Archive for February, 2008

  • How Groundbreaking is Avatar Going to Be?

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    jamescameron.JPGJames Cameron has been working on Avatar for a while now, his first feature film since some little, mostly unseen movie called Titanic back in 1997. Avatar is an action sci-fi that follows a band of humans who are “pitted in a battle against a distant planet’s indigenous population” and it stars some really good-looking unknown named Zoe Saldana, as well as Giovanni Ribisi, Michelle Rodriguez, Sam Worthington, and Sigourney Weaver. Alright, so cool. It automatically gets some interest points simply because there are a lack of quality sci-fi movies made in our world.

    Cameron keeps saying how this is going to be such a revolutionary and groundbreaking movie without saying much more about it, but he caught up with AICN today and had a few things to say about the progress of the movie so far:

    “We’ve wrapped principal, and most of the live action portion of the movie is already cut. It’s starting to look and sound like a movie. I’m ecstatic with the performances and the look. The cast chemistry worked out perfectly. … Most of my time now is spent editing, because on this type of film you edit every CG scene twice — once to edit the raw performance capture, before it goes to virtual camera, and then again when you have the virtual camera shots, you do the final edit of the scene. It’s very complex and taxing, but the result is amazing. The Weta animators are ON FIRE, and seeing the world and the creatures come to life is what keeps us going. There’s a spirit on this film, an esprit de corps amongst the virtual team, that comes from knowing we’re doing something absolutely groundbreaking. It’s why people still have good morale after working on this thing for two years or more. And we still have more than a year and a half to go. I don’t know if this will be a good film, great film, awful film, but I can say with absolute certainty that you will see stuff you’ve never imagined, and that the process of making this film will generate a lot of interest within the technical side of the biz.”

    I’m not saying I don’t have faith in Cameron, but I’m just left wondering how groundbreaking this really is going to be. Is it simply in the sense of how the film was made behind-the-scenes or are we as viewers going to be able to watch this and have to pick our jaws up from the floor from how revolutionary of a movie it is? Either way, I’m sure it will be awesome. As of now, I have no reason to believe otherwise and hopefully it will quench my inner sci-fi nerd who is so very thirsty.

    And one final point, James Cameron looks kind of funny without his facial hair.

  • A Question about Blu-Ray

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    Full Screen Vs Wide ScreenSo now that the HD/Blu-Ray war is over and we can expect more and more Blu-Ray movies to be released in the coming years I have a question for you. Do you think that there will be movies released in full screen on Blu-Ray? I know a few people who still by Full Screen no matter what I tell them and I’m sure they will be ticked off if they have to buy the crappy wide screen version. For some reason the thought of a high definition full screen movie just amuses the heck out of me.

    This post has been brought to you by the people who assigned me a boring mind numbing project at work.

  • Rank ‘em: Characters from “Heroes”

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    Heroes cast

    While I don’t want to turn this into a television blog, I had a fun idea for a “Rank ‘Em” post this morning. So here’s the deal, I was thinking about making a ranked list of my favorite characters from “LOST.” Then I realized that I still haven’t posted my “LOST” Discussion thread yet (because I haven’t figured out a way to keep it spoiler free in the recent comments section on the right hand side of this page). Eventually it’ll get done though and I don’t want two “LOST” posts. So then I got to thinking that a way better list would be for me to revel in my recent love of “Heroes.” This is the perfect show to talk about who your favorite characters are and why. With all of their most triumphant super powers, it’s easy for everyone to have a favorite or two.

    Here’s the movie tie-in just so I feel justified to my co-writers in posting this. You know all the comic book movies you pay $10 to see at the theater and they all suck ass (Spider-Man, Hulk, Superman, Batman & Robin, etc)? This show more than makes up for all those with its fun characters and interesting storyline. It’s the comic book movie that never was. For Free. On TV.

    Anyway, I’m only through season 2 of the show, so here is a ranked (NON spoilerific) list of almost all of the main characters throughout the first two seasons. Criteria: They must have been on at least 5 episodes and, with the exception of two choices (#1 and #15), they must have super-powers…

    1) Noah Bennet – Ironic that my favorite character is non-superpowerific. This guy is bad ass as he seems to be able to hold his own against any of the others. He’s mysterious and a family man at the same time. And he has style to boot. I seriously dig those glasses.

    2) Hiro Nakamura – Though his role got a bit predictable, I like his fun (bordering on annoying) attitude towards life and his “mission.” Plus in the very beginning of the series, we get to see what Hiro ultimately becomes: a wicked warrior.

    3) Peter Petrelli – He’s got an aura of coolness about him, despite the weird facial “tweak” to his right side. Plus, of all the super powers you could be gifted with, it’s pretty obvious why his is easily the best.

    4) Maya Herrera – She’s super hot. The black tears of death are pretty rad too though.

    5) Nathan Petrelli – Peter’s older brother. Though he’s a dick politician, at least we know where we stand with him… not on the ground.

    6) Sylar – Your show is only as good as your villain. Sylar rips balls. Though he’s a coward at heart, with all that power backing him up he’s damn near unstoppable.

    7) Matt Parkman – The guy on the show I would want to sit and have a beer with. Well… as long as he turned off his mind reading ability for a little while.

    8 ) Monica Dawson – Though I haven’t spent a lot of time with this character yet, I think her power is AWESOME. I’d spend a load of time watching TV and internet stuff if I had her power. You go girl!

    9) Elle Bishop – Always happy to have more Kristin Bell (Veronica Mars, Deadwood) in my TV viewing. Remember Raiden from the Mortal Combat game? He ain’t got nothin’ on Elle.

    11) Claud – Invisible. Nice. Plus he gets bonus points for being in “Dr. Who” and 28 Days Later.

    12) Claire Bennet – Again, hotness factor is always a plus. I would also say her power is one of the better ones to have. Though not very offenseive, it is a mighty fine defenseive power.

    13) Micah Sanders
    14) The Haitian
    15) Mohinder Suresh
    16) West Rosen
    17) Niki Sanders (aka Jessica)
    18) Adam Monroe
    19) D.L. Hawkins
    20) Molly Walker – an annoying character. Despite how important her power is in the shows story arc, it’s not the power I would choose.
    21) Alejandro Herrera – not exactly sure what his deal is yet, but he’s obviously important.
    22) Isaac Mendez – Yay. You can paint.

    I believe that’s all of them. Honorable mention goes to Mr. Linderman (who breaks the rules of my criteria, but I do like him for obvious reasons).
    Anyone else watch this show? Who’s your favorite character(s)?

    NO SPOILERS IN THE COMMENT SECTION (for this post) PLEASE!

  • Tourist Trap

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    Someone just sent this to me via MySpace and I think it is a ton of awesomeness. I’ve added it to my Netflix queue. Thought you’d like to know. You can check out the video behind the cut. Anyone ever seen this movie?

    » Read the rest of the entry..

  • Dance of the Dead Premieres at SXSW

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    Dance of the Dead starsAs you probably know by now, we like our un-dead pictures around here. Even the cheaper ones – which turn out to be quite good and sometimes better than the big budget affairs. So it looks like Austin will get a first look at Gregg Bishop’s Dance of the Dead at their South by Southwest (SXSW) Film Festival in March.

    It’s my experience after two years of Toronto After Dark, that these smaller budget, teen horror flicks are almost always worth their price in admission tickets. From Night of the Living Dorks (my review) to Automaton Transfusion (my review), although rough in a few spots, have more than enough energy and “brains!” to please even the most die hard of zombie maniacs (me).

    So this new flick, though not the most inspirational of titles, involves a zombie outbreak that occurs during a high school prom. The only ones who can quell the uprising are the dorky kids who weren’t cool enough to find a date to the dance. Although I won’t be making it to Austin, TX this time around, I’ll definitely be keeping myself posted on this one (hence, you’ll be kept posted). So for now, check out some pics “below the fold” courtesy of Firstshowing.net and also a link to the SXSW Festival web site for the full schedule and box office…

    » Read the rest of the entry..

  • Tracey Fragments Heads South

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    The Tracey Fragments Movie Still2007 wasn’t just a great year of Hollywood film, it was also a great year for Canadian film; Away from Her, My Winnipeg, Eastern Promises, but aside from Maddin’s film (which I expect to be a bit experimental in his own Maddin way), the most interesting film I saw last year, Canadian or otherwise, was Bruce McDonald’s fragmented experiment The Tracey Fragments.

    I never imagined that the film would get any sort of American release but looks like Ellen Page’s Oscar nod carries a lot of weight. ThinkFilm has decided that Page’s name is enough to get butts in seats and Variety has news that the distributor will put McDonald’s experiment into release starting in New York on May 9th, followed by a platform theatrical rollout. Exciting!

    The film stars Page as “15-year-old Tracey Berkowitz [who] is naked under a shower curtain at the back of a bus, looking for her little brother Sonny, who thinks he’s a dog”. That funny plot synopsis comes care of IMDb and aside from the interesting style, the film is accompanied by great performances and a fantastic score by Canadian indie sensation Broken Social Scene.

    Keep an eye out for The Tracey Fragments coming to a theater near you and to get yourself warmed up for the visual smörgåsbord, be sure to check out the trailer behind the cut.

    » Read the rest of the entry..

  • Blood Simple. Pauline Kael. Hindsight.

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    Blood SimpleBrowsing through the massive amount of daily mondo cinema linkage over at the always fabulous GreenCine Daily, one thing that popped out was that The New Yorker recently put up Pauline Kael‘s original review of Blood Simple written at the time of the Coens‘ film debut, February 1985. It’s a fascinating read, one because the length of the review is about 3-4 times longer than most press and/or magazine film reviews these days (Kael can and does get into some of the minutiae of the films matter) and and two because she seems to totally nail the foundation of the Coens‘ idiom, yet fails to actually get (or what she does get, rubs her the wrong way) what makes them so damn enjoyable as filmmakers. I offer you some excerpts below, but encourage any film fan to read the full review (HERE – be sure to scroll down, unless you are interested on what she has to say about Peter Weir‘s Witness).

    But [they don't] seem to know what to do with the actors; they give their words too much deliberation and weight, and they always look primed for the camera. So they come across as amateurs.

    [Blood Simple] works best when someone misinterprets who the enemy is but has the right response anyway. (It’s like a bedroom farce, except that the people sneaking into each other’s homes have vicious rather than amorous intentions.)

    Coen’s style is deadpan and klutzy, and he uses the klutziness as his trump card. It’s how he gets his laughs.

    Blood Simple is that kind of student film on a larger scale. It isn’t really about anything except making a commercial narrative movie outside the industry.

    The reviewers who hail the film as a great début and rank the Coens with Welles, Spielberg, Hitchcock, and Sergio Leone may be transported by seeing so many tricks and flourishes from sources they’re familiar with. But the reason the camera whoop-de-do is so noticeable is that there’s nothing else going on.

    Now the Coens‘ filmography does indeed read like a tacky tourist trip through many of the classic genres of cinema (Screwball Comedy, Noir, Gangster, Slacker Comedy), and they’ve certainly managed at least one great American classic (That’d be Fargo, although many would also argue No Country For Old Men, or perhaps Barton Fink). Ms. Kael’s initial write-off seems a bit harsh, perhaps a backlash to the brothers coming so quick out of the gate into high falutin’ cinema circles. Over their 23 year career (Oi, Ethan was only 26 when this film was made) They have married successfully comedy to pathos, style to substance and most importantly, art-film to pop-entertainment. No small feat that.

    Discuss.

  • Amateur Spotlight: Cops & Robbers

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    When it comes to amateur filmmaking on the internet, whether through YouTube or MySpace Filmmakers or Funny or Die or whatever, I’m a hard man to please. I’m not impressed too easily nor do I laugh as often as most – but every once in a while I’ll come across a short film on the internet that hits my ol’ funny bone just right and this is one of those cases. I’m not sure what about this made me chuckle so much (“Got real… got really real”) besides the fact that we’ve all been there at one point in our lives. They’re just some dudes into making short comedy sketches (you can check out the creators Chad, Matt & Rob’s MySpace for more), and this is pretty silly, but after watching this more than a few times, my friends and I were still laughing so I thought I’d share it here.

    Feel free to share some of your favorites in the comments.

    You can check out the video behind the cut.

    » Read the rest of the entry..

  • Heckerling And Lau Get the Shaft

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    Bauer Martinez Entertainment LogoOne would think that with a director who has a track record like Amy Heckerling‘s (Fast Times at Ridgemont High, Look Who’s Talking and Clueless) and a cast which includes Michelle Pfeiffer, Paul Rudd and Oscar nominated Saoirse Ronan, a film would get some sort of release but unfortunately for Heckerling, that was not meant to be.

    The film is I Could Never Be Your Woman and though it doesn’t appear to be a sure fire winner, it’s certain to be better than Because I Said So or any other lame-ass romantic comedy and yet one gets a release and the other doesn’t. Actually, Heckerling’s film was so badly treated that she had a difficult time editing it from bits and pieces to actually make it work.

    How is this possible you ask? Simple. Blame it on a production company, namely Bauer Martinez Entertainment. According to a recent article at EW, the company has pretty much been in hot water since it got off the ground a few years back and its problems have gotten progressively worse resulting in a few films getting unceremoniously shafted. Though Heckerling’s film did eventually find a direct to DVD release (it’s available now) even that release didn’t come easy and reading about the problems with the production I’m surprised this ever managed to see the light of day. Meanwhile, another Bauer Martinez production is still waiting to be seen this side of the water.

    Though I will be the first to admit that Andrew Lau’s The Flock (our review) is not exactly a fantastic film, it is deserving of a release, especially when one takes into consideration the recent (if short lived) resurgence of Richard Gere’s career and the co-starring credit of the always memorable Claire Danes but Bauer Martinez has failed that production as well and as of right now, that film is not scheduled for a Region 1 DVD release, never mind a theatrical release.

    Looking at the studio’s website is actually rather depressing. Harsh Times should have had more than a one week release and I’ve never even heard of Land of the Blind which stars Donald Sutherland and Ralph Fiennes. My hope is that Philippe Martinez gives up his hopes of making it in Hollywood and simply walks away. I’d hate to see him wreak havoc on any more productions.

  • Scenes That Scare Me!!!

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    Scare Me Feature

    So Valentine’s Day is happening and the word goes out that it is time for a new featured article here at Row Three. Of the people who have not written one yet I seem to have the largest amount of time so I throw my name in. I sat there for about a half hour and just could not really come up with anything and then it hit me. What better way to celebrate Valentine’s Day than to take a look at several scenes in movies that seriously scare me? What follows are the scenes that no matter how many times I see give me goose bumps every time. Just like the goose bumps I get when I think about Valentine’s Day. I should warn you that since we are jumping into various scenes during movies there are some spoilers of various levels. None of the movies are brand new movies so odds are you have seen them before.

    For a scene to be considered scary it needs to invoke the proper emotional response and the response needs to remain there long after the movie is over. In many ways I would relate a good horror scene to a good comedy scene. Both require certain finesse in order for them to be memorable. Football to the groin style humour will elicit a laugh while the movie is on but once you leave the theatre that scene will quickly blend in to the rest of the movie and will be forgotten. The same can be said for the multitude of kills performed by Jason in the Friday the 13th Series. There is not a single scene that I would call truly scary. What most horror movies do is startle and gross you out. In Hatchet, Victor Crowley is a huge beast of man who at one point takes a belt sander to a victim’s face. The scene may be memorable for its audacity with gore but I expect that not a single person in the theatre was scared. They were grossed out and were laughing. This for me is the equivalent of that football hitting the groin.

    » Read the rest of the entry..

  • Okay, I Suck and Bought DVDs

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    Sunshine DVDSo I headed out on Friday to rent a couple of movies that I wanted to see before I record the next Middle of the Row podcast with Dave. I should say first sorry for the delay in getting that out. I was sick and then Dave was. I believe our plan is to record weekly and now that we are both feeling well again hopefully we’ll get back on track. So anyways back to my post. I was out looking to rent these two movies and I headed into Blockbuster. I took a quick look around but couldn’t find the movies I wanted so I was going to head over to another rental store. On the way out though I noticed a copy of Treasure of Sierra Madre in the 4 for $24 dollars section so I picked up four dvds.

    I then headed over to the other shop and I found one of the movies. Instead of renting it I decided to just skip it for the time being. On the way out I noticed that the previously viewed movies were all on for $10 each. So I picked up 6 more movies. I still intend to not buy any more movies; but man, I just don’t have any willpower. I’ve really got to get the new HD/Blu-Ray player soon.

  • US Indiana Jones Trailer Censored

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    Chances are that by now, you’ve seen the Indiana Jones and the Kingdom of the Crystal Skull Trailer trailer at least once (if not more) but I bet most folks wouldn’t know that the US trailer, which most of us have seen, is censored. Yes, you read right: Censored.

    The discovery comes care of JBM at Cineblog and though it’s a pretty small difference, it is pretty obvious. Check it out:

    Indie Trailer Censor

    I can just imagine the conversation between the MPAA and Spielberg:

    MPAA: Steven, you have too many guns in that clip.
    Steven: Too many guns? What are you talking about?
    MPAA: For a General Audiences rating, you can only have one gun and it can’t be pointed directly at Indy.
    Steven: Fine. You helped me out on “Transformers” so I’ll take out the guns. But I’m keeping them in for the international cut of the trailer.
    MPAA: Fine. We don’t care. Just take them out of the trailer that our kids are going to see.

    Or something equally as lame. If you want to check out the difference for yourself, you can do so behind the cut.

    » Read the rest of the entry..

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