• VIFF Announces First Round of Films

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    While TIFF has finalized its line-up (check out our coverage), the Vancouver International Film Festival is just getting started with their announcements.

    In the first of many to come press releases, VIFF has already posted a number of films on my “must see” list. It’s going to be a tough year of decision making. Here we go:

    Prize Winners & Audience Favourites

    Three Monkeys (Turkey) – Nuri Bilge Ceylan
    Il Divo (Italy) – Paolo Sorrentino
    A Christmas Tale (France) – Arnaud Desplechinwhich
    Tulpan (Russia/Kazakhstan/Germany/Switzerland/Poland) – Sergey Dvortsevoy
    Cloud 9 (Germany) – Andreas Dresen
    Hunger (UK) – Steve McQueen
    Next Floor (Canada) – Denis Villeneuve
    Captain Abu Raed (Jordan/USA) – Amin Matalqa
    Ballast (USA) – Lance Hammer
    Let the Right One In (Sweden) – Tomas Alfredson
    My Marlon and Brando (Turkey) – Hüseyin Karabey
    Old Man Bebo (Spain) – Carlos Carcas
    The Song of Sparrows (Iran) – Majid Majidi
    Happy-Go-Lucky (UK) – Mike Leigh
    I’ve Loved You So Long (France) – by Philippe Claudel
    Corridor #8 (Bulgaria) – Boris Despodov
    Revanche (Austria) – Götz Spielmann
    Be Like Others (Iran/Canada/UK/USA) – Tanaz Eshaghian
    Sita Sings the Blues (USA) – Nina Paley

    The Ark: Elements and Animals

    Blue Gold: World Water Wars (USA/Canada) – Sam Bozzo
    One Water (USA) – Ali Habashi
    A Sense of Wonder (USA) – Christopher Monger
    The Lie of the Land (UK) – Molly Dineen
    Belonging (Canada) – Audrey Brohy
    Sleep Furiously (Wales) – Gideon Koppel
    The Dancing Forest (UK) – Brice Láine
    Addicted to Plastic! The Rise and Demise of a Modern Miracle (Canada) – Ian Connacher
    The Lost Colony (Netherlands) – Astrid Bussink
    Peace with Seals (Czech Republic/Italy) – Miloslav Novak
    Circus Rosaire (USA) – Robyn Bliley
    Cat Dancers (USA) – Harris Fishman

    Nonfiction Features: Arts & Letters

    The Halfmoon Files (Germany) – Philip Scheffner
    Talking Guitars (Netherlands/USA) – Claire Pijman
    Café de Los Maestros (Argentina/USA/Brazil) – Miguel Kohan
    Throw Down Your Heart (USA) – Sascha Paladino
    Youssou N’Dour: Return to Goree (Switzerland/Luxembourg) – Pierre-Yves Borgeaud
    Teak Leaves at the Temples (Indonesia) – Garin Nugroho
    Wild Combination: A Portrait of Arthur Russell (USA) – Matt Wolf
    Celia the Queen (USA) – Joe Cardona and Mario de Varona
    The Wrecking Crew (USA) – Denny Tedesco
    Trip to Asia – The Quest for Harmony (Germany) – Thomas Grube
    Dancing With Me (Germany) – Trevor Peters
    Bird’s Nest: Herzog & De Meuron in China (Switzerland) – Christoph Schaub
    Loos Ornamental (Austria) – Heinz Emigholz

    Nonfiction Features: Nonfiction Highlights

    The Living Goddess (UK) – Ishbel Whitaker
    Donkey In Lahore (Australia) – Faramarz K-Rahber
    A Road to Mecca: The Journey of Mohammed Asad (Austria) – Georg Misch
    The Infinite Border (Mexico) – Juan Manuel Sepúlveda
    My Live Inside (Mexico) – Lucía Gajá
    Faubourg Tremé: The Untold Story of Black New Orleans (USA) – Dawn Logsdon and Lolis Eric Elie
    Chris and Don: A Love Story (USA/Ireland) – Guido Santi and Tina Mascara
    Be Like Others (Iran/Canada/UK/USA) – Tanaz Eshaghian
    Paper Cannot Wrap Up Embers (Cambodia/France) – Rithy Panh
    Who Is Afraid of Kathy Acker? (Austria) – Barbara Caspar
    Secret Museum (Belgium) – Peter Woditsch
    Chomsky and Co. (France) – Daniel Mermet and Olivier Azam
    Apology of an Economic Hitman (Greece) – Stelios Koiloglou
    The Fallen: A Silent Collapse (Mexico) – Rudy Joffroy
    The Atom Smashers (USA) – Clayton Brown and Monica Ross
    The Chicken, The Fish and The King Crab (Spain) José Luis López-Linares
    Blind Loves (Slovakia) – Juraj Lehotsky

    Shaping up nicely! Looking forward to round two and namely, the Canadian Images selections!

1 Comment


  1. I saw Corridor #8 at Hot Docs this year and quite enjoyed it. Fascinating idea of a film to physically travel from one place to another along the projected Corridor.

    Be Like Others is also very good but I found it very hard to watch people living in such personal/societial repression.

    Both have been very well received. Looking forward to hearing your picks!

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