Archive for August, 2009

  • Toronto After Dark: GRACE

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    Let us put the cards down on the table, shall we? Most horror movies these days aim to titillate, not actually scare. When you are cheering for the victims (or the slasher) to be splattered or carved on screen, this is lynch-mob entertainment or vicarious wish-fulfilment. An honest to goodness horror movie, in the humble opinion of this writer, should burrow at a deeply personal, individual level. There is nothing wrong with the former group spectacle (akin to blood-lust for gladiators in the coliseum or even the role modern sports entertainment), it is just not my personal cup of tea. When a movie like Grace comes along and shows how a few very well articulated ideas, specific amplifications of the anxieties of new parents, can really massage its audience with discomfort and bile, you will have to indulge me for getting a little giddy with excitement. The Sundance buzz around this picture, in the wake of a few audience members fainting or rushing for the doors, proudly proclaims to “See it at your own risk.” Believe that film is the real deal. Moms-to-be or folks who have a young one at home in the crib are going to have a more difficult time with Grace than some of the more acknowledged classics of the ‘pregnant-horror’ sub-genre À l’intérieur or Rosemary’s Baby.

    Writer-director Paul Solet is content early on in the picture to take precisely aimed satirical strikes at some of the things expecting parents (in the western middle class, but to a degree in any culture) will likely have to deal with at some point. Many ‘older couples,’ as in those getting pregnant into their thirties and beyond, have a rough go at getting pregnant. ‘Mission sex’ centered more around conception than personal intimacy becomes the order of the day. The goal of spawning takes on the guise of a masters thesis. The research around reproducing, the medical and social decisions can be daunting and veer off into obsessive and narcissistic realms. Natural birth or epidural pain killers? Midwife and Doula or Hospital? Breast feeding or baby formula? How far do you want to let the in-laws into the child raising decisions? How do you keep them at arms length if they disagree philosophically. Judgement calls become personal flags of stubborn pride that can alienate friends and family. All the while, images of handsome little infants gleam out from product advertisements in glossy parenting magazines and the overall sales machine of all manner of baby-do-dads. This level of anxiety-joy is much more heightened than say the lucre-circus of marriage due to the biology involved. Biology is one of the great avenues to really going after a horror metaphor; something that David Cronenberg or Shinya Tsukamoto knows a thing or two about, and Grace is certainly gunning to be in that league.

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  • Cera in Youth in Revolt Trailer

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    Youth in Revolt One SheetThe first and last picaresque novel I read was J.P. Donleavy’s “The Ginger Man”. It was an interesting exercise but overall it was not really my cup of tea (though it did have some hysterical scenes). Now it looks like I may, somewhat unwillingly, be making another jump into the style to see just what all the hubbub surrounding “Youth in Revolt” is about.

    C. D. Payne’s novel features a 14 year-old boy name Nick. He’s going through puberty, is obsessed with girls and sex and then he meets Sheeni. To gain her attention, he creates a bad ass alter ego named Francois Dillinger who says and does everything Nick doesn’t.

    The film, also titled Youth in Revolt, is adapted from the book by screen writer Gustin Nash who made a minor splash last year with Charlie Bartlett (our review), directed by Miguel Arteta and stars Michael Cera in the title role of Nick. The real surprise here is that for the first time, that I’ve noticed at least, Cera seems to be extending a little further than awkward/quirky teen. Though Nick fits Cera’s usual schtick, Francois seems a whole lot more direct and a bit of a douche which should prove interesting. Along with Cera, the film features a great cast of actors including Zach Galifianakis, Steve Buscemi, Justin Long, Fred Willard and Ray Liotta.

    The trailer seems interesting enough and as Eirk Davis at Cinematical notes, it’s a bit Fight Club-esque. I’m simply a sucker for teen movies so this one is definitely on my radar.

    Youth in Revolt opens on October 30th.

    Trailer is tucked under the seat!

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  • Like Nothing You’ve Ever Seen Before: Sand Animation

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    Kseniya Simonova

    Every once in a while a Reality TV Show discovers a new talent. Be it Susan Boyle or in this case, Kseniya Simonova.

    The 24 year old artist was a contestant on “Ukraine’s Got Talent”. She started working with sand and it eventually developed into the talent that won her the competition: creating animated films with sand. She tells an entire story by creating stunning sand drawings and with the help of accompanying music, this is as good as any short film and that much more mesmerizing because you’re see it being created and destroyed with every movement. Truly stunning work.

    Big kudos to Michael Sheen, yes, that Michael Sheen, for the first video.

    Three of Simonova’s shorts are tucked under the seat!

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  • Assassins Kill Eachother in The Tournament Trailer

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    The Tournament Movie StillWhat is up with the recent fascination with tournament style action films? What the heck happened to “save the city” action film? Even better, why not switch things up a bit? It looks like the 21st century has replaced the Die Hard plotline with that of Battle Royale: round up a group of people, let the general public take in the gore (occasionally even allowing them to participate in the action via gambling), and then sit back and watch everyone get killed. There are some variations, in the case of the upcoming Gamer that variation is that the group of people participating I the killing are in a video game, but this is the general idea.

    The newest entry into the family is Scott Mann’s The Tournament which stars Ving Rhames, Robert Carlyle, John Lynch and Kelly Hu among a few others, as assassins who gather in a town every seven years to partake in a tournament which involves them killing each other off until only one survives. Yeah…that’s original. What’s worse is that this trailer is actually being praised for being action packed. Seriously? Action might be right but what’s the point if there’s no excitement?

    This looks lame. I’d rather re-watch The Condemned.

    The Tournament doesn’t have a North American release date. Wonder why…

    Trailer is tucked under the seat.

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  • Michael Moore’s Capitalism: A Love Story Trailer

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    Only a filmmaker like Michael Moore can premiere the trailer for his new film on CNN and get away with it. Seriously, CNN?

    That’s the way it has unfolded and earlier today when CNN added the trailer to Moore’s Capitalism: A Love Story to their video archives. A documentary about the global financial crisis and the U.S. economy with a focus on the time of transition between President Obama and Bush, this looks like another exercise in Moore’s personal style of documentary filmmaking. Some may not agree or like him for his stance and how he goes about making his point but the film is guaranteed to spark conversation.

    Capitalism: A Love Story premieres at TIFF in a few weeks time and opens in limited release on September 23rd.


  • Hello Wolfman!

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    The Wolf Man Movie Still

    They keep telling us that a new wolfman film is on the way, one that shows great promise but until this trailer, I was starting to think they were pulling our leg and then this trailer comes along and boom! All of a sudden it’s clear that the reason for the release date shuffle is to monopolize boxoffice rather than any worry that the film sucks.

    Directed by Oscar winning visual effects expert Joe Johnston (he has also directed Hidalgo, October Sky and Jumanji), The Wolf Man plays out a little like Dracula.

    Benicio Del Toro is Lawrence Talbot, a man who is bitten by a werewolf and is, subsequently, turned into one himself. Emily Blunt is Gwen Conliffe, his romantic interest and the woman who runs away from the monster Talbot turns into while Hugo Weaving plays Aberline, a detective trying to sort out what exactly is going on. The film also includes Anthony Hopkins Talbot’s father, a man who, I assume, holds the key to all the secrets.

    Aside from the fact that the film stars a great cast, the reason to see this is for the werewolf transformations. Though there may not be a whole lot of love for Underworld, one of the things the film did well was the werewolf transformations and aside from Gingersnaps, it’s been a few decades since John Landis amazed us with his work. Johnston obviously knows what he’s doing and the trailer suggest that this project doesn’t simply look nice, it also features some pretty spiffy effects.

    The Wolf Man opens on February 10, 2010.

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  • Avatar Trailer

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    Here is hoping the movie in 3D on a huge screen doesn’t look like a video game cut-away sequence.

    Trailer is Here. (or see update below.)

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    **UPDATE** Trailer now tucked under the seat because it ‘autoplays’

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  • All TIFF Titles Announced! The full festival list is now Available.

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    Adding in some Lars Von Trier, I’m sure North American audiences are interested in the controversial Antichrist, as well as the Senegalese musical (not the hockey team!) Saint Louis Blues and a pair of interesting family films: One from New Zealander and director of Black Sheep, Johnathan King called Under the Mountain; the other from Denmark involving time travel, Timetrip.

    Also the latest work from Margarethe von Trotta, György Pálfi, Ole Bornedal, François Ozon, Claire Denis and Michael Haneke’s Cannes award winner The White Ribbon.

    And the proverbial, much, much more. Happy festivalling.

    Find the full TIFF list here.

  • Bookmarks for August 18th through August 20th

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    What we’ve been reading – August 18th through August 20th:

  • Trailer for Chaotic Pop Art Mayhem, BRONSON

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    Anyone who has not tracked down and watched Nicholas Winding Refn‘s Pusher Trilogy should stop what they are doing and go to Amazon or where ever else you purchase not quite mainstream movies and buy it. No Regrets. It is one of the great crime trilogies, and is made with such raw energy and quality that it is very surprising the Hollywood engine has not attempted a ‘do over.’ Refn’s character piece starring John Turturro, a slow burn thriller called Fear X is also very much worth your time. At this years Toronto International Film Festival, Refn’s big budget viking epic Valhalla is getting some spotlight, a feature I am very much looking forward to. In the mean time, Magnet have picked up what looks to be Refn’s craziest, Natural Born Killers slash Chopper slash A Clockwork Orange bit of showmanship that has already launched Tom Hardy on his way to stardom. It was a hit on the festival circuit and will likely be getting a very small arthouse release in October before finding a home on DVD.

    The film follows the life of notorious prisoner Michael Gordon Peterson, who was re-named Charles Bronson by his fight promoter. Born into a respectable middle class family, Peterson would nevertheless become one of the country’s most dangerous criminals, and is known for having spent almost his entire life in solitary confinement. Bronson is narrated with humour, blurring the line between comedy and horror. It explores the idea of a man’s violence as his alter-ego.

    The trailer is tucked under the seat.

    A world to the wise: If you have an international DVD player that can handle multi-region discs, you can scratch the Bronson urge immediately as it came out in the UK on both regular DVD and Blu-Ray last month.

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  • Toronto After Dark: THE CHILDREN

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    “You brought them into this world. Now … They will take you out” is the, frankly, pretty awesome marketing hook on the British juvenile-slasher film The Children. I choose my words carefully because the film is on the whole rather immature; being more giddy for set-piece kills over storytelling and characterization. I am quite amazed how it is earned a reputation for being “scary.” Tom Shankland and company have a eye for technical detail yet one too many establishing shots expose the episodic, plotted around kill ‘money shots’ nature of the piece. The film is so eager to please in a 1980s Freddy/Jason kinda way that it squanders a really good idea on the cheapest form of horror-thrills. Nevertheless the picture is shot with a talented eye and for the most part the acting and setting is well established.
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  • Move Over Speed Racer, Here Comes Redline!

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    Redline Movie StillThis is why the internet rocks. Minutes after reading a fantastic review of Takeshi Koike’s Redline, I have the chance to see a decent rendition of what the reviewer is talking about, especially after reading that “It is obviously reminiscent of “Speed Racer”, but compared with Koike’s high-octane speed trip, the Wachowski brothers’ jolly comic adaptation seems like a merry-go-around.” Seriously? I must check this out.

    Though some may recognize Koike as the man responsible for the anime sequences in Kill Bill, I’m more familiar with his work in one of the segments of The Animatrix. In this, his first full length feature, Koike appears to push the boundaries of eye melting action and colour by amping everything up to 110. This clip, which is the only decent video I found from the film, is pretty spectacular and certainly helps to support the claim that this puts the Wachowski’s to shame.

    The film is a take on The Cannonball Run in which a group of racers compete in an illegal race. The twist here is that one of the racers is in love with her competitor.

    Chances that Redline will open in the US are slim but if you’re an anime fan, or simply like movies that move 1,000 miles per minute, this is one to keep on the radar.

    Clip is tucked under the seat care of the good folks at Twitch!

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