Archive for October, 2007

  • TAD Review: Alone

    0

    Directors: Banjong Pisanthanakun, Parkpoom Wongpoom
    Writers: Banjong Pisanthanakun, Parkpoom Wongpoom
    Producer: Mingmonkul Sonakul
    Starring: Masha Vadhanapanich, Witthaya Wasukraipaisam
    MPAA Rating: NR
    Running time: 92 min
    Country of Origin: Thailand


    From the latest crop of Asian horror comes one of the finest I’ve seen in recent memory. With the latest trend of American remakes of some of these great stories and ideas also come some major disappointments, hence putting me off of the Asian horror genre for the last couple of years. I’m happy to report that I’m back on track after this sophmore effort from writers/directors, Pisanthanakun and Wongpoom. If you’ve never seen their debut film, Shutter, I can assure you that tracking that film down will be worth your while as well.

    Recent crap horror out of The States has focussed mainly on blood and gore, while neglecting the true nature of horror: psychological scares and a taut storyline. Alone delivers these two strengths in spades. According to director Pisanthanakun himself, the film was in production for over two years and when conceived was not even thought of to be horror. The directing duo just wanted to make sure their second effort was better than their first and had a good story. Success!

    Alone tells the story of Pim, a young Thai woman who has moved with her husband to Korea to start a new life after being surgically separated from her conjoined twin Ploy. After a long and tumultuous surgery in their teenage years, Pim survived, but Ploy did not. Wracked with guilt, Pim’s tarot reading at a party reveals something will return to her that was once lost. Soon after, Pim and husband Wee return to Thailand to care for her ailing mother; at which time, strange, psychological visions start driving Pim mad and convincing her that her departed sister has returned from the dead to wreak havoc.

    The film has plenty of jump scares to keep the audience on its toes. While these are generally cop outs in my opinion, they work rather well in the beginning of the film to set up a tension. As I began to believe that this would be the sole scare tactic in Alone and therfore let me down. Fortunately, this was not to be. As the plot develops, legitamately creepy imagery, sound cues and general atmospheric scariness abounds to keep those little hairs on the back of your neck straining for the ceiling.

    As the film nears its climax, admittedly the scares did start to wear off and didn’t work as well as they had in the beginning. However, the plus side to this is that at this point, the storyline has really taken off and we’re now invested in the characters and actually care about what turn of events might happen next. The entire experience is the perfect blend of scares, drama and well thought out plot line. Are there some holes here and there? Sure, but nothing to get in a twist about and certainly nothing that detracts from the experience.

    Pim is played by Thai, pop-music star, Marsha Wattanapanich. When the inevitable American remake of Alone hits pre-production, it will be a daunting task to replace Wattanapanich in the role of Pim. Her prowess and charisma on screen is, although certainly not Oscar worthy, very convincing and demanding as she is on screen in roughly 95% of the running time. Her ability to convey fear, anger and sadness is something few actresses can pull off convincingly today and Wattanapanich seems to be able to give it to us with relative ease. Huge kudos are in order on this point.

    The scares will keep coming out of Alone at high rates and each time in unique styles and circumstances. No cliched, long-haired, zombie-esque chicks here; just quality frights by creative film makers and obvious masters of the genre. Possibly the best film at the recent Toronto After Dark Film Festival, Alone is an obvious crowd pleaser. It’s been winning several awards on the fetival circuit and for good reason. Alone is a film not to be missed by fans (and non-fans) of the horror, or just plain scary, genre.


    Press “PLAY” to watch the trailer


    Links:

    IMDb.com – full cast and crew
    Official Site
    Toronto After Dark Film Festival

  • Review: Now You See Me, Now You Don’t

    0

    Director: Attila Szász
    Writer: Attila Szász
    Producer: Dalma Hidasi
    Starring: Vitéz Ábrahám, Ernõ Fekete, Dóra Létay
    Country of Origin: Hungary
    Running time: 30 min


    When I received the request to take a look at the screener for this short film and give my thoughts on it, the title intrigued me, but I was even more interested in the cover art. I know, I know; never judge a book (or a DVD) by its cover. But sometimes one just can’t help themselves. The cover is caring and heartfelt, yet at the same time a little bit creepy. A mother and child silhouetted on a back porch in front of what looks to be a warm, inviting home. But just inside the home is a shadowy figure that looks slightly haunting and menacing. Great cover.

    So given the title, imagine my surprise when the DVD arrives and it’s actually a subtitled Hungarian film entitled, Most látszom, most nem látszom (Now You See Me Now You Don’t). It’s not very often I’m asked to screen and review a film out of Hungary. In fact, I’m not even sure if I’ve ever seen any films from that country. So now even more intrigued, I dropped the film in the DVD player. Wow.
    » Read the rest of the entry..