Rewind to early summer and erase Indiana Jones and the Kingdom of the Chrystal Skull (our review) from your mind. Now that it’s gone, get ready for some rip-roaring comedic action at the hands of some of South Korea’s biggest talents. A mix of western and action adventure, The Good, the Bad, the Weird has all the action and comedy I expected from Indy except Ji-woon Kim hits it out of the ballpark.
The story is simple enough: man robs train inadvertently stealing a map to hidden treasure. Said map is being hunted by a group of bad ass bandits while the thief is being tracked by a bounty hunter. The result is a comedy of errors where everyone is tracking the same guy for different reasons. It sound convoluted but Ji-woon Kim and Min-suk Kim’s script is anything but, making excellent use of the pre-conceived expectations that audiences have going in and using them to their full advantage. You already know the plot, it’s how it unfolds that matters. The resulting film is a wild ride of genre mixing which goes well beyond Takashi Miike’s Sukiyaki Western Django. Mind you, while Miike’s film has bits of comedy interspersed, it’s a somewhat serious film while Kim’s western bender is a full out comedy. And what a comedy it is.
Throughout the film, Kim pays homage to the classic western so much so that even I, a self-proclaimed blind woman when it comes to westerns, managed to pick-up some of the hat tips. From the opening scene which plays out like Leone’s Duck, You Sucker through to the closing which seems like something out of The Good, the Bad and the Ugly, this is a smörgåsbord of western goodness for connoisseurs of the genre while the rest of us will happily sit back and enjoy the unfolding wackiness which is made all that more fun by Kang-ho Song who wonderfully portrays The Weird. That’s not to say that the other guys, Woo-sung Jung as The Good and Byung-hun Lee as The Bad, aren’t good but they’re overshadowed by Song’s stellar performance.
Regardless of how great the performances, the real joy of this film is the situational comedy which gets exponentially crazier and thus funnier. There’s wonderful joy in watching The Weird driving through the desert while fighting off the Japanese army, Chinese and Russian bandits and a bounty hunter (all they needed were some Natives to top it all off), all the while staying on track to finding the hidden treasure. There’s even more fun when the unlikely trio reach the mark on the map only to find that they must fight each other before uncovering the treasure. The series of events that unfolds is a whole lot of fun to watch.
A viewing of The Good, the Bad, the Weird is only enhanced by an active crowd, one that moves with the ups and downs of the film and responds to the characters, each of which have their own appeal and though The Weird is likely to get the most love, it’s easy to see how audiences will latch onto their own favourite, rooting for them until the bitter end.
I’m a big fan of director Ji-woon Kim’s A Tale of Two Sisters and though The Good, the Bad, the Weird is as far from a horror film as one could get, it’s wonderful to see that Kim’s portfolio is diverse. I can’t wait to see what the director has up his sleeve for us next but until then, I’m going to delve into Kim’s portfolio to see what other gems I may have missed. I have a feeling there are a couple of winners in the back catalog.
I’m not sure how I like this film. Sure it’s fun and all but it’s way too long and after a while I started to get tired of it. And to top it off I don’t remember that much about it so it didn’t leave that great of an impression.
Yes, big fan of this film. It’s not quite perfect, but it is solid, solid fun and it manages to shoehorn in a few biting comments about South Korea’s political and internal fumbling in the 19th and 20th century.
Loved this film. The documentary “Action Boys” had a whole segment of the Stunt Men trying to sneak onto location of this film. Shiny action comedy!
For those who have seen both. What is the ‘better’ ROAD WARRIOR homage, DOOMSDAY or THE GOOD BAD WEIRD? I think I’d give it to the western in this case, as that final ‘across the desert’ carriages/motorcycles/trucks scene is 100-ways-of-awesome.
I’m with you Kurt. Yeah, I had fun with Doomsday but I loved The Good, the Bad, the Weird. And yes, that race across the desert is the highlight of hte film for me too (though I love the opening train sequence as well).
Loved this film!! The opening was superior in terms of its choreography and entertainment value than the end chase scene though. They could have trimmed that beast by about 5 minutes I say.
In terms of Kurt’s Doomsday vs. Good the Bad and the Weird “Road Warrior” homage question, I think there’s an obvious answer. I certainly didn’t see any punk-rock desert cannibals in cars with human skin stretched across the body did you? Doomsday all the way baby!
Good Point Mr. Orange, but Fine Young Cannibals aside, I found that Marshall’s closing set-piece lacked the visceral road-grinding punch that George Miller managed with Road Warrior, and Kim Ji-Woon really, really captured it. I’m pretty sure that animals WERE harmed during the making of the film, probably a fair number of people too. Some of those horse stunts. Ouch. Bone Crunching.