Mission, scholar Matt Nisbet suggests that the bulk of the documentary audiences are “the choir,” a group of people watching films that cater to their “pre-existing social views.” He offers that one way a film can get beyond the choir and on the public agenda is by providing a news hook: “Documentary films…have a strong influence as media agenda-setters. Films provide dramatic ‘news pegs’ for journalists seeking to either sustain or generate new coverage of an issue.”
    • How Mr Fox saved Wes Anderson
      Though we don’t like to admit it, Anderson has been on a bit of a slide lately. Something artful and still auteur from the director yet aimed more at the masses is exactly what he needed.
    • George Miller Has Found His Max
      Tom Hardy is currently in negotiations to play “Mad” Max Rockatansky in Fury Road, the fourth film in the post-apocalyptic franchise.
    • Evil Dead coming back to theaters!
      Sam Raimi’s classic horror film “The Evil Dead” will be making its way back to theaters. It’s being re-released for a special run by Grindhouse Releasing, though no official dates have been given.
    • Give Me The Best Fictional Baseball Teams In Movie History!
      Confronted with the choice to root for the Yankees or the Phillies in this year’s World Series – or even the option to watch the action – I plan to opt for nearly anything else. I’m going to pop in a DVD and take in some of the great fictional baseball teams in movie history to forget about this season. Here are my picks…
    • Jackman ditches Oscars
      According to Variety, sources close to Jackman confirmed he turned the gig down in order to keep his mind on his current Broadway run then get his head back into movies for a while. He might host it again, but isn’t keen on doing it 2 years in a row.
    • Adorable But Horrible: 26 Cute Critters You’ll Want to Avoid
      Horror isn’t always slimy and grotesque; some of the most frightening monsters come in the cutest packages. We list the fluffy, wide-eyed, and downright adorable critters that want to scare you, eat you, or enslave you for all time.
  • Review: Omega Man

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    Doomsday Movie Marathon
    Omega Man

    Honkies, spooks and eight-track tapes: Omega Man’s post-apocalyptic world is comically locked in the early seventies. Charlton Heston plays Dr Robert Neville, the seeming sole survivor of a virus outbreak who must contend with the infected, a vampire-like clan known as ‘the family’, while pursuing a last ditch effort to find a cure. The film is the second of three adaptations made of a sci-fi novella, wedged between Will Smith’s botched update I Am Legend and the 1964 original, Last Man on Earth, starring Vincent Price. Omega Man borrows heavily from the b-movie theatrics of Last Man on Earth, but while the Vincent Price vehicle appeared earnest in its attempt to convey horror, Omega Man is well aware of its campiness (at least I hope) and milks it with abandon. Those recently confused by M Night’s Shyamalan’s The Happening, need only look at Omega Man as a precedent for such a big industry released schlock-fest.

    It is easy to see why it took some thirty years for Warner Brothers to reboot this otherwise great concept franchise: Omega Man is cheap exploitation cinema that runs the gamut from silly biblical allegories to head-scratching blaxploitation caveats, and none of it has aged particularly well. It seems incredible that only a couple years separate this goofy Heston film and his more competent venture into sci-fi, Soylent Green. Like with The Happening, I have to believe Omega Man is entirely anachronistic, although some of the hit-you-over-the-head thematic points about science versus religion appear wincingly sincere at times, and maybe this makes apologists out of some for what is otherwise a shoddy mess of a film. » Read the rest of the entry..

  • Kermode on “Couple’s Retreat”

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    As it is well documented around here I’m a big fan of the BBC’s Mark Kermode. I don’t always agree with his analysis but I am always entertained by his analysis. Now while I haven’t yet seen Couple’s Retreat (nor do I plan to), I suspect that this is one of the cases where I likely would agree with the good doctor’s opinion. Although I think maybe he’s exaggerating just a tiny bit. Have you ever walked into a glass door? Take a listen below…

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  • New Avatar Trailer is Redeeming

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    When the first trailer for Avatar was released a few months back, there seemed to be a collective chorus of “Was that it?” spreading through blogs and Twitter and movie forums. It seemed somewhat interesting, but ultimately extremely underwhelming, considering the amount of hype surrounding the movie. The unpolished special effects in the trailer also didn’t help the cause.

    Now a new trailer has been released with a little more insight into the characters and the plot of the story, perhaps as a direct response to the backlash that the first trailer received around the web. Opening with some overused Steve Jablonsky music from The Island, it sets the tone for the film: it’s going to be an epic melodramatic action-packed adventure in typical James Cameron fashion. The trailer has some real silly moments, but for me, it works overall and I think this looks more like the Avatar that we expected before the first trailer was released. I don’t expect the movie to be that good really, but I think it’s going to be a hell of a lot of fun to watch in IMAX, some real sci-fi escapism.

    Thoughts?

  • Shorts Program – The Horribly Slow Murderer with the Extremely Inefficient Weapon

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    I don’t want every one to think that the Shorts Program is just going to focus on genre film because it is not going to. Given that, I do want to present to you the short, The Horribly Slow Murderer with the Extremely Inefficient Weapon. This one is by Richard Gale and it screened at Toronto After Dark this past year. Its about 10 minutes in length but is pretty hilarious in a long drawn out way. I really hope that Gale does spend the next 9 years or so making the feature film. I will definitely be there on opening night.

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