After the Credits Episode 30 - A Dark Rant
Written By: Marina Antunes
Dale (Digital Doodles), Colleen (353 Haiku Review) and Marina discuss a few recently seen films.
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Show Notes:
:01 - Bumper
:04 - Intro Music - Rammstein’s “Mein Herz Brennt”
:16 - Introduction
1:01 - Jack Brooks: Monster Slayer
7:30 - Helloby II: The Golden Army **SPOILER**
15:37 - The Dark Knight **SPOILER**
26:12 - Outro Music - Hans Zimmer & James Newton Howard’s “The Dark Knight Theme”
Jack Brooks: Monster Slayer
- Colleen’s Review
- Official Website
Hellboy II: The Golden Army
- Row Three Review
- Colleen’s Review
- Official Website
The Dark Knight
- Row Three Review
- Colleen’s Review
- Official Website
Other Stuff:
- Movie Club Podcast
Upcoming films Fucking Åmål and Heavenly Creatures


After the Credits Episode 30 - A Dark Rant [27:05m]: 









I was actually pretty disappointed in Hellboy II. It is a perfect example of what happens when a ‘visionary director’ gets money and artistic license.
Comment by Cinexcellence — July 21, 2008
Comment by Rebecca — July 21, 2008
Comment by Marina Antunes — July 21, 2008
It is not a masterpiece, but in comparison to a lot of shit that is churned out nowadays it could easily seem to be one. It does a lot of things right but stumbles along the way. I know there was the assumption of a lot of divisiveness but I think of all the films of this summer this could be the one the people on this site are most in agreement over.
Comment by rot — July 21, 2008
Comment by Marina Antunes — July 21, 2008
Comment by Henrik — July 21, 2008
A second viewing (this time in IMAX) will determine if it is ‘all that’ but I was pretty floored that the film was able to cover such ’sticky’ ground so well. And that the emphasis seemed to be on ideas and words over action.
I rarely see films twice theatrically, and if you’d asked me 3 months ago if I’d see Batman twice in the theatre, I’d say you were sniffing glue. I do indeed like to have a movie that I doubt prove me wrong though. TDK is definitely one of those.
Comment by Kurt Halfyard — July 21, 2008
Comment by Henrik — July 21, 2008
anytime the ‘panic’ ringing music comes in it is awesome, the first confrontation between joker and Batman is awesome, even the final two minutes of the film with Batman’s decision to become the hunted, that stuff worked like gangbusters first and second time.
Comment by rot — July 21, 2008
I find it long, and fast. I felt it could have really benefitted from letting the audience have a moment here and there to cheer, gasp, etc. It just kept flying by so quickly.
It was refreshing to hear some naysaying on the podcast, I didn’t love it (nor hate it). I also felt like there wasn’t actually a lot of tension, other than vertigo from seeing it in IMAX!
Comment by Shannon the Movie Moxie — July 21, 2008
Comment by Marina Antunes — July 21, 2008
I disagree. The music in this film was pretty bad, and belittled the on-screen action instead of complimenting it. It doesn’t work when you have the restraint of JNH and the audacity of Zimmer mixed together. The score felt at the same time unfulfilling and overpowering.
Comment by Henrik — July 21, 2008
Comment by Cinexcellence — July 21, 2008
and Henrik entirely disagree about the music… let me guess, you probably hated the score in Eyes Wide Shut as well? yes its pronounced but when it works, it works. How could you not think the raising tension of the panic music did not compliment the stories that the Joker was telling? Its used three times, twice with his stories and the other time is when the batpod is driving right at the Joker… all three worthy and intense scenes that suited that sort of break with artifice. Kubrick used the same technique in Eyes Wide Shut all perfectly placed.
also TDK score in general is very good, I love the wing-flapping sound injected into the symphonic rises.
Comment by rot — July 21, 2008
Comment by Captain Billy — July 22, 2008
Comment by Kurt — July 22, 2008
I didn’t really feel The Dark Knight was intense. I appreciated the hardcore-ness of it, but it never broke out of the kids movie feel for me.
Comment by Henrik — July 22, 2008
and you haven’t seen Eyes Wide Shut?!!! I thought you were like the biggest Kubrick fan around, you arr quoting him endlessly.
Comment by rot — July 22, 2008
I think the story was alright, but I certainly didn’t sit there grabbing my seat when he was talking. The Joker felt neutered to me, his perceived persona not really coming to full fruition on screen. Had he actually ever cut somebody with his knife, that would probably have helped.
Comment by Henrik — July 22, 2008
Comment by Andrew James — July 22, 2008
I am looking forward to August though. I will get to see The Cabinet of Dr. Caligari with live music and the newly restored ‘Elsker Hverandre’ by Carl Th. Dreyer with live music. I may go see Gates of Heaven on the big screen. There’s a double feature of Le sang des bêtes and Nuit et Brouillard which is what needs to occur for me to feel intense. And maybe if I’m up for it, I will go and see FREAKS, just for kicks you know?
So Eyes Wide Shut can wait. I still have Jørgen Leth boxes to go through, Bergman movies to watch etc.
Comment by Henrik — July 22, 2008
as from Joker cutting someone, he did, he sliced open the mouth of the Spawn dude, which was the climax of his story and was when the panic music came in.
you should probably see it again.
Comment by rot — July 22, 2008
Comment by Henrik — July 22, 2008
Comment by rot — July 22, 2008
“The lack of conscience is intense, the same goes with the rather indifferent performance of Chigurh in No Country… there is intensity in someone who does not abide by usual rules”
I didn’t feel any intensity watching NCFOM either.
Comment by Henrik — July 22, 2008
Baffled. That movie simmers with a quiet intensity that delights in occasionally bubbling over.
WHO’S THE FUCKING NIHILIST HERE! WHAT ARE YOU, A BUNCH OF FUCKING CRYBABIES?
Comment by Kurt Halfyard — July 22, 2008
Comment by Henrik — July 22, 2008