
No controversy here, just a bit of mild amusement as the re-think engine on Brad Pitt’s Zombie Blockbuster, World War Z continues to chug along. The designers have taken Pitt off a cargo plane (left), moved him to a rooftop (right), tilted the city, altered the time of day (judging by the lens flares from the sun), and accessorized him with a heavy calibre fire arm. Photoshop fixits are nothing new in the world of key art, they’re par for the course, when you look at the minor tweaks often done across countries for any given studio tentpole, but this might be the first time that changes are metaphoric for the production history of the film.




























