• Review: Appaloosa

    Director: Ed Harris
    Screenplay: Robert Knott, Ed Harris
    Starring: Ed Harris, Viggo Mortensen, Renée Zellweger, Jeremy Irons, Lance Henriksen
    MPAA Rating: R
    Running time: 114 min
    John’s TIFF Review

    (4/5)


    When I first heard that Ed Harris and Viggo Mortensen were making a western together, I was expecting something gritty, something serious, something brutal. Instead, on the contrary, Harris put together a western that is far more along the lines of the light-hearted Butch Cassidy and the Sundance Kid than the relentlessly unforgiving The Proposition.

    Appaloosa is the story of two old friends and lawmen-for-hire, Virgil Cole (Harris) and Everett Hitch (Mortensen), who travel to a small town in New Mexico territory where a law-defying rancher looking to take over named Randall Bragg (Irons) does what he wants without consequence – including killing the Marshall and his deputies. Unfortunately, the two friends have their job of taking back the town complicated after the arrival of a mysterious, piano-playing widow named Allison (Zellweger).

    As we are first introduced to the likes of Cole and Hitch, we get the standard Eastwoodian or Waynian first impression of two for-hire gunslingers. Cole is the reserved loner. He speaks little, talking with lead rather than words (something amusingly and effectively poked at throughout the film). His partner Hitch is unflinchingly loyal and only talks when he deems it necessary, while unnervingly backing up Cole at every moment. Yet, after that first scene, this is all turned on its head, as the film develops the two characters, taking a fun spin on the standard western stereotypes.

    Like Butch Cassidy and the Sundance Kid, which this undoubtedly takes some inspiration from, this is a buddy western. The greatest strength in the film lies in the chemistry between Harris and Mortensen, two of the most talented in Hollywood, who complement each other in the film perfectly. Their companionship is natural and neither steals the show from the other, Harris shining as usual and Viggo giving a wonderful, reserved performance full of subtleties. There is the well-done love story between Cole and Allison in here, but the real focus of the film is the friendship and bond between Cole and Hitch.

    What I enjoyed most was how this had that classic western feel throughout, from the story, to the gunfights, to the music, to the old-fashioned and good-looking cinematography – this was Harris’s love letter to the westerns of a bygone era.

    The film does suffer from a few problems, including some unanswered questions and a few minor plot holes that I can only assume would have been filled had some of this not ended up on the cutting room floor. The characters are somewhat underdeveloped and their intentions sometimes unclear, such as Zellweger’s deceitful and love-needing widow, who is paper-thin and in this movie more as a plot device than anything else. Then again, that may make sense since the film is not about her at all.

    There is also some silly banter and situations that many turn some off, but I thought it felt appropriate to atmosphere of the film, a film which did not try to take itself too serious. If I have one major complaint, it is the voiceover at the beginning and the end. The beginning voiceover by Hitch explains his relationship to Cole and how long they had been together, how they met, and so on. Then we don’t hear the voiceover again until the end of the film, which was just a pointless way to wrap it all up. Even the light-hearted affair this was, I was just left wondering why they chose to put in that awkward voiceover. Without it, the audience would be smart enough to figure out that Hitch and Cole had a long past together and had been doing this together for a long time, all while keeping their origins a mystery. It was just needless.

    If you go in expecting a serious, gritty western, I can see where some disappointment would come from, because that it is not. Appaloosa doesn’t do anything new, but it does everything effectively enough that it doesn’t really matter. The acting is superb, the two lead characters are interesting, the shootouts are cool, and what probably matters the most, I was engaged throughout and had a lot of fun watching this. Sometimes its nice to just shut your brain off and go along for the ride.

6 Comments


  1. roman says:

    Saw this on opening day (never been able to resist a western) and, although I thoroughly enjoyed it, I couldn’t help but feel like it was Open Range-lite.

    Harris’ direction is awful. He makes Costner look like Welles here. This is about as uncinematic a directorial turn as you’ll see in a while. The shootout at the mission looks like it was blocked by a student filmmaker.

    Solid writing (if a little generic), excellent performances from all the leads (natch). Zellweger’s part was a little underwritten, but she’s so good you won’t mind.

    All in all, three out of five for me. But I can see how you’d throw in the fourth.

    Question: Did anybody know that was Lance Henriksen when his character was first introduced? He was completely unrecognizable to me until his later scenes.

  2. Jonathan B. says:

    I liked it a lot more than Open Range. I thought Harris’s direction was simplistic and effective and a nice throwback to old westerns of the 50s.

    SORT OF SPOILER

    The shootout was shot from an interesting angle and was very un-Serio Leone – replacing drawn out tension and atmospheric building (which I was expecting when Harris and Mortensen began walking towards them), with just a quick, unflashy shootout. I enjoyed it.

    And I only knew that was Lance Henriksen simply because I knew going in he was in it, otherwise I may not have realized until afterwards, certainly.

  3. Andrew James says:

    I liked the shoot-out. My guess is this is how a lot of real gunfights went down. Quick and furious. I was surprised by how quick it was. And being surprised is usually a good thing and here was no exception…

    Viggo: “That was quick”
    Harris: “Everyone could shoot.”

    My favorite scenes were easily the quiet discussions between Viggo and Harris. As you said, the chemistry was great between the two. The shots of them from the street looking to the “porch” of the jail house were great scenes.

    I got a little bored in the last 20 minutes or so and the voice-over was a bit unnecessary. Still, I liked it quite a bit. Irons was awesome for the little screen-time he had.

    I’ll take Open Range over this any day, but it was very similar and nearly as good.

    Agreed: 4/5 stars.

  4. Jonathan B. says:

    I’m really looking forward to revisiting this sucker and seeing if I feel the same way.

  5. ralph says:

    saw this over the weekend. was very impressed by it. not sure why it hasn’t gotten much love.

  6. Andrew James says:

    I’m about halfway through this for the second time and I feel like I like it a lot better on this second go-round. Still, my above comment about being bored for the last 20 minutes has me intrigued. I wonder if I’ll feel the same.

Leave a comment